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20 December 2000...February 2001
(24 pgs.)


A tribute to the pop art posters of the sixties usually associated with rock music concerts and other happenings. See for example

Poster source

The artist who inspired this cover is Bonnie Maclean
On the cover we can see Promethea and her caduceus. The writing tells us we are going to see "The Magic Theatre: A Pop Art Happening. Poetry and Light Show". Here we have a comic book equivalent of one of Alan Moore's stage show pieces of the kind described in Ideaspace

Here is a definition of Metaphor
a figure of speech in which an expression is used to refer to something that it does not literally denote in order to suggest a similarity
The transference of the relation between one set of objects to another set for the purpose of brief explanation; a compressed simile;
e. g., the ship plows the sea. --Abbott & Seeley.
``All the world's a stage.'' --Shak.
Note: The statement, ``that man is a fox,'' is a metaphor;
but ``that man is like a fox,'' is a simile, similitude, or comparison.
Taken from Hyperdictionary
The extra "E" in the title is because Metaphore is yet another jumbling of all the letters in Promethea.
Note that another possible title for this issue could be "The Magic Theatre of the Mind"

I've been waiting for a couple of years now for someone to ask me how on earth we did Promethea #12, just so that I could be knowing and mysterious about it, rather in the style of David Blaine. On the other hand, I think the actual process by which we accomplished it is failry mysterious even if I explain, step by step, exactly how we did it. The inital germ of the idea was a specific issue of the old Sixties British Underground magazine OZ. This particular issue, the Magic Theatre

eschewed the presentation of articles and cartoons in separate blocks of pages, and instead opted for this relatively unique approach where articles, cartoons and other visual progressions of material were strung out through the entire issues, so that you kind of had to read three or four discrete and distinct strands at once, rather than read four linear articles or features on after another, in the usual way. It struck me that it might be possible to do something similar in Promethea, only much more integrated and structured witin that basic framework.
- Alan Moore interview in Egomania #2, pg 24

A tour through the 21 major arcana cards of the tarot with Mack and Mike the 2 snakes from Promethea's caduceus explaining things to her
Variations on P R O M E T H E A

  12. HM! OPERATE!

If you would like to see the grand total of 178 words that can be made as anagrams from Promethea (minimum 2 letters long) click here
And ditto for Alan Moore

“Here is revealed, for all to see,
The magic of reality
Conversely, we may also view
Reality in magic, too” – Mike, pg first
“This reckless step from naught to one
It’s magic’s foremost tick, I guess,
How something comes from nothingness” – Mack, pg 0
“Railway carriage?”
Are you sure that’s part of this train of thought” – Promethea, pg I
“What you’re implying is that all these tarot pictures represent a coded history of … everything?” – Promethea, pg III
“I’m having trouble keeping the different threads separate. I’m not even sure which of you two is which…- Promethea
“It’s like a fugue: You have a choice
Of following a single voice,
Or letting each strand grow less clear
The music of the whole to hear”- Mack, pg V
[Adam & Eve] “That they’re amoebas is implied
By Eve, grown from her husband’s side” – Mack, pg VI
“Then what you’re saying is that everything in our culture, including language and art, arose from the drugged-out insights of the first magicians” – Promethea, pg VIII
“Initiation, it’s implied
May be a dark and desperate ride
A journey through the land of shade
Required before progress is made” – Mike, pg XII
“Death, our eventual, awful fate
Means nothing more than ‘change of state’” – Mike, pg XIII
“A pentacle surmounts his frown
With four points up and one point down:
Four elements of matter rise
While spirit, downmost, trampled lies” – Mike, pg XV
“The devil is, then, by and large,
Materialism’s fierce mirage” – Mike, pg XV
“Materialism’s steady creep
Which William Blake, called ‘Newton’s Sleep’
Brings worldly blessings, fair and fine
Yet blinds mankind to the divine” – Mike, pg XV
“The Renaissance ushered in the age of reason, which replaced Spirituality with Materialism. I guess that’s when the human agenda changed from vague notions of spiritual progress to measurable physical advances”- Promethea, pg XVI
“So, too, Materialism’s soar
Is struck down by the First World War
It’s lightning forked from Europe’s skies,
Arrests the industrial ideal’s rise” – Mack
“Its dream, its vision, its great plan
Of technology serving man
Here sours and founders, ends in blood,
In poppies, wire and Flanders mud” – Mike, pg XVI
“All men raise towers that crash and burn
And break their hearts, yet never learn” – Mike, pg XVII
“In a bereaved world of wrecked lives
Faith in the Occult, clearly, thrives” – Mike, pg XVII
“Materialism ends, ‘Twas found,
In bleached young bones on foreign ground
Tiring of war maps, mankind’s led
To chart the spectral realm instead” – Mike, pg XVII
“Occult philosophies define
The territory of the divine” – Mack, pg XVII
“This twenty-two card tarot set
Matches the Hebrew alphabet” – Mack, pg XVIII
“Humanity’s every glimmer of spiritual insight seems to eventually deteriorate into darkness and conflict…but when our material situation grows unbearable, that forces mankind towards spiritual rediscovery, as a counter-reaction” – Promethea, pg. XIX
“Youth, by the century’s middle years
outnumbers age, seeks new ideas” - Mack, pg XIX
“Youngsters, still wet behind the ears
Took on the roles of bards or seers” – Mack, pg XIX
“Apocalypse, as ‘world’s end’ seen
Need only revelation mean” – Mike, pg XX
“Man’s knowledge doubles, it appears
Just less than every couple of years
Man’s last two years more breakthroughs see
Than all your previous history” – Mack, pg XX
“Mankind moves from the earthly plane
To moon’s imaginary domain” – Mack, pg XXI
“Imagination’s endless dance
Is mankind’s jewelled inheritance” – Mack, pg XXI
“Thus does our serpent’s tale conclude
(or starts fresh, if you’re in the mood)
Around and round our fable goes
Eternal like ouroboros.” – Mack, pg last

Firstly a quote from Alan Moore specifically about this issue
I'd have to say that were someone to put a gun to my head (Americans note that this is a figure of speech and not an example of acceptable social behaviour) and demand to know what I thought was my single cleverest piece of work, I'd have to say Promethea #12.
taken from Egomania #2
Another quote from Alan about this issue taken from the Afterwords to Alan Moore's Writing for Comics pg. 46
Promethea #12 with a structure so intricate and unlikely that I'm still not entirely sure how we accomplished it

Secondly a good review of this issue.
If you look carefully you will notice that when Mike speaks the speech bubbles have a green frame and when Mack speaks the speech bubbles have a red frame.
NOTE: instead of the usual numbering for this issue I will simply refer to the Tarot Card Number given to each page.
The following Tarot card numbers are partially or totally obscured: VI, XI, XIII, XX
This whole issue is an example of Eternal recurrence like Pink Floyd’s The Wall or James Joyce’s Finnegans Wake to give 2 other examples from the 20th century.
If you purchase a second copy of this issue or have a color photocopier then you can turn the entire issue into one long continuing panel stretching for 24 pages with page 1 and page 24 connecting up to each other to make it an endless story with no beginning and no end.
Angel descending on right hand side of pgs. 1-23.
Devil ascending on left hand side of pgs 2-24.
Both angel and devil seen on pg. VIII Adjustment.
Hebrew letters instead of number scores on Scrabble letters except for pgs. 1 & 24. Where they are replaced by the 5 pointed star.
Cards are based on the Book of Thoth otherwise known as the Crowley designed Freida Harris painted set.
On the bottom of each panel is Aleister Crowley telling us a story and shown from birth to death.
Promethea appears at least once on every double page spread and 5 times between X and XI
Chequerboard pattern appears at top of page on all pages and starts breaking apart between pages 23 and 24.

Here is the Hebrew Alphabet useful for interpreting the Kabbalah and Tarot.
Please note that most of the Crowley photos are taken from here

Page first:
The back of the Tarot deck is seen on this page. Promethea is just about to pick a card from the deck as per Mike and Mack's instructions.
At the bottom of the page we see a sperm fertilizing an egg and a foetus starting to form. This is the conception of none other than Aleister Crowley.

Page 0 Down on the bottom of the page we see Crowley born and then as a small child and finally as a schoolboy making the Peace or V for Victory sign.
The relevant passage about the V sign comes on pgs 386-387 of Lawrence Sutin's Do What thou Wilt biography.
Once the war began the Beast was passionate in his support of the British cause. If immitation is the sincerest flattery, then Crowley paid great homage to Winston posing for photographs in which clad in bowler hat with scarf, cigar and contemplative scowl, he struck a striking resemblance to Churchill himself. Crowley also claimed to have originated the popular V for Victory hand gesture employed by Churchill. According to Crowley, the letter V was suited to the task of bringing victory due to its numerous esoteric correspondences. Crowley's claims have never been accepted; David Ritchie of the British Broadcasting Corporation is widely credited as having suggested it to Churchill.
Adapted from this photo of Crowley taken in 1889 when he was just 14

This image also inspired Alan Moore's From Hell Chapter 9 pages 3-4

"My name's Alexander and I'm nearly fourteen. Tell me do you think the man who's killing these ladies is doing something MAGIC?"

as well as From Hell Appendix II page 3 panel 5
The tarot card depicts the fool walking over the edge of a precipice while a little dog barks to warn him just as he steps off. He is also holding a red balloon (see Issue #23for more about the red balloon).

Page I Tarot card shows the Magus with his four magical instruments
Note the pen replacing the wand in the air. The magus holds a stage magicians' magic wand in his hand and is dressed like innumerable stage magicians from this century with top hat, tails and a moustache.
The pen that Barbara gave Sophie has been transformed into her caduceus whenever she changes into Promethea.
Aleister Crowley seen in same pose as a famous photograph of him:

Image Source

Page II: Young Crowley seen standing on an asteroid dressed in the same manner as the mob of 5 Christians who killed Promethea's father. The Tarot card is the High Priestess who appears to be flying down towards the planets of our solar system wearing a gown with stars.
Page III:
For those not overly familiar with it here is an outline of the Big Bang Theory.
Crowley the proud parent holds his daughter up for the photographer/painter whilst behind him a wave breaks on the seashore.
No doubt inspired by these two photos:

The Empress sits on a throne in a gown of green. The world seems to be atop her crown.
Page IV
The DNA double helix is explained here.
Crowely sits alone on a boat on the seashore.
The Emperor sits on his throne holding a caduceus and a plant. The throne sits on the world and above him the moon and the sun are in the sky.
Around the card is the DNA hexagon in numerous bright colours which gradually transform into white doves flying upwards. A dinosaur runs off into the next page.
Page V:
Definition of fugue: In music, a contrapuntal form with two or more subjects (principal melodies) for a number of parts, which enter in succession in direct imitation of each other or transposed to a higher or lower key, and may be combined in augmented form (larger note values). It represents the highest form of contrapuntal ingenuity in works such as Johann Sebastian Bach's Das musikalische Opfer/The Musical Offering (1747), on a theme of Frederick II of Prussia, and Die Kunst der Fuge/The Art of the Fugue published in 1751, and Beethoven's Grosse Fuge/Great Fugue for string quartet (1825-26).
Leonardo Rizzi who is doing an Italian translation of Promethea notes that the quote
"it’s like a fugue. you have a choice
of following a single voice,
or letting each strand grow less clear
the music of the whole to hear!"

was brilliantly and deeply explored in the "Prelude ... Ant fugue" chapters from Douglas R. Hofstadter's incredible "Godel, Escher and Bach".

In reading those chapters, they become the pretty obvious source for Alan Moore's observations. Of course, it must have been some sort of unconscious quotation, but it's there anyway.

From Hutchinson Encyclopedia
Lucy was the name give to a skeleton found in east Africa. A member of the species Australophithics afarensis.
A young Crowley continues the story with a goat, a mastadon and some apes behind him.

The hierophant holds a key and a hula hoop (really a snake swallowing its' tail) through which pass evolutionary figures from a fish to an amphibian to a monkey to an ape to woman and man. Evolution continues on whilst the sky behind the hierophant has lightning striking.
Page VI:

The idea that Adam and Eve represent not the first man and woman but the first sign of life on earth and are thus really amoebas is also stated by Moore in Snakes and Ladders.
Note that the V and most of the I are obscured by Promethea holding the card. a young Crowley lies down relaxing in a field of grass. This image complements tarot card VII on the next page. The lovers card above him shows the tree of life with all the sephiroth coloured. Eve offers Adam the forbidden fruit whilst a snake entwined at the bottom of the tree looks on maliciously.
Page VII
Greek & Roman Mythology. (1)The food of the gods, thought to confer immortality.
(2)Something with an especially delicious flavor or fragrance.
(3) A dessert containing primarily oranges and flaked coconut.
Latin, from Greek ambrosi, from ambrotos, immortal, immortalizing. See mer- in Indo-European Roots
(1)A sweet liquid secreted by flowers of various plants, consumed by pollinators, such as hummingbirds and insects, and gathered by bees for making honey.
(2) Greek & Roman Mythology. The drink of the gods.
(3) A delicious or invigorating drink.
[Latin, from Greek nektar, drink of the gods]
An intoxicating or hallucinogenic beverage, used as an offering to the Hindu gods and consumed by participants in Vedic ritual sacrifices.
[Sanskrit soma;; akin to sunoti, he presses.]
Definitions taken from
Psychedelic mushroom stews
Having tried one myself once I can vouch for its' effectiveness to produce the results described.
Crowley sits atop a hallucinogenic mushroom.
The Chariot rises up in the air. Two horses pull it upwards whilst the rider holds a cup aloft in one hand. On the ground a stoned shaman lies amidst magic mushrooms.
Pages VIII – IX 10 positions from the signs of the grades Photos found in Crowley's Magick are labelled:
  1. Earth: the god Set fighting
  2. Air: the god Shu supporting the sky
  3. Water: the goddess Auramoth
  4. Fire: the goddess Thoum-aesh-neith
  5. Spirit: the rending of the veil
  6. Spirit: the closing of the veil
  7. The LVX signs + Osiris slain-the cross
  8. L Isis mourning-the Svastika
  9. V Typhon-the Trident
  10. X Osiris risen-the Pentagram
Here is a more detailed description of the signs and here is the same again but this time with the pictures.
Yoga pose in center. A photo of this pose found in Crowley's Magick is labelled A good position for meditation.
(Symonds/Grant edition, Plate 1b, facing page 230; Hymenaeus Beta edition, 2000: Figure 2, page 17)

Page VIII: Tarot card shows Adjustment. The angel and the devil are perfectly balanced on the scales wielded by blind justice. A star superimposed over her face. Primitive cave drawings of animals on the run.
Page IX: The hermit. A foetus in the womb sucking its' thumb and holding on to a sun symbol with its' other hand. Walking towards the sun symbol primitive drawings of animals. Walking and flying away from the sun a lion and a bird.
Behind the card on the wall vaguely pre-Egyptian drawings.
Pages X-XI Egyptian and Arab Crowley.
Page X: Crowley in Egyptian garb.

Behind him Egyptian drawings of Thoth and a pandelirium. Also a sarcophagus with what looks like a woman performing fellatio on the male member (pardon the pun). Note the ora from Tempora covering woman's face (Ora for oral sex). Also Grecian warriors in a swordfight.
Tarot card is Fortune. A wheel with 3 chariots on it endlessly moving upwards or downwards depending on how fortunate or unfortunate the recipient is.
Page XI: Crowley as an Arab:

Behind him statues engaged in warfare to his left and making love to his right.
The largest of the 5 Prometheas totally obscures the Tarot Card number XI.
Tarot card is called Lust and represents a naked woman holding a wand and an overflowing cup riding on the back of an angry lion whilst a city is destroyed in flames as the moon shines on smilingly.
Pages XII-XIII Crowley is starting to get older.
This seems the most likely source for Crowley's image as depicted on these two pages:

Page XII: Buckminster Fuller.
The hanged man hangs upside down from a chain but doesn't seem too concerned about it. Behind him a city is in flames. The Moon shines on.
Behind Crowley and to his right statues of the two lovers from the previous page have another woman holding on to the man.
The painting behind Crowley is adapted from the Hieronymous Bosch panel depicting Hell in his triptych:
The Garden of Earthly Delights.
Note that the bladder shaped red pink outline is repeated in a small white square on top of Crowley's left hand.


Page XIII:
The chequerboard pattern totally obscures the XIII card number and part of the top left hand part of the card.
The painting behind Crowley is adapted from Breughel's The Triumph of Death:

Image Source

Death Image on Tarot card obviously borrow from the Brueghel painting with the dead bodies on wheels.
Endless Night is a line from a William Blake poem Auguries of Innocence and also the title of an Agatha Christie novel.

Page XIV:
Tarot card for Art based on Leonardo's Mona Lisa painting:

Image Source

but with the lady in question pouring liquid from two cups as in the original Tarot card image.
The reference to Sistine blue recalls to mind the Sistine Chapel ceiling.
Crowley paints a picture at the bottom amidst some trees.
Another Leonardo image visible behind the picture frame:

Page XV
The phrase the Age of Reason comes from an essay by Thomas Paine.
Newton's sleep - A phrase coined by poet William Blake, Newton's sleep refers to the preference of a mechanical view of the universe over a spiritual view.
It comes from a poem he wrote in a letter to Thomas Butts:

Now I a fourfold vision see,
And a fourfold vision is given to me;
'Tis fourfold in my supreme delight,
And threefold in soft Beulah's night,
And twofold always. -- May God us keep
From single vision, and Newton's sleep!


Explanation of the Fourfold vision
Crowley in a Masonic pose:

The Tarot card depicts the Devil as a mischevious boss forcing a man and woman to mop a floor whilst chained at the neck.
Behind Crowley are wheels and cogs that seem to interact with each other.
Page XVI
Tower of Babel
The Tower of Babel and the confusion of languages
Crowley now looking older still.
More wheels and cogs behind him and to his left some nice red flowers break the two pages up from each other.
The Tower has been struck by lightning and 3 people fall from it. The eagle with lightning rods looks very reminiscent of Nazi imagery.
Angels of Mons
Fairies snapped at Cottingly
Photos and transcripts
Golden Dawn
Crowley watching the sunset smoking a cigarette.
The Star Tarot Card. A half naked woman spills some liquid into the ocean. Note that the ground she sits on seems to depict a map of the entire world. The normal Tarot image for this depics the woman with one foot on the ground and another in the water but here it looks like she only has her knee on the ground just beside the water.
Page XVIII and XIX

Underworld of Hecate.
"HEKATE, the UNDERWORLD GODDESS of witchcraft, was the only child of the Titanes Perses and Asteria. From her parents she inherited powers over the earth, sea and heavens.
Hekate assisted Demeter in her search for Persephone and after their reunion became Persephone's minister and companion in Hades.
She was closely associated with ELEUSINIAN Mysteries. Hekate was usually depicted in vase paintings holding two torches. In statuary she was sometimes depicted in triple form"

Hekate and the rites of Eleusis appear in Alan Moore's Glory # 1 (Avataar December 2001) in the origin story of Glory (drawn by Melinda Gebbie) and Glory # 2 (Hecate shown as an old woman with white hair, sitting in a cave and holding a caduceus).
Unfortunately no more issues were published after #2 and the story remains unfinished.

Tarot card for the Moon. Man walking towards us passing a gateway reading Arbeit Macht Frei which translates from German as:
Work Liberates.
It is written above the wrought iron gates at Auschwitz.
Behind the man an atomic mushroom cloud is seen. The Moon doesn't look too happy. On the ground just behind the man is the hammer and the sickle.
Crowley wears a turban looking similar to this picture but without the pipe and perhaps a bit younger:

Behind Crowley some Swastikas and a nuclear sign.
Page XIX
Of, characterized by, or generating hallucinations, distortions of perception, altered states of awareness, and occasionally states resembling psychosis.
A drug, such as LSD or mescaline, that produces such effects.
[psyche1 + Greek dloun, to make visible (from dlos, clear, visible. See dyeu- in Indo-European Roots) + -ic.]
The spirit of the time; the taste and outlook characteristic of a period or generation: “It's easy to see how a student... in the 1940's could imbibe such notions. The Zeitgeist encouraged Philosopher-Kings” (James Atlas).
[German : Zeit, time (from Middle High German zt, from Old High German. See d- in Indo-European Roots) + Geist, spirit; see poltergeist.]
Crowley with a walking cane.
Behind him some blue peace signs (also used as anti-nuclear signs) and some sigils and a magic square. Also a city (maybe New York) behind him.
Tarot card for the Sun. Two little hippies dancing naked on a green hill as the sun looks down benignly. Note the flowers have coloring reminiscent of the Rosicrucian symbol.
Page XX
The snakes Mack and Mike and the caduceus obscure the number XX.
2017 only another 14 years to go.
"As Craig Barrett, executive vice president and chief operating officer, explained, Intel continues to adhere to Moore's Law, which states that the number of transistors per chip doubles every 18 months. The company predicts that silicon scaling will reach its physical limit by the year 2017."
Source: Cade Metz, "Intel Pushes Pentium Pro," PC Magazine, August 1996, p. 36.
Harpocrates - Horus the child. God of silence and secrecy. His cult, combined with that of Isis and Serapis, was very popular in the Roman Empire.
Some more information about Harpocrates.
Here is a statue of Harpocrates.
Crowley ill in bed in his declining days.
Around him more peace signs but also Egyptian ankhs as well as an eye in the triangle and a female from some alchemical sketch.
More information about Ankhs.
Tarot Card the Aeon with Harpo Marx making the sign of silence whilst blowing his bicycle horn "Ankh Ankh"as smiling ghosts rise from their graves.
Page XXI AC Dying from pencil sketch by Lady Freda Harris Nov. 30, 1947.
He died on Dec 1st.
Tarot card The Universe very similar to Crowley/Harris image.
Promethea flies off as the issue comes to a conclusion
Quoting from Lawrence Sutin's 2000 biography of Aleister Crowley Do What Thou Wilt:
Crowley died on December 1, 1947 from myocardial degeneration coupled with severe bronchitis.....John symonds recorded that "Frieda Harris told me that Crowley died unhappily and fearfully. She held his twitching hands while the tears flowed down his cheeks. 'I'm perplexed' he said. She was not with him at the very end.
.....but As one might expect there are different accounts of Crowley's last words and moments.
According to [Patricia] McAlpine, Frieda Harris had not come to visit at the end, and there had been no scenes of weeping.

pgs. 417 & 418.
Thanks to Jose Villarubia for send me the following interview excerpt from Blather magazine:
Q:What are your thoughts on Crowley the man?
A:I think that he was a brilliant scholar. I think that it's difficult to make a judgement of Crowley, mainly because he himself did almost everything he could to obscure his - I mean, he played up to all the rumours and the notoriety and for a while I think he thought "Oh well, all publicity is good publicity." It didn't actually work out like that.
Q:He had a very painful end.
A:Well, it depends. I tell you, I've got a great little picture. Well, it's only in a catalogue, it's a reproduction. I went down to that Crowley exhibition that they had a couple of years ago in London. They'd got a load of his paintings. And they'd also got paintings by Frieda Harris. And they'd got, yeah, a couple of originals from the Thoth deck, which were nice to look at, quite interesting to see. They'd also got this little pencil drawing called A.C. Dying by Frieda Harris. A little pencil drawing of this frail, skeletal guy with a wispy beard, sunk in the pillows of his bed, eaten away, consumed by his illness and he's got one finger, just touching his bottom lip. And when you hear of the alleged Crowley's last words, "I am perplexed," then - yeah, I was coming out of the exhibition with Steve Moore and talking to him, he's a friend of mine, a fellow comic writer, a fellow occultist and he was one of the editors of Fortean Times for a long while.
Q:He edits Fortean Studies.
A:Yeah, he edits Fortean Studies, well he's recently packed that in but he's back into comic writing now but Steve's one of my oldest friends, no relation but I've known him since I was fourteen. But we were coming out of the thing and we were talking about this vulnerable, fragile little pencil sketch of Crowley and Steve said "You know, it's very much like the actual pictorial of the 'I am perplexed,' you know, the finger to the lip, wondering, questioning," and I thought "Yeah but on the other hand it kind of looks like the sign of silence," and it's quite ambiguous. Is it "I am perplexed?" which would be a terrible thing, to be the last words of a man like that, you know, a terrible, damning thing for Crowley. Or is it a magus, making the sign of silence? There's something about the ambiguity that I really liked and that I really found emblematic of what I think of Crowley. If I wanted to morally judge him, I'd say that he was probably a bit selfish, probably a bit thoughtless about other people sometimes.

Page Final: Ouroboros: The "tail-devourer" is the symbolization of concepts such as completion, perfection and totality, the endless round of existence, etc. It is usually represented as a worm or serpent with its tail in its mouth.
More information at What is the Ouroboros.
Skeleton with skull from which maggots escape and turn into sperm which leads us right back to Page First.
The end of Prometheas' cape also matches the cape seen on the first page as does the chequerboard pattern at the top of the page.

TL wrote in with the source for the Crowley joke appearing at the bottom of the pages
"It is from Aleister Crowley, Magick in Theory and Practice, chapter 18:
There is the story of the American in the train who saw another American carrying a basket of unusual shape. His curiosity mastered him, and he leant across and said: "Say, stranger, what you got in that bag?" The other, lantern-jawed and taciturn, replied: "mongoose". The first man was rather baffled, as he had never heard of a mongoose. After a pause he pursued, at the risk of a rebuff: "But say, what is a Mongoose?" "Mongoose eats snakes", replied the other. This was another poser, but he pursued: "What in hell do you want a Mongoose for?" "Well, you see", said the second man (in a confidential whisper) "my brother sees snakes". The first man was more puzzled than ever; but after a long think, he continued rather pathetically: "But say, them ain't real snakes". "Sure", said the man with the basket, "but this Mongoose ain't real either".
This is a perfect parable of Magick. There is no such thing as truth in the perceptible universe; every idea when analysed is found to contain a contradiction. It is quite useless (except as a temporary expedient) to set up one class of ideas against another as being "more real". The advance of man towards God is not necessarily an advance towards truth. All philosophical systems have crumbled. But each class of ideas possesses true relations within itself."


Page frozen: 19 December 2003