RUNAWAY ROSE
Chapter Nineteen

 

Rose’s big break came early in November, when Alice, stricken with a bad cold and laryngitis, was unable to go on stage. Rose’s understudy, fully recovered now, took on Rose’s part, and Rose went on as Desdemona.

Rose was a mass of nerves that night. She had grown accustomed to being on stage, to being watched and stared at, but she had never had such a big role before, and wondered what Norman had been thinking when he had made her the understudy. Nevertheless, she accepted the challenge, taking Alice’s place until her friend regained her voice and adding her own dimensions to the role.

In Rose’s view, Desdemona was more than just the tragic victim of jealousy and misunderstanding. She regarded her as the victim of an unaccepting society as well, and as someone unwittingly caught in a power struggle. She knew that her view was probably influenced by her own experiences, but she had learned that a good actress drew from her own experience to bring depth to a character, which was why both she and Alice did so well in the role.

The audience was disappointed at first that Alice was not going to be on stage that night, but Rose’s performance was more than adequate, and word soon spread about her. Rose took on the role for several more nights, until Alice was able to speak adequately again, and a number of people came back to see her perform. To be sure, it wasn’t as many as came to admire Alice, but Rose was just starting out, and an understudy, so she did not expect the adulation that Alice received.

Robert, who was playing Cassio, had actually expressed relief that Alice was absent from the theater for several nights. Alice’s new beau had begun knocking her around, but Alice, convinced that she was in love, refused to complain, explaining away the bruises as the results of a fall, though Rose had enough experience with an abusive relationship to doubt the veracity of Alice’s words. Because of her contentious relationship, Alice had once again taken to sipping sherry in the evenings, especially as the weather grew colder and she felt the need to have something to warm her up. The abusive beau and the alcohol did little to improve her already high-strung temperament, and people had begun avoiding her again, not wanting to be the recipients of one of her tongue-lashings.

Alice and Norman were still not getting along, and around the middle of November, after a particularly vociferous argument, Norman told Alice that she would not be welcomed back to the theater after Othello ended. Alice blamed Rose for her predicament, first screaming at her, then sinking into a sullen silence. Although she soon found new work, and seemed to have forgiven Rose, the closeness they had once shared had vanished. Although they lived in the same boarding house, Rose had to admit that she missed Alice.

At the same time, Rose’s relationship with Robert became closer. She refused to become romantically involved—not only had she seen many girls get their hearts broken by Robert, but she wasn’t ready to enter a new relationship after the misery of her engagement to Cal and the trauma of the Titanic—but they became much closer friends. Both were very worried about Alice, who often disappeared after the show and didn’t return until the next evening. Alice’s behavior was becoming increasingly erratic, her breath often smelling of alcohol, and they weren’t certain whether the alcohol was responsible, or something worse.

Alice continued to appear on the stage, but at times her performance was barely adequate, and Norman had quietly taken Rose aside and asked her to be prepared to take over at a moment’s notice. Sometimes Alice’s behavior would take on an almost manic quality; she would go for days without sleep, perform brilliantly on the stage, and talk non-stop, often bringing Frances’s wrath down upon her for making too much noise at night. Eventually, she would grow tired and irritable, consuming far more sherry than was healthy, and finally sink into a depression, sometimes refusing to leave her room. Rose would go on stage in Alice’s place, explaining to Norman that Alice was sick. Norman once muttered under his breath that drunk was more like it, but he was trying to distance himself from her, and didn’t try to interfere.

When Alice was feeling normal, her behavior was pleasant, and she was easy to get along with, but the closer it got to the time when the play would close, and the more her beau kicked her around, the less pleasant her behavior became. She often shouted at Rose and Robert, and would sometimes stare suspiciously at Rose, as though she was certain that Rose was plotting against her.

Rose finally asked Gabe what he thought about the way Alice was acting, but he shrugged and said that Alice had these spells from time to time, and she would eventually get over it. She had had spells like this twice before, once when she had been thrown out of school, and shortly after their mother had died, leaving them to fend for themselves. It seemed that she reacted badly to the strain, and would temporarily sink into the depths of her own misery. He attributed this spell to her losing her position with the theater company, having to live with the person she blamed for the loss of her job, her beau, and too much drinking.

Rose remembered some of the things she had read about how the mind worked, and one afternoon, when she had free time, she wandered over to the New York Public Library and continued her reading of the work of Dr. Freud.

She remembered how shocked and angry Cal and her mother had been when she had discussed Freud’s ideas on the Titanic. Of course, she admitted, she hadn’t been talking about the most polite of Freud’s ideas. Nevertheless, Rose found psychology fascinating, and soon began reading the work of other philosophers and psychologists.

Rose would never be absolutely certain of what Alice’s problem was, but her studies brought her to a good theory—Alice suffered from manic-depressive disorder, along with alcoholism. Rose didn’t know what could be done to help her friend—she thought that giving up the sherry would be a good step, but Alice didn’t seem inclined to do so, and if her bottles of it disappeared, she simply bought more, assuming that she had drunk it all. The manic-depressive episodes couldn’t be helped; there weren’t any adequate medications available, and Rose suspected that Alice drank partly to try to treat herself. Any attempt to discuss it with her was met with hostility, leading Rose, and Robert, after Rose had discussed her findings with him, to believe that Alice knew that something was wrong, but had no idea what to do about it. They simply kept an eye on her and hoped that she would calm down before long.

Rose felt almost guilty about accepting the praise and adulation when she took over the role of Desdemona, knowing that Alice had worked long and hard to get where she was, and that she couldn’t help what was happening to her. But someone needed to fill the role, and Rose was very talented.

One night early in December, a recruiter from a traveling Shakespeare troupe approached her after the show. Rose was cautious—she had heard enough stories about fly-by-night operators, casting couches, and other dangers of theatrical life to have a healthy amount of suspicion—but she was also intrigued. The Shakespeare troupe was in New York for the entire month of December and held performances every night except Monday, so Rose went to see one of the plays on a Sunday evening, accompanied by Robert.

The troupe of actors was excellent, very professional, and the recruiter had seen her both as the prostitute and as Desdemona, and felt that her level of talent was just what the company needed to replace an actress who had decided to get married and quit the life of a traveling performer. The company was performing two plays, Hamlet and As You Like It, and the recruiter convinced Rose to audition.

Rose was leery at first, but Robert had done some work as a traveling actor and was familiar with this group. He was of the opinion that they were among the best around, and that Rose would be a fool to pass up the opportunity. So Rose went to the audition.

Seven actresses had been called to audition, with openings for three actresses in the troupe—two for small roles and one for lead roles. The director explained that the reason that he had not promoted one of the other actresses in the troupe to the position of leading lady was because those that wanted to be leads weren’t yet adequate for the company’s needs—they learned a lot as they went along—and those who were didn’t want to be leads.

Rose auditioned with two monologues she had memorized from books of plays that she had found in the library—one comical and one dramatic. Rose had never auditioned for anything before, but Robert had assured her that this was how it was done, and she took him at his word.

Two of the actresses were eliminated the first day, but the other five, including Rose, were asked to come back the next week. Rose had her doubts about being accepted—her acting had some rough edges, and most of her experience, besides the few months she had spent working in the Baker Theater, had been in real life, putting on a happy, convincing face when she felt like running and screaming.

So it was much to Rose’s surprise that she found herself cast as the new leading lady for the Shakespeare troupe. She was excited, but also worried, since she had built a satisfying life for herself in New York City, and she wasn’t certain that she wanted to give it up to face the unknown. Norman wanted her to come back after Othello ended in a dance role he was choreographing for her, and Rose couldn’t decide which she wanted to do. She told the director of the troupe that she would have to think about it, uncertain as to what she wanted. Half of her wanted the adventure that would come with traveling around the country and performing, while the other half of her feared giving up what she had come to know and once again committing herself to the unknown.

The director of the troupe gave her until December thirty-first to decide, the night that they were leaving New York and heading for Boston. Rose promised him that she would give him an answer by then. It was still two days before Christmas, and she had some time to think. She wanted adventure, to make it count, as Jack had said, but she worried about leaving Alice, although Alice had calmed down somewhat since her beau had returned to his family for the holidays. Still, Rose wasn’t certain what to do, and she wasn’t any closer to making a decision on December thirtieth, the last night of Othello.

Chapter Twenty
Stories