Without a doubt, serious writers recognize that a 
professional analysis is an invaluable service!

(8+ pages of thorough analysis!)
FOR $100

Here are some questions you might be
(or should be) asking yourself:

[What makes HIM such an expert?]
[What, exactly, will I be getting?]
[What's his motivation?]
[Terms and Conditions?]
[Submission Form]

About Me...

NOBODY KNOWS ANYTHING.
          Not one person in the entire motion picture 
       field knows for a certainty what's going to
       work.  Every time out it's a guess-- and, if
       you're lucky, an educated one.
                                       - Willam Goldman
                        
     I am a professional screenplay writer.  My current 
credit, THE CONNECTION, is set to be filmed in 1999/2000.
I have also provided script analyses for people from
both major and independent film studios.

     I am a professional English instructor, 
certified in three states. I've evaluated thousands of 
essays, research papers, creative stories, poems, and I 
have judged several competitions.

     Since writing screenplays, I've thoroughly studied
and applied the screenwriting methods of format, structure,
story development, and character development as taught by 
some of the biggest guru names in screenwriting literature:


  
      


                  Syd Field:  Screenplay and
                              A Screenwriter's Problem Solver
             David Trottier:  The Screenwriter's Bible
            William Goldman:  Adventures in the Screen Trade
                 Vicki King:  How to Write a Movie in 21 Days


     Adhering to the tried-and-true principles of screenplay
writing as put forth in these texts, the first script I had
ever written was optioned within only THREE MONTHS of my
completeing it!  

     My producer was astounded by the script's readability
and faithfulness to the rules of script writing.  Until she
had received mine, she had been mailed "scripts full of crap"!
A script so conforming made her job of selecting a project 
that much easier!

[Click here for more about me...]
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   Typical of any studio, the analysis/coverage of your
script will involve the following criteria:

ANALYSIS: 8+ pages

   * Immediate Impression        * The Three ACTS
       - presentation                - beginning, middle, &
   * Synopsis                          end for each Act
   * Character Evaluation            - consistency
   * Dialogue Evaluation         * Overall Comments
   * Format Evaluation
   * Plot Development
       - believability

     I'll respond (via E-mail) the day I receive your script.
Just be sure to have included the printed and signed Terms and
Conditions.

     And after having read your script, I will E-mail, fax,
or snail-mail your analysis/coverage --whichever you prefer.
We can stay in contact for as long as you like!

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What's His Motivation?

     We'd be doing each other a favor!  I LOVE to read
scripts.  I challenge myself to read as many scripts as
possible --for a while, I was reading one script per night.
However, I've fairly exhausted my source, Drew's Script-O-
Rama.

     Drew's Script-O-Rama carries both produced and
unproduced scripts, but the unproduced scripts are what
attract my attention --they provide more of a challenge.

     I still read the produced scripts, however.  Those
scripts represent the work that has "made it".  I think
it's important to be familar with professional styles
and techniques.  The unfortunate thing about reading 
scripts out on screen is that I already know how it
should be read --I know what to expect.

     But both types of scripts help me with my own
writing.  Being a former instructor, I KNOW that the more
a person reads, the better he becomes at his writing (that
goes for females too... heh, heh!).

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