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100th anniversary of the birth of composer Leroy (pronounced luh-ROY) Anderson. Anderson, who was born in Cambridge, Mass., June 29, 1908, was a master of light classical works, many of which have become so popular that we hardly realize anymore that they're by Anderson.
Praised by the critics for her fiery temperament, exceptional charisma and great command of her instrument in the romantic and modern repertoires, as well as for the elegance, subtlety and intelligence of her classical interpretations, French-Brazilian pianist Juliana Steinbach is one of the most gifted artists of the young generation. WEB LINKS | IMAGES | SHOP Juliana Steinbach
ACMA was founded in 2007; we provide opportunities for the non-professional (but dedicated) classical musician to perform and network with fellow amateurs. Our members gather monthly in Manhattan to perform short classical pieces in front of an appreciative, supportive audience of fellow amateurs. Rather than focus on technical perfection, ACMA emphasizes the need for meaningful, inspired performances that are mutually satisfying for audience and performer alike. It is our mission to broaden the perception of classical music as a universal art form. I feel that many classical music students would greatly benefit from exposure to performance opportunities, as well as networking with a group of like-minded (and friendly) colleagues. Our website is: www.nycclassical.com.
MOZART: Concerto for Flute and Harp in C k 299; Karlheinz Zoeller, flute; Nicanor Zabaleta, harp; Berlin Philharmonic Orchestra, Ernst Marzendorfer, cond. Available Recordings[image]HANDEL: Sonata in a, op 4; Christian Larde, flute; Turibio Santos, guitar
Handel web links | Available Recordings
WAGNER: Rienzi Overture; Minnesota Orchestra, Neville Marriner, cond. Available Recordings
PUCCINI: O mio babbino caro Gianni Schicchi; John Bayless (arr.) piano Available Recordings
In "The Great Transformation of Musical Taste," William Weber traces the development of the musical canon we revere today – music, for the most part, composed by creative geniuses long dead. Audiences today prefer old works to new. How did this change come about?...MORE | SHOP William Weber
MOZART: Violin Concerto No 4 in D, k218; Pinchas Zukerman, violin; English Chamber Orchchestra, Daniel Barenboim, cond. NOTES Available RecordingsMOZART: Piano Concerto No 21 in C, k 467; Robert Casadesus, piano; Cleveland Orchestra, George Szell, cond. NOTES Available Recordings
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