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NEURAMA
Music, Art and Poetry by
MUSIVISU

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    An ancient indigenous history tells that at the beginning of the world God was thinking and then his thoughts became eggs from which the human beings emerged following the way of life after that. Speaking of ideas this history could be related to the things made by human beings. Things which come from thoughts. Things like objects, words, art or the human self would stay apart from creators by time and space continuing their own existence.

    From an artistic point of view an artwork would follow its own history or existence apart from the artist who created it. Once the piece of art is treated as something independent it would transform the relationship between the piece and the spectator in something isolated. In some cases it could be an experience lived by the spectator in privacy. Viewing a picture, reading a poem, listening to music, watching a video or even playing a musical instrument would become individual experiences separated from the material life of the authors. This would explain why sometimes the artist's intention  is far away from the   spectator's  impression.

    Considering a piece of technology as a piece of art, it could be found that the relationship between technology and the creators of technology could be enclosed in this kind of situation. A situation in which the designer purpose could be different or even opposed to the user experience. This would not be a problem to the human being whenever the final experience be beneficial or cause no damage.

    This reflection about the relationship between an indigenous history, art and technology is a premise to the presentation of the artworks enclosed in this page, considering their effect to the spectator.


    The pieces presented in this page have been created with good will. They are dedicated to every human being, trying to maintain the harmony between technology and the human spirit. Primitives thoughts that persist by the side of contemporary ideas become tools for the creation of new pieces that will follow their own ways to find new spectators.

 

 

 

© 2003 Nestor Gil

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