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THIN WILD MERCURY MUSIC

Spank 105 [T-350]

(1) Bringing It All Back Home sessions (New York, NY); January 13-15, 1965
(2) Hawks session (New York, NY); November 30, 1965
(3) Highway 61 Revisited sessions (New York, NY); July 30, 1965
(4) Bringing It All Back Home sessions (New York, NY); January 13, 1965
(5) Hawks session (New York, NY); October 5, 1965
(6) Blonde On Blonde session (Nashville, TN); February 15, 1966
(7) Bringing It All Back Home sessions (New York, NY); January 13, 1965
(8) Highway 61 Revisited sessions (New York, NY); June 16 - July 30, 1965
(9) Hawks session (New York, NY); October 5, 1965
(10) Hawks session (New York, NY); January 21, 1966
(11) Hawks session (New York, NY); October 5, 1965
(12) Highway 61 Revisited sessions (New York, NY); July 30, 1965
(13) Hawks session (New York, NY); November 30, 1965
(14) Hawks session (New York, NY); January 21, 1966
(15) Levy's Recording Studio (London, UK); May 12, 1965

Tracklist: (1) If You Gotta Go Go Now (1/15); She Belongs To Me (1/13)
(2) Visions Of Johanna
(3) From A Buick 6
(4) It's All Over Now Baby Blue
(5) Medicine Sunday, I Wanna Be Your Lover
(6) Keep It With Mine (instr)
(7) Love Minus Zero
(8) Can You Please Crawl Out Your Window
(9) Number One
(10) She's Your Lover Now
(11) Jet Pilot
(12) Can You Please Crawl Out Your Window
(13) Visions Of Johanna
(14) She's Your Lover Now
(15) Miami Sales Message, If You Gotta Go Go Now

EDLIS: EDLIS has recommended "Thin Wild Mercury Music" over The Lonesome Sparrow Sings for years now, but only by a whisker...

BIAB: This is an excellent, well-packaged disc. It brings together some of the rarer material from 1965 and 1966, when Dylan was going for that "thin wild mercury sound." Several rarities are included. Sound quality for all of these tracks is as good as any I've ever heard and the selections are well thought out; however, the track order is more random than chronological order.

rmd: Though most of this material has circulated in various forms for years, it is very welcome to have all of these studio tracks collected on a single, well-engineered disc. The packaging is quite nice. The overall sound quality is very high. Some of the information on sources is inaccurate. (Dan Brazeale)

AMG: A very interesting compilation of Dylan's best rare/unreleased material from the mid-'60s. In most cases you can hear why these were rejected for his '65-66 albums; but there are very good, substantially different alternate takes here.