| Shows
that define.
Think of a network, any network. Think of a show on that network. Are
the
two synonimous? Can't have one without the other? The next few
installments
of JustTV Talk will be devoted to series that define networks. One by
one,
I'll run by the honorees, finally picking the defining series of the
last
decade. Up first, ABC.
10 .The
Practice (1996-)
This show started innocently enough- it took over "NYPD Blue"s timeslot
for a six week run in the spring of 1996. Along with "Arsenio," they
were
ABC's "strong" spring entries that season. But with its partner long
forgotten,
"The Practice" lives on. It started out with mediocre ratings on
Tuesday
night, nearly died on Saturdays and Mondays the following season, but a
move to Sunday was just what the doctor ordered. Ratings increased, and
with the help of "Millionaire," it ascended into the top 5. But last
season
it slipped out of the top 20; viewers say they're bored with the the
same
old stories, all woven from the overused cloth of David. E. Kelley.
The show has has numerous emmy nominations, won a few, aired in the
post
"Super Bowl" slot, and for the most part, had viewers hooked. A bright
spot in ABC's last, sometimes very difficult decade, "The Practice"
earns
number 10 on this list.
9. The Drew
Carey Show (1995-)
"Drew Carey" was the only new show of ABC's to make it through the
1995/96
season. Viewers didn't seem to see the appeal right away though, it
didn't
even rank in the top 40 in its first season. But viewers caught on in
the
second season as this show broke the top 20, where it remained for four
seasons. The show never got any emmy nominations (not any important
ones,
anyway), but it did revolutionize event episodes. A live episode every
season, catch the mistakes and win a trip, numerous dance numbers,
special
guest stars, crossovers, an episode from China (the first ever for an
American
sitcom), nobody did them better, or more often, than "The Drew Carey
Show."
But there's the rub. "Drew" did them too often, and viewers got tired.
The original charm of the series, working class shlubs a la "Roseanne"
got lost in the mix, and so did the ratings. Last season it finished
out
of the top 60.
While this show seems so 1996 now, ABC should fondly remember the time
when "Drew" made watching the alphabet cool again, if only for a few
seasons.
And for that, "Drew" gets number 9.
8. 20/20
(1978-)
This show was around for a long time before the 1990's, and will
probably
be for a long time after. While the show itself is no more memorable
than
"Dateline," one thing about the show is memorable- Barbara Walters. It
seems that anybody will talk to her, and almost anybody will
cry
on her
shoulder. She will be remember for many years to come as the strongest
female journalist of our time, and of possibly all time. What she
wants,
she gets.
As for the show, it started the decade strong, but fell when the
boomlet
of the newsmags took over the airwaves in 1997. As "20/20" aired up to
4 times a week, it lost its Fridays at 10pm appeal.
ABC
has finally
cut it back to just Fridays, but it may never be the same. But for
Barbara,
she is ABC, and that warrants "20/20" number 8.
7. Family
Matters (1988-1998)
This show started in the evil 80s as a spin-off of, believe it or not,
"Perfect Strangers." (Mom Harriet was the elevator woman at the
newspaper
office). But the network saw potential, and went ahead with "Family
Matters."
The show started out as a simple family sticom, and a very good one at
that. Airing on Friday nights for its entire run, it invented "TGIF,"
and
subsequently helped to destroy it.
For see, that simple family sitcom eventually gave way to Steve Urkel,
the kid neighbour next door. As Urkel mania raged in 1991, this show
would
sometimes record a 50 rating in kids 2 to 12. That's right, a 50.
Nothing
could accomplish that these days. But as the fad faded away and ratings
started to droop, the show started to really push Urkel as it got more
and more surreal. Viewers feld. When ABC cancelled it in 1997, CBS
picked
it up. It only lasted one season.
Despite all that, say "Urkel" to any person born in the early 80s (such
as myself), and a smile will come across their face, even after all
these
years. And for this, "Family Matters" drops in at number 7.
6. Ellen
(1993-1998)
The show was nothing special in its early run. Starting out as "These
Friends
Of Mine," it was ranked fifth in its first season, which lasted only 5
episodes. Moved to a tougher timeslot the very next season (and
widespread
cast changes), ratings dropped to the top 30, and then to 44th in its
third
season. The show was creatively stiffled and saw "The Nanny" coming its
way.
As the fourth season edged along, viewers were given "hints." Finally,
at 9pm EST on April 30, 1997, Ellen Morgan, and Ellen DeGeneres, came
out
of the closet. The show was the top rated on the week, sending it into
the top 30 on the season. The next season was no so great. Despite a
strong
start, it finished barely in the top 50 in its fifth season, and was
cancelled.
But the ratings don't tell the whole story. After Ellen came out, some
advertizers pulled their spots, some stations preempted, and warnings
were
slapped on the show. Jerry Falwell (the beacon of god himself) called
her
Ellen DeGenerate. But DeGeneres' attitude didn't help her any, either.
As the season progressed, she became increasingly bitter in the media,
making viewers see her as an "angry dyke on a mission." (my lesbian
roommate's
words, not mine). ABC caught more flack for this show than just about
any
other in its history.
But that's only part of the reason why "Ellen" gets number six on this
list. Despite the shenanigans, despite the preemptions and bitterness,
DeGeneres is still the funniest woman on the planet. The last season on
her show was golden, one of the best seasons of any show of the decade,
period. While she said that her show wouldn't become the "Gay Ellen"
show,
it did. But it was the "Gay Ellen" discovering herself show, testing
waters
she had never walked in. Every episode was an adventure, a learning
experience,
especially for young homosexuals who questioned themselves. Ellen gave
them somebody they could look up to. It's too bad that "Ellen" also
opened
the door for "Will & Grace." That show has none of the unique
qualities
that "Ellen" had. It's about getting a quick laugh at anybody's
expense,
while "Ellen" was about opening the door for shows like "Will &
Grace"
to slime their way through.
5. Full House
(1987-1995)
If anything was an unlikely hit, it was this show. Wife dies, so dad
calls
upon his brother in law and a friend to help care for his three golden
haired daughters. Sounds like "Three Men And A Baby." And many times it
was.
It never had critics enthralled. They hated it. But viewers loved it.
Like
TGIF-mate "Family Matters," this show, anybody born in the early 80s
has
very fond memories of this show. DJ, Michelle, Stephanie, Kimmy, Danny,
Joey and Jessie, this was our family. And later we welcomed
Becky,
Alex and Nicky with arms wide open. We loved these people.
But as with everything, the audience grows up. When it was moved from
Fridays
to Tuesday in 1991, ratings started to droop. At one time a consistant
top 10 show, it finished out its last season barely in the top 30. By
that
time. DJ was considering sex and college, Stephanie dealing with high
school
and Michelle was almost 8. Viewers no longer identified and the show
was
labelled "uncool," a surefire killer. So when ABC pulled the plug, it
was
not such a surprise.
Even still, even the most hardened "Full House" fan (ie- one who now
hates
it) had to have had a smile on their face when Candice Cameron (DJ) had
a baby a few years back. It was the next step in her life and ours-
telling
everybody that, yes, we have grown up. And for this, "Full House"
clocks
in at number 5.
4. Home
Improvement (1991-1999)
It didn't necessarily have "hit" written all over it, for any other
network
than ABC, that is. This family sitcom, headed by Tim Taylor, his wife
Jill,
their kids Randy, Mark and Brad, Al Boreland who worked with Tim on the
set of their show "Tool Time" and wise next door neighbour Wilson.
The show was never razor sharp. Al was the brunt of Tim's jokes, Tim
always
did something stupid that everybody chided him for, Jill was the long
suffering
wife, and the boys were, well, boys.
But
the show
clicked with viewers, male and female alike, and families as a whole.
There
was something in it for everybody, from Tim's fascination with "more
power"
(followed by the grunt) to Jill's rock of Gibralter patience to the
boys
always getting themselves into trouble, somehow.
It rated within the top five for 6 of its 8 seasons. It was in 1998
moved
and ratings started to fall, but that's typical as series age. And
viewers
still watch. Repeats still rank in the top 10 of the syndie ratings.
And
for all of this, the last of ABC's once great sitcom giants earns a
number
4 spot.
3. Who Wants
To Be a Millionaire?
(1999 to 2002)
This show, as everybobdy knows, started small, exploded, then imploded,
all within the span of three seasons. Quite a feat- in the history of
tv,
it's the only show to ever have done it.
And it did started out small. Entertainment Weekly, the bastion of pop
culture (or so it likes ot think), had only one sentence for it in its
summer tv preview in the spring of 1996. "Regis Philbin will host "Who
Wants To Be a Millionaire" is August." It recorded just 9.9mil viewers
in its very first Monday airing. The two week marathon ended up peaking
two Sundays later with 22.4mil viewers, so naturally ABC brought it
back.
Thanks to big promos and widespread media fever for something-
anything-
to talk on about tv, ratings just grew bigger and bigger. Even three
times
weekly airings couldn't slow it. 36.1mil viewers watched in May of 2000
as Rosie O'Donnell, the show's biggest fan, gave her "final answer" on
a hot Thursday night.
But then ABC got greedy. It got bumped up to four times a week. Ratings
dropped. And dropped some more. In a last ditch attempt to save it, ABC
cut back to just two times a week last season. But viewers had had
enough.
They didn't watch. Ratings plummetted. In May of 2002, ABC announced
its
cancellation, the final episode to air on June 27th. 8.0mil people
watched
as Regis gave his final answer. ABC says it may be back as specials.
At one time, everybody was saying "Is that your final answer?" dressing
like Regis, playing online and at home. Now the show is an
afterthought,
blamed for ABC's record low ratings last season. But for a brief while,
Regis Philbin was king. This earns "Millionaire" number 3 on this list.
1. NYPD
Blue (1993-)
This
show started in a flame of controversy in 1993, some outraged at the
thought
of bare butts and mild swearing on tv. It was the most racy show on tv
at the time. But viewers watched anyway. It finished its first season
in
13th place, a hit newcomer. .
The next few seasons saw cast changes and ratings increases. It landed
in the top 10 for the next three seasons. Viewers started appreciating
the show for its fine writing and acting, and the more "racy" stuff
seemed
tame next to the stuff that was showing on other tv shows. As quality
started
to slide, so did ratings. Last season it finished still in the top 30,
but to its lowest ratings ever.
But why this show earns the top spot on this list is more complicated
than
that. First of all, Dennis Franz, the flagship of this show, has
constantly
given one of the finest performances ever by an actor in a tv drama.
He's
won mulitple emmys, as has the show. Number two, this show has always
been
there for ABC. Through thick an thin, it's been the Tuesday at 10pm
(9pm
last season) rock of Gilbralter for the alphabet. This show is so much
a part of ABC that it could change its name to "ABC Blue" and nobody
would
notice. When this show does go off the air, ABC will loose a for-sure
thing,
something that it could depend on whether it had 5 shows in the top 10
or its whole world came crashing down, just as happened last season
when
"NYPD Blue" was the network's top rated show outside of football.
Definitely
not a coincidence.
1. Roseanne
(1988-1997)
When
this show started in 1988, nobody knew what to think. It was so unlike
anything else on tv that it was almost foreign. The concept was a blue
collar family struggling to make a living- certainly done before. But
the
material mined was so different, its stars so different, the writing so
funny, that nobody could ignore it.
It ranked number one in its first season, something that hasn't
happened
since to any tv show, except "Survivor." It also ranked number one in
its
second season. In fact, it ranked within the top 5 for each of its
first
6 seasons, falling to 8th in its 7th, 18th in its 8th and 32nd in its
last
season. It never won many emmys, but that didn't seem to bother
anybody,
because everybody knew that this show was far above any award that
could
be bestowed upon it.
It was the most real blue collar comedy ever. Viewers identified with
it,
which is why they watched.
Its
stars gave
harrowing, startlingly real performances. Sarah Gilbert was the
original
queen of teen angst, Laurie Metcalfe won two emmys for her performance
as Jackie, Roseanne's unsure, struggling sister. John Goodman was a
perfect
father figure, so real, so removed from his children that it was like
they
took a page right out of the book of many Americans. And then there was
Roseanne.
The actress burst onto the scene, doing anything and everything to
bring
attention to herself. Remember the "Star Spangled Banner?" Who could
forget.
Declaring herself bisexual. She was molested as a child. Her plastic
surgery.
Black washing Tom Arnold. Firing writer after writer, making people up
and quit the show. With all that went on behind the scenes, "Roseanne"
was ABC's most difficult series ever.
But well worth the patience. For this show, except in its final season,
transcended television. It became a beacon of the working classes-
their
lives played out on tv every week. No, it may not have won many awards,
but it was one of the best tv shows ever.
And who gets the credit for this? Roseanne herself. Because through it
all, she made viewers laugh. And that will win their hearts over every
single time.
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