"In the dance I had power. In the dance I was beautiful. I saw delight in the eyes of men. I heard gasps of admiration."
"Had it been merely a matter of face and figure I do not think the effect would have been the same. Many things were doubtless involved. One, of course, was that it was a slave who danced. The dancing of a slave is a thousand times more sensuous than of a free woman because of the incredible meanings involved, the additional richness which this furnishes, the explosive significance of this comprehension, that she who dances is owned, and, theoretically, could be owned by you."
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"Too, she is naked, or scantily clad, and is bedecked in a barbaric manner. This speaks of reality and savagery, of ferocity, and beauty and barbarism, and of the fundamental meaningfulness of the male/female relationship, that of power and ferocity to beauty, of dominator to dominated, of master to slave. The dancing of the female before the male, that she should be found pleasing and he be pleased, is one of the most profound lessons in all human biology."
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"I danced as the slave I was. “Here, slut, here!” called more than one man. I teased them, dancing close to them, swaying, my belly alive for them, with the jangling metal pieces, the anklets clashing on my ankles, the bracelets sliding and ringing on my wrists, and then, as they attempted to seize me, drew back, backing away, or whirled, with a swirl of beads, away from them. I picked one man after another out of the audience, seeming to dance my beauty most meaningfully to him. Perhaps he would be my use master. I did not know."
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“Ah,” said a man, appreciatively. I approached him in the dance, and then others, my belly seeming to register, with jangling accouterments, their presence. Each time I would draw back from them, but my belly, my hips, would seem to propel me again toward them, or toward yet another. I then felt my hips, and thighs, and breasts, and belly, as these seemed to come alive in the music. And then, throwing my head back, I danced unabashedly as an acknowledged, aroused slave, much as I had before, taunting them, teasing them, delighting in my power, but then, suddenly, as though I sensed my ultimate helplessness, my ultimate inability to achieve total fulfillment without the wholeness of sexuality, without the master and the yielding, which gave meaning to the incipient passions within me, I danced the aroused slave who is the property of the master and begs his touch. “Good,” said a fellow. “The slut is excellent,” said another. Then I realized suddenly that I was actually aroused. The interior of my thighs were hot. My belly, hot and burning, seemed to beg to be touched. I do not know, really, whether I had done this to myself in the dance, which is possible, or if my arousal had merely come upon me in the course of the dance, but I was aroused. I was a helpless, aroused slave! This now was no role. It was what I was.” Quotes are from Dancer of Gor
Further information for slaves concerning serves, dances, positions and general tavern rules may be found at the link below
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