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Dale Harris

Dale's Recording Studio

Dale Harris: The Guitars Show!

1FD STUDIOS

A private recording studio built by Dale Harris in Hertfordshire, England.

The Construction Process: A story of the building and wiring of F1D Studios by Dale Harris

This is a three bedroom cottage. First, the main studio live room had the bedroom door removed. Fellow Sheppertonian Larry Lucas cut out the wall in order to fit the double-glazed doors. The following decribes the next stages of the studio construction and development process pictorially.

Live Room Pic 1.

The membrane layer



Live Room Pic 2.

Internal shutters fitted

 


Live Room Pic 3.

Chipboard and cable channel

 

Live Room Pic 4.

2nd layer chipboard


Live Room Pic 5.

Cable running under door

 


Live Room Pic 6.

Pine floor: tongue & groove

 


Live Room Pic 7.

Pine floor

 


Live Room Pic 8.

Side packed felt 'isolation'

 


Live Room Pic 9.

Cable to studio box

 


Live Room Pic 10.

Box: 16 XLR / 8 TRS Line

 


Control Room Pic 11.

Washed walls for painting

 


Control Room Pic 12.

Painted walls

 


Control Room Pic 13.

Cable run for 2nd live room

 


Control Room Pic 14.

Internal shutters fitted

 


Control Room Pic 15.

Raise fireplace height

 


Control Room Pic 16.

Membrane layed

 


Control Room Pic 17.

Chipboard & cable channel

 


Control Room Pic 18.

2nd layer chipboard started

 


Control Room Pic 19.

2nd layer chipboard

 


Control Room Pic 20.

Pine laminate floor

 


Control Room Pic 21.

Cables fed through floor

 


Control Room Pic22.

Skirting board fitted

 


Control room Pic 23.

Keyboard 8 TRS lines

 


Control Room Pic 24.

Mixing desk installed

 


Control Room Pic 25.

Patchbay installed

 


Control Room Pic 26.

Live room XLR's soldered

 


Live Room Pic 27.

Microphones set up

 


Second live room pic 28.

Cable installed

 


At The Post-building Stage

Since the studio live-room was finished, I recorded all of my third CD Reverie On A Hill there, plus some items for future classical guitar solo CD projects. I found that the live room was perhaps too lively for my solo guitar work. Thus, as you can see in the pictures, I installed a few moveable soundboards near the walls and placed a rug to cut down any unwanted reflections. Moreover, I always shield and consequently dampen off the radiator as I find it reflects the high end frequencies which upset the frequency balance of the microphones.

On the whole, considering this was my first attempt at building a studio, I can say that the results are extremely pleasing. That said, don't under-estimate the time spent in preparation: e.g., sourcing materials and tools, asking others for advice (expect a variety of opinions as well). It's also wirth talking to other studio owner-builders. The producer Pat Collier gave some invaluable hints regarding aspects of the building process in addition to sound-related matters.

Guitar prices start at around 40-50GBP for a classical, 60-100 for steel-string acoustic and electric instruments.
More advanced students should look at Epiphone or Dean guitars, and Fender Squire models such as Stratocasters, Telecasters. Gibson Les Paul copies have a good thick and sustaining sound although they tend to be heavy and perhaps less-versatile, forget guitars will silly shapes (e.g. 'flying v') as finding suitable cases that will fit is a headache and cumbersome.

End Results

On the whole, considering this was my first attempt at building a studio, I can say that the results are extremely pleasing. That said, don't under-estimate the time spent in preparation: e.g., sourcing materials and tools, asking others for advice (expect a variety of opinions as well). It's also wirth talking to other studio owner-builders. The producer Pat Collier gave some invaluable hints regarding aspects of the building process in addition to sound-related matters.

How (Not) To Injure Yourself?

Most of the chipboard wood was cut using a circular saw, a rather dangerous but neccesary tool. As long as you think about what you are about to do, and let the saw do the work (and don't ever force it) then I don't see why anyone cannot do this.The same can be said for drilling. I had one accident when drilling the holes into the concrete for the cable runs. I found that the drill can suddently grip the surface and the handle turns instead to the drill-bit. My hand was smashed into the ground, momentarily crushing my middle finger! Luckily it was only bruised but that action could have meant a broken finger or two so I would advise more caution when your fingers or hands are in the firing line.

Inviting Other Musicians: Problems

The depth of the chipboard was a crucial factor as the other rooms in the house all need to be met at the same height. It is best to avoid there being any steps to trip-up over for dreaded health and safety reasons. You don't want to invite Eric Clapton over for a jam only for him to trip-up on his way to the bathroom and break his neck now do you?!

Dale Harris, this article was written in January 2009

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