Ships Passing In The Night
Now Playing: Beth Orton--"Stars All Seem To Weep"
"He bade farewell to his friend the locksmith, and hastened to take horse at the Black Lion, thinking as he turned towards home, as many another Joe has thought before or since, that here was an end to all his hopes--that the thing was impossible and never could be--that she didn't care for him--that he was wretched for life--and that the only congenial prospect left him, was to go for a soldier or a sailor, and get some obliging enemy to knock his brains out as soon as possible."

--Barnaby Rudge (1841), by Charles Dickens

I don't actually feel like that, but I have in the past, and was struck by how beautifully Dickens captured the feeling. Barnaby Rudge is cool--I read it in college and didn't quite realize its excellence.

More communications problems between myself and Emily--my phone died yesterday somehow and the phone guy at the Diag is on vacation until tomorrow. I called her to let her know that I'd be at the Great Lakes Myth Society show downtown today if she wanted to join me, so we'll see how that turns out.

I hate it, too, when I get a CD and there's only one song I like on it--but I really like it, and can't stop listening to it. Such is "Saturday Afternoon" off Outrageous Cherry's "Supernatural Equinox" album. I barely managed to stop to listen to Beth Orton. They were really good last night, in a criminally underattended Blind Pig show. It didn't help that I was perched on a stool by the partition wall nursing a Bud and imagining that reading a fictional narrative of the 1780 Gordon anti-Catholic riots in London (such is Barnaby) would keep the black dog away. Fortunately, all the bands, Cherry, the Fondas, who I'd never heard, and the Coronados from No Fun Records were all superb. The show was well worth it. The album wasn't.

Thinking of the beginning quote, I wonder how I'd find an "obliging enemy" in Ann Arbor. I guess I could just walk into the Firefly Club and inform everyone, "jazz and blues are both overrated examples of slave music that only guilty white liberals listen to anymore." I don't believe that for a second, of course, but it'd be fun to see the looks on a few faces.

Whether Emily shows up or not (there may have been an emergency or she may have to work for all I know), I'm looking forward to the GLMS show. Brandon and others rave about them incessantly, and indeed, it's hard to see where marrying Appalachian music and prog-rock could possibly go wrong.

Just Your Everyday Monster
Now Playing: Brendan Benson--"Cold Hands, Warm Heart"
Wednesday afternoon and evening were exquisite. The river looks so much different by the evening light. I ran into Emily again (right as she was leaving a message on my cellphone--the message is consequently hilarious) and we'll probably be doing something this weekend (Outrageous Cherry is playing the Blind Pig and I'd like to check them out; same with the Great Lakes Myth Society at the ghastly "Taste of Ann Arbor" nonsense that'll occupy downtown Sunday afternoon).

Everyone should see Larry Cohen's Q (1982), about an ancient winged Aztec serpent terrorizing New York. Regardless of how you feel about the subject matter, you should stay for Michael Moriarty's tour de misere performance as a loser piano player, David Carradine's detective uttering today's post title, and best of all, for the concluding battle between the monster and the NYPD (and for the brief exchange of views between Carradine and pro beet-faced, plow-nosed Irish cop guy Fred Scollay, who seems to be in all of Cohen's movies I've seen thus far). The latter, perhaps, will have you shaking your head, as I did, and telling the TV screen "un...believable." Really.

The Long Good Memorial Day Weekend
Now Playing: Mick Jagger--"Memo From Turner," from the Performance (1970) soundtrack
Well. It turned out to be a pretty blasted fab Memorial Day weekend after all.

Saturday: The afternoon after the last entry, I sleeved and carded a host of fiction titles in the WRAP library--James Kirkwood through John Rechy. I left a message with Emily's mom--she probably had Memorial Day plans or something, so I think I'll try again later this week. Last but not least, "Saturday Night Live" was showing "The Best of Alec Baldwin." It was rather a poor selection, all told--there was no "The Mimic" or "I'm a Handsome Actor," but they did have his appearance on "Inside the Actor's Studio" as "The Master," Mr. Charles Nelson Reilly (may his greatness never end).

Sunday: I walked about ten or twelve miles, all told. Beginning in the Arboretum, I ended up a third of the way towards Ypsilanti before I'd finished, going through Gallup Walkway, Furstenburg Park, and Gallup Park itself. The morning was glorious and the place positively crawling with geese, both adult and cygnets. Afterwards, I had breakfast, as I'm now accustomed to pretty much every Sunday, at the Fleetwood Diner, which is one of my favorite places in this town, despite its detractors.

Cinema Guild showed March or Die (1977), an old-fashioned French Foreign Legion adventure with Gene Hackman, Catherine Deneuve, and spaghetti western fave Terence Hill. It wasn't all that great, although the beginning was magnificently conceived and shot, and it had an historical importance of its own as it was the first movie ever produced by Jerry Bruckheimer. Many of the themes that would become integral to the later movies he oversaw were there: cocky kid learns the meaning of obedience/ honor/duty, women have no place in a "man's world," etc., etc. I remember reading an interview with Matt Stone and Trey Parker where they discussed how Team America: World Police was a satire on Bruckheimer movies, and I saw a lot of the stuff they talked about in this movie. It was certainly entertaining, I'll give it that.

I also saw Wet Hot American Summer (2001), by some of the same people who were in "The State," the awful, overrated MTV comedy show of the early 90s. The only good thing there was Michael Ian Black, but everyone acquitted themselves wonderfully in this hilarious, unexpectedly twisted parody of "camp movies" like Meatballs and Gorp (both 1980--it's too bad they didn't throw in Friday the Thirteenth for good measure, although there is one reference if you look closely). I won't say anything else about it but that Paul Rudd's comic genius is, in my opinion, woefully underappreciated.

Monday: The centerpiece of Memorial Day was the show put on by Brandon at the Madison House. I had thought about not going, but then I decided on going. Very complicated, to be sure. I met a whole bunch of people, including another blogger, found some great free books at the house next door (including William Morris' The Sundering Flood, a novel he apparently wrote after The Well at the World's End), rediscovered the delights of Washtenaw Dairy, had my quadrennial cigarette, got to tell Fred Thomas how much I enjoyed his music, and just had a wonderful time. Most of the music was whimsical and introspective, with Nick Dykert (whose demo CD I got to listen to after I got home that evening--his music sounds even better supported by a piano, as he himself pointed out) and Fred Thomas (who made creative and entertaining use of a set of bells lying on the ground and any number of "found" percussive instruments and surfaces) offering miniature ballads of various degrees of heartbreak and longing, and some deceptively acid social commentary from Emily Powers and Dustin Krcatovich (the former sang of various down-and-outers whose lives she imagined in Chicago, and the latter delivered a wonderful song called "Middle Management"--which, as a former Barnes and Noble supervisor and one who has no car, I was in a great position to appreciate). The shows played in the tiny backyard, nestled between the house and a rug store on South Main. The latter was graced with a forbidding cement wall with a sinister door in the center. If anything, the setting enhanced the evening, with all manner of birds flying above us against a clear blue sky and the sun growing older behind the trees. Memorial Day was wonderful.

So I guess the bottom line is that I had a wonderful Memorial Day. Thanks, everyone.

"Did he just say 'licky me'?"
Now Playing: Brian Eno--"Here Come The Warm Jets" (at Shaman Drum, anyway)
Well. Hrm. This is the sound of me eating my words.

Yesterday was unbelievable. I ran into Emily on Liberty Street on my way home from work and she explained that she didn't have a phone anymore and my number had been lost with it, and that she was still very interested in getting together. Since I've lost phones before, and since I had voicemail trouble the first week after she left Cafe du Jour and asked me to call her, I really can't say anything. I'm just unusually not unhappy right now. I'm gonna call her tonight and basically completely ignore my previous post, as I hope she does if she ever comes here. I'd delete it, but I don't really believe in doing things that way.

I watched Alan Pakula's conspiracy classic The Parallax View (1974) last night, but it did nothing to dent my mood. There's an awesomely trippy "corporate orientation"/mind-control sequence for people who enjoy that sort of thing. In any case, I think all the nasty stuff that happens to Warren Beatty in the movie is just cosmic retribution for his hair.

This morning was fantastic, too. I logged about seven or eight miles, following the course of the Huron in a ragged sort of fashion through the Arb, along Fuller Road, Riverside and Bandemer Parks, and then back again down North Main. It was supposed to rain cats and dogs this weekend, but it's been clear sailing for the most part. I carried my umbrella all day yesterday and probably looked like an idiot, but I surely would have managed that anyhow without the brolly.

Yesterday wasn't all fun and games, though--Eddie Albert died, so raise a glass to his memory if you've a soft spot for the man. I've never actually seen "Green Acres," but I'll always treasure his performance as the sleazy, corrupt warden in The Longest Yard (1974). I had no idea that he was so old (99) or any inkling of his wartime heroism at Tarawa. Happy trails, Eddie.

Finding Another Fish
Now Playing: Nick Drake--"Hazy Jane II"
One of the most disappointing weeks since I moved here has come to a close. Ann Arbor hasn't been the happiest place for me, but most weeks aren't marked by the expectations I had for the last one.

Emily hasn't responded to any of about ten phone messages scattered throughout the week and I'm forced to conclude that she isn't interested in any sort of relationship, friendly or otherwise. "There are other fish in the sea," to be sure. I just hope it doesn't take another four years or so for me to find one. Of course, it's not like I really need anyone to go see Walk On Water with.

No word back on the job interview, but a number of other restaurants are hiring, too. So I guess that actually isn't all that disappointing. I felt pretty good today, and still do, so... what am I bitching about, really?

A great week to everyone!

An Open Message For Visitors--All Are Welcome
Now Playing: The Strawbs--"Sad Young Man"
There's been a recent kerfuffle (my first!) that makes me want to more openly affirm the purpose of this website.

Above everything else, it's to maintain my sanity. It's like talking to oneself but with other people reading (listening?). In the course of doing so, I may occasionally let loose the odd "blue word." This may cause distress for some folk, which is unfortunate but unavoidable. Those who find themselves appalled by such language are still very welcome at the Clown's Death Rattle, but have only themselves to blame from here on in if they are surprised at the chance obscenity that shows up in these pages. Thanks for understanding, and enjoy whatever the hell it is you people find to enjoy here.

On a brighter note, I got a kitchen staff job interview call at an Ann Arbor restaurant last night while watching Derek Jarman's Jubilee (1977). It's on Wednesday, and the movie, while better known than Caravaggio (1986), wasn't as good, I thought.

Cinema Guild showed this Sunday afternoon. The first paragraph of the review is a classic.

May Fool
Now Playing: The Faces--"You Can Make Me Dance, Sing Or Anything"
This week has been pretty splendiferous, all told.

I went out on a date for the first time in four years Wednesday night. A charming, intelligent, and attractive young woman named Emily, who recently worked at the restaurant, asked me out just before she left, which was fantastic, as I don't think dating people at work is a good idea (anymore). We went to see the Enron documentary, The Smartest Guys in the Room, which was informative, passionate, and witty, the movie Fahrenheit 9/11 should have been. Of course, the movie took a back seat to me trying to comprehend the enormity of what was taking place in the theater. I haven't been out on an actual date in four years, so this... has got me in a bit of a tizzy, quite frankly. Nothing else of any importance is going on, not that it would. I even view Ann Arbor in a different light these days (of course, any other town in the country would also assume a brighter hue under such circumstances, so the place is still overrated). Here's hoping I don't fuck things up somehow.

"No one's asking your son to eat human flesh!!"
Now Playing: children and cats, presumably, in some part of the world
Yesterday, a friend of mine and I were transporting electronic equipment in a sunlit section of Ann Arbor talking about women and I almost felt happy. This past week hasn't been that bad, which is probably why I haven't been posting so much. I need to stop watching so many movies. I've started reading a lot again, and need to start writing. I've applied to three restaurants in the area, and hopefully I can get an evening and/or weekend cooking job with one of them. In the meantime, I'm going to try and maintain this bizarre euphoria that's taken hold (I think I know why, but I want to make certain of it).

"Revolution is the Opiate of the Intellectuals"
Now Playing: an indistinct rattle from last night overstaying its welcome
You can see the title quote on a wall in Lindsay Anderson's O Lucky Man! (1973), which I loved in high school but now think is pretty overrated, certainly not comparable with if... (1968), but the soundtrack's terrific. That's my homage to May Day, thanks.

I had fun last night, and it's a long time since I've done so. I arrived at the Blind Pig after a self-imposed Vincent Price retrospective at 1516 Geddes--The Masque of the Red Death (1964) and Theatre of Blood (1973). They were great, especially the latter, and I won't say anything about them except that I am willing to kill for Eric Sykes' Snively Whiplash-caliber mustache.

A pleasant surprise--along with the Hard Lessons and the Avatars, the Elevations were playing as well. Three of Michigan's best bands for $8! I love the Elevations, although I really didn't get into the night's groove until the Avatars, led by the delectable Mariah Cherem--picture an amalgam of Wendy O. Williams, Joan Jett, and one of those "Nagel girls" from the cover of Duran Duran's Rio and you have a vague idea. I spent much of the next half hour imitating a Shaker next to a fellow doing likewise, and I'm guessing neither of us knew the first thing about knitting. I'm still making my way through the Hard Lessons' CD; I only had three Molsons but it's been a long time since I imbibed, so I still had a headache this morning.

Anyone interested in a meal at the Fleetwood Diner should try it Sunday morning--you get good food for rock-bottom prices (for Ann Arbor, anyway) and the pleasure of listening to servers Kathy and Aviva joking and making my day brighter (and yours, if you have any taste). Highly recommended.

My boss thinks I should go to culinary school. I'm going to exhaust the library option first, but it's an honorable profession and definitely worth considering...

Post-life Stasis
Now Playing: the soft, hypnotic whirr of the hard drive
It's been an astonishingly blah week. I was sick for a few days and feeling miserable, and the weather currently outside reflects my mood (although I'm feeling better now). Nothing's been done, nothing's been happening--although I did finally see a couple of movies I've wanted to check out for a while.

It's Alive (1974) is kind of funny as it concerns a feral, homicidal newborn baby, and came out the year I was born. I'm starting to like Larry Cohen a lot, as he has a sick yet truly insightful view of American culture, and manages to get this across even as the latest addition to the Davis family roams cheesy West Los Angeles stealing milk bottles and chewing out the throats of milkmen.

Whisky Galore (1949) might be the best movie I've ever seen set in Scotland. An Ealing Studios gem directed by Alexander Mackendrick, it tells the story of an island in the Outer Hebrides during the war that's gone without whiskey for months. A ship founders off the coast with a cargo of guess what and the islanders have to figure how to spirit the stuff away (no pun intended) without the Excise men sniffing them out. Great fun.

They cheered me up, anyway. The Avatars and Hard Lessons are playing tonight at the Blind Pig, for the latter's record release party--it ought to be good. At least I hope so.