Angel Monologues By Episode
Monologues by Episodes. Click the name of the episode to get the monologues from that episode. Or scroll.
I collected Buffy/Angel monologues for your use. I always am looking for monologues cos I'm an actor and even just for fun. Email me some and I'll put them up!
Monologues by Episode
The Harsh Light of Day/
Hero/
5x5/
Redefinition/
That Old Gang of Mine/
Billy
Provider
The Harsh Light of Day
Spike:Spike in high voice: How can I thank you, you mysterious, black-clad hunk of
a night thing? (low voice) No need, little lady, your tears of gratitude are
enough for me. You see, I was once a badass vampire, but love and a pesky
curse defanged me. Now Im just a big, fluffy puppy with bad teeth. (Rachel
steps closer to Angel, and Angel steps back warding her off with his hands)
No, not the hair! Never the hair! (high voice) But there must be someway I
can show my appreciation. (low voice) No, helping those in needs my job, -
and working up a load of sexual tension, and prancing away like a magnificent
poof is truly thanks enough! (high voice) I understand. I have a nephew
who is gay, so (low voice) Say no more. Evils still afoot! And Im almost
out of that Nancy-boy hair-gel that I like so much. Quickly, to the
Angel-mobile, away! Go on with you. Play the big, strapping hero while you can. You
have a few surprises coming your way. - The ring of Amarra a visit from
your old pal Spike, - and, oh yeah, - your gruesome, horrible death. Smiles.
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Hero
Cordy voice over: "Okay, we fade up on an aerial shot, downtown, skyscrapers, lights, yada, yada, yada. We hear a narrator, preferably famous - maybe that bald Star Trek guy or one of the cheaper Baldwins, and he says: 'it's a big, bad city out there.' Cut to a woman walking down a dark, spooky street - alone. We'll cast some beautiful, young actress, maybe an up-and-coming starlet whose carrier is on the verge of taking off (we see Cordy walking down a dark street). Anyway, she's all nervous, right? Mucho vulnerable. The voice guy says: 'danger lurks around every corner.' Boom! She's attacked by a big, ugly goon, with a knife. She screams: 'help! Is there no one to help me?' 'Well now there is someone to answer your call. (We see a dark figure in a long trench coat) He'll protect you, (dark guy beats up big, ugly goon), catch you when you fall! You can count on it. (Camera pulls in on Angel's face and he says:) And you can count on me, because I'm the Dark Avenger."
Angel: " I'm the what?"
Cordy: "The Dark Avenger."
Angel: "I'm the Dark Avenger."
Cordy: "I know, it's perfect! We can do it ourselves on High 8. I'll charm a post-production house into doing the effects and... Look, I know a little something about self-promotion, Angel, and I'm telling you one commercial like this could get us out of the red - or the black - or which ever one means we're broke, because that's us. So what? Buffy blows into to town and puts you into a permanent funk and I'm just supposed to stand by and watch our business go belly up?"
Doyle: "He's not entirely wrong, you know? (Cordy walks past him) Look, all I'm saying is advertising a superhero that can't really go out in the daylight might raise vampire suspicions, not to mention our pesky lack of an investigator's license."
Cordy: "And who needs a license when we have no clients?"
Doyle: "We'll manage, princess. We always do."
Cordy: "We will if we project the right image. And now I'm suddenly thinking that Angel is all wrong for this commercial! He is a larger-than-life character, way to Braveheart for Joe-Couch-potato to relate to. We need someone who's - average, (looks Doyle up and down), run of the mill, ordinary. (Smiles) You're perfect."
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5x5
Faith: "Did you ever wonder if things would have been different - if we'd
never met. What if you'd had Buffy - and Giles would have been my Watcher?
You think you'd still be here right now? Or would Giles be sitting in that
chair? - Or is it just like fate. You know, there is no choice. You were
gonna be here no matter what. - (Picks up a spray can) You think about that
stuff? - Fate - and destiny. (Walks over to Wesley) I don't. (Depresses
the top of the spray can and holds the lighter flame into the spray igniting
it where Wesley can get a good look at the resulting flame shooting forth)
Not that any of this is your own fault. (Flames again) Since this may be -
the last chance we will have to unload on each other, I feel that it is kind
of my duty to tell you that if you'd been a better Watcher, I might have been
a more positive role model! (Flames again) - Face it, Wesley, you really were
a jerk. Always walking around as if you had some great big stake rammed up
your - English Channel. (Frowns and takes the gag out) - I think I want to
hear you scream."
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Redefinition
Angel:"When Wolfram and Hart take a life - they do it at a distance. - I don't have
that luxury. ... It's time ... I'm not on their level.... But I can get
there. ... And when I do, I'll be right up close. I'll bring the fight to
them.... I'm ready.... I've got the moves. Now I need to know what theirs
are. ... I'm not ready. ... I can still feel her. - Her pain. - Her need. -
Her hope.... I'm too close. - Too close to fight her. ... Let them fight the
good fight. - Someone has to fight the war."
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That Old Gang of Mine
Gio: "Oh - so - you think, just because you're letting that monster live you got the mission, huh? Well, as far as I can see, a monster lover ain't no better than a monster, and I kill monsters. That's what I do. - So - anybody wanna walk out of here tonight, they gonna have to show me. Come on! Step on up and do what your friend here wouldn't: kill the vampire - and you can leave this place. Otherwise - stay and burn with the rest of them. (Holds up his crossbow rig and looks at Fred the group of humans huddled together behind her.) Who wants to live."
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Billy
Wes: "Fred? - I know what you're doing. - What you're up to. - Luring me. Forcing me to find you. - Oh, it's such a dog and pony show. - You beguile me with your girlish ways I pursue you but you never give over, do you? - No, you just keep laughing and running. Well, guess what, my love - I'm not some downy-faced schoolboy. I'm a man."Wes kicks the door open and walks into the room. There is a can of paint sitting on some boards as if someone had been working on renovating it. The room looks dark and deserted.Wes: "You can't come out into the open, can you? - No, you hide - you deceive. It's nothing new. It goes all the way back to Eve. - You and the serpent plotting behind our backs. - 'Here, honey, eat this. It's just an apple.' - That's the problem with your sex - you're all weak, and you're all dirty and you won't be satisfied until you've brought each and everyone of us out of the garden and down into the muck with you!"Why do you make me do this?
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Provider
Cordy: "Hmm. Well, I figured it was a long shot. But I really can float, you know. Well, I did that one time during my last vision. Who-ee - somebody needs a change. (Puts him back down) But before that, believe me, there was no floating up piece of mind destiny to my visions. No there was just - killer pain. And unfortunately, that's not an exaggeration. They really were killing me. (She moves the tea tray and puts a cloth down) So, the Powers That Be put a little demon in me, and as far as side effects go (Picks Connor back up) The visions are a breeze now. (Puts him down on the cloth and starts to change him) I don't know what else might be in store. I'm keeping an eye out for horns and a tail. Wow. It just occurred to me what a weird life you're in for, little guy. Your aunt Cordy gets visions and your daddy is a... - Well, you won't see him aging whole lot, or catching surf and sun in Malibu. But he is a good man, a champion, and he loves you very much. Plus, he's quite the natty dresser. (The change done, she picks Connor up) And your daddy is out there right now fighting evil - for money."
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