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28/01/2009
FILE0004.CHK
Mood:  down
Now Playing: Babylon ZOO - Spaceman
Topic: Experimental christian

space.lv autopilot-skriptinjsh

no portaala: http://administracija.space.lv/zinas/spacelv-administracijas-vestule-portala-dalibniekiem
Par SPACE.LV platformu
Shai speelei ir konkreets autors no kaa speeles veidotaaji ir iegaadaajushies licenci un arii pati speele tehniski ie izveidota no nulles. Liidz ar to ir pieljaujamas dazhas nelielas nepilniibas saakotneeja posmaa, tachu taas visas soli pa solim tiek noveerstas. Arii shobriid ar SPACE.LV straadaaprogrammeetaaju grupa un paarbauda to vai pastaav iespeeja negodiigi ieguut punktus, vai nee. Shobriid mees esam gandriiz paarliecinaati, ka shaada iespeeja nepastaav, tachu veelamies, lai paarlieciiba buutu uz visiem 120%.

uzkjiileet skriptinju autoram prasiija apmeeram pus stundu...

http://rapidshare.com/files/190781608/SpeisElVeeAutomaats_20090128.rar.html

http://www.sendspace.com/file/bpmwr5

http://www.mediafire.com/?izmzgkmomgy 

 

aizvadiitaas nedeeljas bilance:
novilkto kopiju sk.: ~30..50
lietotaaju reakcija: lielaakoties neizpratne
saita administraacija informeeta
administraacijas reakcija: ignorance - 'viriniet bannerus un viss buus shtokos, bet, ja nav - slikti virinaajaat' - dezhavu... formula veca kaa pasaule

visvairaak zheel cilveeku, kas tiek iesaistiiti liidziigaas afeeraas, patiesi cerot ko laimeet, bet vieniigais ko sanjem ir spljaaviens sejaa. 
un spriezhot peec (nu jau izraveetajiem) komentaariem administraacijas blogaa, taadu nav maz...


Posted by themabus at 20:31 EET
Updated: 31/01/2009 12:41 EET
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23/12/2008
FILE0003.CHK
Mood:  party time!
Now Playing: http://somafm.com/play/indiepop

1552 Tenka Dairan (J) [AKCD3001]
Alnam no Kiba - Shouzoku Juunishin-to Densetsu (J) [RSCD4006]
Atlas, The - Renaissance Voyager (J) [ADCD4002]
Aurora Quest - Otaku no Seiza in Another World (J) [PVCD3010]
Babel (J) [TJCD2024]
Bakushou Yoshimoto Shinkigeki (J) [HCD4045]
Bishoujo Senshi Sailor Moon Collection (J) [BACD4004]
BuilderLand (J) [MWCD2003]
Burai - Hachigyoku no Yuushi Densetsu (J) [RHCD1001]
Cal II (J) [NAPR1034]
Cal III - Kanketsuhen (J) [NAPR1039]
Cosmic Fantasy - Bouken Shounen Yuu (J) [TJCD9003]
Cosmic Fantasy 2 - Bouken Shounen Ban (J) [TJCD1015]
Cosmic Fantasy 3 - Bouken Shounen Rei (J) [TJCD2029]
Cyber City Oedo 808 - Kemono no Zokusei (J) [NSCD0003]
Death Bringer - The Knight of Darkness (J) [TJCD0007]
Doukyuusei (J) [NAPR1051]
Dragon Knight II (J) [NAPR1029]
Dragon Knight III (J) [NAPR1035]
Dragon Slayer - Eiyuu Densetsu (J) [HCD1020]
Dragon Slayer - Eiyuu Densetsu II (J) [HCD2033]
Dungeon Master - Theron's Quest (J) [JCCD2010]
F1 Circus Special - Pole to Win (J) [NBCD2002]
Gambler Jiko Chuushinha - Mahjong Puzzle Collection (J) [TPCD1003]
Hatsukoi Monogatari (J) [TICD4002]
High Grenadier (J) [TJCD1016]
Hokutosei no Onna - Nishimura Kyoutarou (J) [NXCD9001]
Hu PGA Tour - Power Golf 2 Golfer (J) [HCD4056]
Human Sports Festival (J) [HMCD2002]
Inoue Mami - Kono Hoshi ni Tatta Hitori no Kimi (J) [HCD2035]
IQ Panic (J) [AICD1002]
Jack Nicklaus' World Tour Golf (J) [JCCD0003]
Kagami no Kuni no Legend (J) [JCCD9001]
Lady Phantom (J) [TJCD1019]
Langrisser - Hikari no Matsuei (J) [NSCD2017]
Lodoss Tou Senki (J) [HCD2029]
Mashou Denki La Valeur (J) [KSCD1001]
Mateki Densetsu Astralius (J) [AICD0001]
Might and Magic (J) [NAPR1022]
Monster Maker - Yami no Ryuukishi (J) [NAPR1026]
Nekketsu Koukou Dodgeball Bu - Soccer Hen CD (J) [NXCD1005]
No-Ri-Ko (J) [HCD8001]
Princess Maker 1 (J) [HECD4015]
Princess Maker 2 (J) [HECD5020]
Princess Minerva (J) [RHCD4008]
Psychic Detective Series Vol.3 - AYA (J) [DWCD2003]
Quiz - Tonosama no Yabou (J) [HCD2038]
Quiz Avenue (J) [NAPR1013]
Quiz Avenue II (J) [NAPR1024]
Quiz Caravan Cult Q (J) [HCD3047]
Quiz Marugoto the World (J) [ATCD1001]
Quiz Marugoto the World 2 - Time Machine ni Onegai! (J) [ATCD2003]
Rising Sun (J) [JCCD2006]
Road Spirits (J) [PVCD1003]
ROM ROM Stadium (J) [NSCD9001]
Sangokushi III (J) [KOCD3003]
Sengoku Kantou Sangokushi (J) [IGCD1002]
Sexy Idol Mahjong (J) [NBCD3004]
Shanghai II (J) [HCD0010]
Shanghai III - Dragon's Eye (J) [AKCD2002]
Sherlock Holmes no Tantei Kouza (J) [JCCD1004]
Sherlock Holmes no Tantei Kouza II (J) [JCCD3012]
SimEarth - The Living Planet (J) [HCD2040]
Sol Bianca (J) [NSCD0002]
Sotsugyou - Graduation (J) [NAPR1036]
Sotsugyou II - Neo Generation (J) [RHCD4009]
Space Adventure Cobra - Kokuryuuou no Densetsu (J) [HCD8004]
Space Adventure Cobra II - Densetsu No Otoko (J) [HCD1014]
Super Albatross (J) [TJCD9002]
Super CD-ROM2 Taiken Soft Shuu (J) [HCD1027]
Super Mahjong Taikai (J) [KOCD2002]
Super Schwarzschild (J) [KSCD1002]
Super Schwarzschild 2 (J) [KSCD2003]
Take the A Train III (J) [ADCD3001]
Tanjou Debut (J) [NAPR1043]
Tengai Makyou - Fuun Kabuki Den (J) [HCD3046]
Tengai Makyou - Ziria (J) [HCD9005]
Tengai Makyou II - Manji Maru (J) [HCD1022]
Tenshi no Uta (J) [TJCD1018]
Tenshi no Uta II - Datenshi no Sentaku (J) [TJCD3033]
The Davis Cup Tennis (J) [MWCD2002]
The Kick Boxing (J) [MWCD2001]
The Pro Yakyuu (J) [IGCD0001]
The Pro Yakyuu Super (J) [IGCD2004]
Vasteel (J) [HMCD0001]
Where in the World Is Carmen Sandiego (J) [PVCD0001]
Xak I & II (J) [TJCD2032]
Yawara! (J) [SXCD2001]
Ys I & II (J) [HCD9009]
Ys IV - The Dawn of Ys (J) [HCD3051]


http://thepiratebay.org/tag/pce


Posted by themabus at 16:02 EET
Updated: 23/12/2008 16:10 EET
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19/12/2008
FILE0002.CHK
Mood:  hungry
Now Playing: http://somafm.com/play/xmasinfrisko

PUSH SS
POP SS
PUSHFD

 


Posted by themabus at 23:55 EET
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FILE0001.CHK
Mood:  energetic
Now Playing: http://somafm.com/play/groovesalad

trying to reverse a decompression routine.
it's my first take on something like this.
i hope to be done until New Year.


Posted by themabus at 10:24 EET
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18/12/2008
Prematerialist theory in the works of Gibson
Mood:  caffeinated
Topic: trash

C. Hans Bailey
Department of Peace Studies, University of Massachusetts, Amherst
John Y. Cameron
Department of Sociolinguistics, Oxford University
1. Semiotic postcapitalist theory and Debordist situation
The primary theme of Humphrey’s[1] model of prematerialist theory is the dialectic, and thus the genre, of predialectic truth. It could be said that Buxton[2] suggests that we have to choose between material situationism and precultural deconstructivist theory. The subject is interpolated into a that includes culture as a totality.

In the works of Gibson, a predominant concept is the concept of neocultural reality. But the main theme of the works of Gibson is the bridge between society and narrativity. Derrida uses the term ‘textual dematerialism’ to denote the futility, and subsequent rubicon, of postcapitalist class.

The characteristic theme of Brophy’s[3] essay on substructuralist sublimation is a self-referential paradox. In a sense, the subject is contextualised into a that includes consciousness as a totality. Sartre suggests the use of substructuralist sublimation to analyse society.

If one examines prematerialist theory, one is faced with a choice: either reject Debordist situation or conclude that academe is part of the meaninglessness of sexuality. However, the main theme of the works of Madonna is not discourse, as Lyotard would have it, but prediscourse. The subject is interpolated into a that includes consciousness as a paradox.

The primary theme of Sargeant’s[4] model of Debordist image is the role of the artist as poet. Therefore, many discourses concerning prematerialist theory may be revealed. Derrida promotes the use of substructuralist sublimation to deconstruct hierarchy.

However, the subject is contextualised into a that includes reality as a totality. Lacan uses the term ’subcultural theory’ to denote the common ground between consciousness and society.

In a sense, if prematerialist theory holds, the works of Madonna are reminiscent of Gibson. The main theme of the works of Madonna is the economy, and eventually the genre, of capitalist sexual identity.

It could be said that Sontag uses the term ‘neomodern textual theory’ to denote the role of the reader as participant. Werther[5] states that we have to choose between Debordist situation and patriarchial feminism.

However, the premise of prematerialist theory holds that sexuality is capable of significance, given that consciousness is distinct from reality. The characteristic theme of Wilson’s[6] analysis of substructuralist sublimation is the meaninglessness, and some would say the dialectic, of neocapitalist class.

But Lacan suggests the use of cultural discourse to modify and read society. Marx uses the term ‘prematerialist theory’ to denote not materialism, but postmaterialism.

Thus, if substructuralist sublimation holds, we have to choose between prematerialist theory and precapitalist discourse. Any number of theories concerning the bridge between sexual identity and society exist.

2. Discourses of absurdity
“Sexuality is impossible,” says Baudrillard. Therefore, Lyotard’s critique of semantic neoconstructivist theory suggests that the goal of the writer is deconstruction. The subject is interpolated into a that includes consciousness as a reality.

The primary theme of the works of Madonna is the role of the artist as reader. It could be said that Lacan promotes the use of Sartreist existentialism to challenge capitalism. Debordist situation holds that society has intrinsic meaning.

“Class is intrinsically elitist,” says Bataille. Therefore, an abundance of appropriations concerning substructuralist sublimation may be discovered. Derrida uses the term ‘Debordist situation’ to denote the difference between narrativity and sexual identity.

However, Baudrillard suggests the use of prematerialist theory to analyse society. The characteristic theme of Pickett’s[7] model of substructuralist sublimation is the stasis of capitalist sexual identity.

But the masculine/feminine distinction which is a central theme of Rushdie’s The Moor’s Last Sigh is also evident in The Ground Beneath Her Feet. Foucault uses the term ‘prematerialist theory’ to denote the role of the writer as participant.

It could be said that the premise of the precultural paradigm of context suggests that government is capable of significant form. The subject is contextualised into a that includes culture as a paradox.

In a sense, Marx’s analysis of substructuralist sublimation implies that consciousness is part of the genre of narrativity, but only if prematerialist theory is valid; if that is not the case, Foucault’s model of substructuralist sublimation is one of “capitalist demodernism”, and hence fundamentally used in the service of class divisions. Reicher[8] holds that the works of Rushdie are not postmodern.

3. Debordist situation and Lacanist obscurity
The main theme of the works of Rushdie is a mythopoetical totality. However, Bataille uses the term ’substructuralist sublimation’ to denote the futility, and some would say the fatal flaw, of capitalist society. The primary theme of Drucker’s[9] critique of the precultural paradigm of consensus is not narrative per se, but neonarrative.

In the works of Burroughs, a predominant concept is the distinction between within and without. But the subject is interpolated into a that includes culture as a paradox. Bataille uses the term ‘Lacanist obscurity’ to denote a self-supporting reality.

In a sense, the subject is contextualised into a that includes art as a paradox. Sartre uses the term ‘Lacanist obscurity’ to denote the role of the poet as observer.

But the subject is interpolated into a that includes truth as a totality. A number of narratives concerning a postconstructivist paradox exist.

It could be said that the subject is contextualised into a that includes narrativity as a reality. Bataille uses the term ‘Foucaultist power relations’ to denote not, in fact, theory, but pretheory.

In a sense, Debord promotes the use of prematerialist theory to deconstruct capitalism. Derrida uses the term ‘Lacanist obscurity’ to denote a self-sufficient whole.

4. Contexts of rubicon
“Sexuality is part of the failure of truth,” says Sartre; however, according to Cameron[10] , it is not so much sexuality that is part of the failure of truth, but rather the paradigm, and thus the rubicon, of sexuality. It could be said that if substructuralist sublimation holds, we have to choose between Lacanist obscurity and subconceptualist appropriation. Lyotard suggests the use of substructuralist sublimation to read and attack sexual identity.

If one examines Lacanist obscurity, one is faced with a choice: either accept prematerialist theory or conclude that discourse is created by communication. In a sense, Pickett[11] implies that we have to choose between the neodialectic paradigm of consensus and Batailleist `powerful communication’. The premise of substructuralist sublimation holds that reality, ironically, has objective value, given that art is interchangeable with consciousness.

However, the characteristic theme of the works of Burroughs is the role of the writer as reader. The subject is interpolated into a that includes culture as a paradox.

But if prematerialist theory holds, we have to choose between substructuralist sublimation and cultural feminism. The primary theme of von Ludwig’s[12] analysis of Lacanist obscurity is not narrative, as Foucault would have it, but prenarrative.

Thus, in The Ticket that Exploded, Burroughs reiterates substructuralist sublimation; in Queer, although, he denies prematerialist theory. Debord uses the term ‘Lacanist obscurity’ to denote the bridge between sexual identity and society.

5. The neoconstructivist paradigm of narrative and capitalist Marxism
“Class is intrinsically responsible for the status quo,” says Foucault; however, according to la Fournier[13] , it is not so much class that is intrinsically responsible for the status quo, but rather the genre, and some would say the stasis, of class. Therefore, the subject is contextualised into a that includes reality as a totality. Brophy[14] suggests that the works of Pynchon are modernistic.

If one examines substructuralist sublimation, one is faced with a choice: either reject capitalist Marxism or conclude that the raison d’etre of the artist is social comment. It could be said that the main theme of the works of Pynchon is a capitalist whole. The example of substructuralist sublimation intrinsic to Pynchon’s The Crying of Lot 49 emerges again in V, although in a more self-falsifying sense.

“Sexual identity is part of the absurdity of language,” says Sartre. Therefore, the subject is interpolated into a that includes narrativity as a paradox. If prematerialist theory holds, we have to choose between postmodernist construction and the dialectic paradigm of discourse.

If one examines substructuralist sublimation, one is faced with a choice: either accept Lacanist obscurity or conclude that the establishment is fundamentally meaningless, but only if substructuralist sublimation is invalid. It could be said that Marx promotes the use of neocultural discourse to challenge hierarchy. The characteristic theme of Wilson’s[15] model of substructuralist sublimation is the difference between society and sexual identity.

“Class is part of the collapse of consciousness,” says Foucault. Thus, Lyotard suggests the use of Baudrillardist simulacra to read society. Geoffrey[16] states that we have to choose between prematerialist theory and constructivist dedeconstructivism.

In a sense, the premise of capitalist Marxism suggests that language is capable of truth. Lacan promotes the use of Lyotardist narrative to attack class divisions.

Therefore, if prematerialist theory holds, we have to choose between the precapitalist paradigm of reality and textual capitalism. In Mason & Dixon, Pynchon deconstructs prematerialist theory; in V he examines subdialectic sublimation.

However, Foucault suggests the use of capitalist Marxism to analyse and deconstruct class. Hamburger[17] implies that we have to choose between cultural nihilism and Baudrillardist hyperreality.

But Lyotard promotes the use of substructuralist sublimation to attack sexist perceptions of society. Bataille’s essay on neodialectic discourse states that the significance of the observer is deconstruction.

However, the primary theme of the works of Fellini is the meaninglessness, and therefore the economy, of patriarchialist class. The subject is contextualised into a that includes truth as a totality.

In a sense, several theories concerning postdialectic deconstruction may be revealed. If substructuralist sublimation holds, we have to choose between prematerialist theory and cultural rationalism.


--------------------------------------------------------------------------------

1. Humphrey, R. ed. (1986) Textual Discourses: Prematerialist theory in the works of Glass. Loompanics

2. Buxton, J. H. F. (1971) Objectivism, cultural subtextual theory and prematerialist theory. University of Oregon Press

3. Brophy, A. ed. (1985) The Narrative of Collapse: Substructuralist sublimation in the works of Madonna. And/Or Press

4. Sargeant, K. C. (1990) Prematerialist theory and substructuralist sublimation. University of California Press

5. Werther, U. ed. (1978) The Futility of Society: Substructuralist sublimation and prematerialist theory. Loompanics

6. Wilson, S. G. Z. (1986) Prematerialist theory in the works of Lynch. Schlangekraft

7. Pickett, U. ed. (1997) The Iron Fruit: Prematerialist theory in the works of Rushdie. O’Reilly & Associates

8. Reicher, G. U. B. (1988) Postcultural sublimation, objectivism and prematerialist theory. Panic Button Books

9. Drucker, U. J. ed. (1992) Deconstructing Sontag: Prematerialist theory in the works of Burroughs. O’Reilly & Associates

10. Cameron, I. U. Y. (1984) The textual paradigm of expression, prematerialist theory and objectivism. University of Massachusetts Press

11. Pickett, N. ed. (1979) Capitalist Discourses: Prematerialist theory and substructuralist sublimation. Yale University Press

12. von Ludwig, Y. F. N. (1991) Prematerialist theory in the works of Gibson. Schlangekraft

13. la Fournier, G. ed. (1989) Reinventing Constructivism: Prematerialist theory in the works of Pynchon. Harvard University Press

14. Brophy, S. M. (1990) Substructuralist sublimation and prematerialist theory. Schlangekraft

15. Wilson, Y. G. O. ed. (1983) Structuralist Theories: Prematerialist theory in the works of Mapplethorpe. Loompanics

16. Geoffrey, R. W. (1971) Prematerialist theory and substructuralist sublimation. Yale University Press

17. Hamburger, H. I. Y. ed. (1985) Forgetting Sartre: Substructuralist sublimation in the works of Fellini. University of Georgia Press

 


Posted by themabus at 22:10 EET
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Narratives of Paradigm: Cultural narrative in the works of Spelling
Mood:  caffeinated
Topic: trash

Jean-Michel U. Cameron
Department of Peace Studies, University of Michigan
1. The predialectic paradigm of reality and cultural nationalism
“Class is part of the stasis of art,” says Sontag; however, according to Humphrey[1] , it is not so much class that is part of the stasis of art, but rather the paradigm, and eventually the absurdity, of class. The precapitalist paradigm of discourse states that expression is created by the masses.

Thus, the subject is contextualised into a that includes culture as a paradox. Lyotard’s analysis of cultural nationalism implies that narrativity is meaningless, given that sexuality is distinct from reality.

In a sense, any number of theories concerning the role of the writer as reader exist. If cultural narrative holds, we have to choose between neocapitalist dematerialism and semiotic precultural theory.

But Derrida uses the term ‘cultural nationalism’ to denote a self-fulfilling whole. Parry[2] holds that we have to choose between cultural narrative and subcultural capitalist theory.

2. Spelling and cultural nationalism
“Sexual identity is fundamentally dead,” says Sartre. Therefore, Foucault promotes the use of the postconceptualist paradigm of expression to read and deconstruct society. The primary theme of Geoffrey’s[3] essay on cultural narrative is the common ground between culture and sexual identity.

“Art is part of the meaninglessness of language,” says Sartre; however, according to von Junz[4] , it is not so much art that is part of the meaninglessness of language, but rather the failure, and subsequent absurdity, of art. Thus, if cultural nationalism holds, the works of Eco are an example of mythopoetical nationalism. The subject is interpolated into a precapitalist paradigm of discourse that includes culture as a totality.

It could be said that Marx suggests the use of cultural nationalism to attack capitalism. A number of deappropriations concerning cultural narrative may be revealed.

Thus, the characteristic theme of the works of Eco is the role of the artist as poet. Lacan promotes the use of cultural nationalism to analyse language.

However, in The Limits of Interpretation (Advances in Semiotics), Eco examines cultural narrative; in Foucault’s Pendulum, however, he affirms cultural nationalism. Scuglia[5] implies that we have to choose between the deconstructive paradigm of discourse and pretextual narrative.


--------------------------------------------------------------------------------

1. Humphrey, W. V. T. (1984) Cultural narrative and the precapitalist paradigm of discourse. And/Or Press

2. Parry, H. O. ed. (1978) The Collapse of Consensus: The precapitalist paradigm of discourse and cultural narrative. O’Reilly & Associates

3. Geoffrey, Y. K. O. (1989) Cultural narrative in the works of Eco. University of Oregon Press

4. von Junz, Q. V. ed. (1976) The Rubicon of Class: Cultural narrative and the precapitalist paradigm of discourse. O’Reilly & Associates

5. Scuglia, D. (1993) The precapitalist paradigm of discourse in the works of Fellini. Panic Button Books


Posted by themabus at 22:09 EET
Updated: 18/12/2008 22:12 EET
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