The Sunny Side of the Street
Now Playing: The UK premiere of Jennifer Higdon's Concerto for Orchestra and Bruch's Violin Concerto with Leila Josefowicz
Walking to work this morning, the road divided neatly into two.
I customarily cross the busy road at exactly the same spot each day, just *after* the sign for a 'Byron House' that reminds me of bad sex in my late teens. Coming up to the library traffic lights at the edge of Home Park, though, a lamp post heavily smashed into three crazily skewed pieces blocked my way. The jagged spike sticking into the road had a traffic cone jabbed onto the end to warn oncoming lorries of imminent decapitation, Omen-style. The other two segments of ruined street furniture were still connected, and had been neatly hooked over a seven foot garage fence, only posing a hazard to the poor carwash jockeys who'd have to open the fence later that day.
The pavement was slicked thickly with oil and broken glass, reflecting rainbows into a grim and drizzly morning, but there was no other sign of an accident. This lamp post was around twenty five feet high - whatever had managed to slice it cleanly into triple parts had to have been extremely heavy, and in extremely bad shape itself. But apart from the sheer angles of the lamp debris, there was little sign of the machinistic carnage that obviously occurred.
Continuing down past Home Park, I walked past another junction, this time having to step into the busy road to navigate the path railings that had been battered with enough force to pull loose from every pile bar one, and stay hanging horizontally in mid air at hip height across the footpath, still straining to be free from the last leg left embedded in concrete.
Again, no evidence of whatever had smacked into five inch thick steel with enough force to uproot it and bend its struts into a ninety five degree rictus.
But, plainly, at this point, you'd realise you were walking to work along the unlucky side of the road.
What if I were walking past the next lamp post to be mown down by juggernaut number three? I crossed early.
On the right hand side of the road, the clouds lifted slightly and the drizzle stopped at exactly the right moment to smell the wet rhodedendrons in heavy bloom over the church walls. The hawthorn trees by the older houses were beginning to put out their April blossom, and the pavement was fringed with beds that contained copious daffodils, and even some sickly looking clumps of pink clover.
The sun began to shine, but it being an early Friday morning I didn't think to look up and search for a rainbow.
Marching energetically to my last morning of genericjob before I go on leave at lunchtime, I felt glad I'd crossed the street. Things felt good.
But, as ever, the dreadful weight of a ponderously obvious metaphor slowed my stride, and I realised that life is both sides of the street, coexisting. The raining grey left with the historic cake makers, and the sunny, flowering side with the council flats that reminded me of bad sex.
I turned into the cake shop and bought a cream cake for each of my customers that morning. Heck, if I felt like that, so, probably, did they.