Now Playing: Captain Beefheart and His Magic Band--"Pachuco Cadaver"
They're taking over the Great Lakes, it seems. The downtown library hosted a tank of the critters for a week--you could squeegee the glass in order to get a better look at their cavernous, sucking maws, greedily facing curious human faces. I ran into Sara and Dug there and we spent about five minutes riffing on unpleasant and weird marine life. Invertebrates seem harmless now (except for the giant squid, maybe), but just wait a bit... keep watching the water... "the battle continues" indeed...
Plague Week ends yet again in Ann Arbor--the yearly infestation of the "Art Fair" that generally finds me tenanting the Planned Parenthood booth for some period of time. This year wasn't all bad; stultifying temperatures at the beginning of the week dissipated to yield several lovely days. In the middle of that wekeend, I got to hear Umberto, a.k.a. Gina Pensiero, at Crazy Wisdom. Opening the show were Emily Bate (something of a throatier, sligtly more upbeat Joni Mitchell) and the always wonderful Misty Lyn (backed by Matt Jones and Colette Alexander, for some time without the microphone, which was pretty impressive). I'd met Gina one night while drunk, and hadn't heard her play before. Chalk Umberto down as another delightful and largely unexpected surprise. The songs are fairly simple and almost a little too whimsical, the usual preserve of cutesy, inside-joke sensibilities and purposefully "ironic" off-key warbling. None of that here--numbers like "I Want To Be Terry Gross" (and I do confess to wondering what it would be like to start every weekday noon saying "this--is Frrrrrrresh Aaaaair!") featured clear, cool vocals and a jarringly funky, bluesy sound (something which the local folk scene could certainly use more). Excellent show, the three (actually, seven, I think), of them.
Growing up in the South, I found the whole issue of American slavery to be more relevant than people from the North and West probably did. It used to be discussed with a mixture of forgetfulness and even nostalgia by certain whites, but mostly forgetfulness. The attitude was often one of "It was abolished and that's that--why are people still complaining?" Those questions aside, the "peculiar institution" has generally had a somewhat sanitized treatment even in cultural productions--TV, movies--critical thereof (and since the sixties, that's been most of them). Such an accusation can't be laid at the feet of last week's Cinema Guild selection--Addio Zio Tom ("Goodbye, Uncle Tom") (1971), an Italian "documentary" by Mondo Cane makers Gualtieri Jacopetti and Franco Prosperi that, despite (occasionally because of) its unnerving depiction of slavery's brutality, doesn't rise much above a queer mishmash of nonfiction reportage, historical lecture, radical-chic late-sixties leftism, and exploitation. The latter actually has its uses; Zio Tom brings to the fore the vitally important place sexual violence held in American slavery, unflinchingly showing rape and sadomasochistic torment of slaves (especially women) by white planters, indentured servants, and even other slaves. While the film frankly comments on an aspect of slavery that's been relatively hushed up in popular American culture, it really wallows in the nudity and violence to an extent that reveals the filmmakers' priorities to be less than savory (the Mark of the Devil- and Last House on the Left-like soundtrack accompanying said sequences doesn't help; shorn of its context, Riz Ortolani's music is actually tremendously groovy, but the shearing is well-nigh impossible after you've seen the movie). In the end, Zio Tom commendably raises issues that many Americans would probably wish swept under the carpet (thirty-five years ago or today), but does so at a price that undermines its effectiveness as a movie, "documentary" or otherwise. There's an excellent review at allmovie.com, saying pretty much the same thing only better.
Posted by Charles J. Microphone
at 4:44 PM EDT
Updated: 24 July 2006 5:52 PM EDT
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Updated: 24 July 2006 5:52 PM EDT
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