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Final
Draft 7
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Screenwriter's
Bible
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Basic Screenplay Structure
FORMAT
PLOT POINTS
CHARACTER
QUESTIONS to ask yourself
SCRIPT CHECKLIST
This page will be dedicated to the standard three-act structure of a
screenplay. It'll cover everything from Plot Points, Character Development,
Subplots, Conflict etc etc etc...
Your IDEAS are greatly welcome.
Format
Here is a basic list of how your
script should be formatted.
- Typeface Always use Courier
12-point font!
- Margins Because of the 3-hole punched paper, the Left
margin should be 1.5 inches and the Right is .5 inches.
Top and Bottom should be 1 inch each.
Dialogue -2.5 inches from the left- will be about 3 to 3.5 inches
wide and shouldn't extend more than 6 inches from the left.
Character's Name at 3.7 inches and above the dialogue.
- Page Numbers should be located in the upper right hand
corner and then double space and continue writing.
- First Page A screenplay begins with FADE IN:
- Last Page At the end of your script you should type
The End and center it, or double space, to the far right
of the page, and type FADE OUT.
More to come on format...
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Plot Points
This is the basic outline of
the average movie made today. Give or take a few minutes.
Your COMMENTS are welcome!
FADE IN:
Between pages 1-5: The HOOK, something that
grabs our attention and pulls us in.
Page 10: At this point in your script you should have
the "MINI CRISIS". The "MINI CRISIS" should lead us
into...
Page 17: ...The DILEMMA. Creation of the team
and what the movie is about.
Page 30: The REACTION to the dilemma or situation.
Page 45: First "REVERSAL" of the 17 minute
point. This point furthers the characters and pushes them deeper into
the situation or the dilemma.
Page 60: The "TENT POLE" of the movie. Where
the passive characters become active or vice versa.
Page 75: Second "REVERSAL" to the 17 minute
point. To reaffirm what the story is about.
Page 90: The LOW POINT of action. The place
from which our main character has to rise up from.
FADE
OUT.
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Primary conflict up front
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Introduce the protagonist in a unique way
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Why does the story start today
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ANTAGONIST: Who? Why? What?
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What power does the antagonist hold over the hero?
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Are there teams? Hero's and Antagonist's
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How does hero seize control of destiny?
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How does the hero voice this new awareness and need
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An Action that conveys the seizing of control
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How does the hero face the antagonist on their own
turf
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How are the stakes raised raised for the 2nd half
of the movie
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What Unforeseen Obstacle is now in the
way
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When does the hero realize his/her worst fear
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Epiphany; it should put your hero at a crossroads
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What does the Entire Screenplay stand for?
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What do you want the audience to come away with?
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What's it about - In One Word
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Is the structure complex enough to sustain the movie?
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