| Hand and
Non-verbal Gestures/Commands |
Commonly gestures
are used in the handling of slaves, most being hand signals where
no verbal command is given or necessary for a slave who has
received training in Gorean customs. |
| |
NADU: "He suddenly snapped his fingers and, in the
swift double gesture of the Gorean Master, pointed to a place on
the dirt floor before him, almost simultaneously turning his hand,
spreading the first and index fingers, pointing downwards. I fled
to him and knelt before him, my knees in the dirt, in the position
of the pleasure slave, my head down, trembling." - p 143, Captive
of Gor
HAIR: "I held my left hand open, at my waist. She
stiffened, and looked at me, angrily. I opened and closed my left
hand once. I saw her training in Gorean customs had been thorough.
But she never thought that such a gesture would be used to her.
She came beside me, and a bit behind me, and, crouching, put her
head down, deeply. I fastened my hand in her hair." - p 409,
Beasts of Gor
HAIR: "I then snapped my fingers and held my right
hand, open, at my hip. Swiftly the girl rose to her feet and, half
crouching, put her head by my hand. I fastened the fingers of my
hand deeply and firmly in her red hair. She winced, and kissed at
my thigh. I then, the goblet of paga in my left hand, her hair in
my right, dragged her beside me, her slender chains rustling, to
the nearest alcove." - p 59, Rogue of Gor |
| On the Snap |
If a slave is in
the service of a Free, and He snaps His fingers, without further
motions, she goes to His feet and kneels. If she is at His feet
already, she stands. |
| |
KNEEL/STAND: "I snapped my fingers. She knelt. I snapped my
fingers again. She stood." - p 215, Fighting Slave of Gor
APPROACHING: "I snapped my fingers. `Yes Master,' she said.
She approached the sound and knelt before me." - p 248, Fighting
Slave of Gor
Bellying As a Slave: "`And if they should snap their
fingers and point to the floor?' I asked. `Then I would swiftly
lie before them, and as a slave,' she said." Rogue of Gor pg. 102 |
| Question and
Response |
During the training of Kajirae, it
is common to be asked repeatedly some of the following questions,
in this a girl is constantly reminded of who and what she is and
what her purpose is as well. |
| |
"What is the duty of
a slave girl' I inquired.
'Absolute obedience' she said, frightened.
'What are you?' I inquired.
'A slave girl,' she said.
'What is your duty?' I asked.
'Absolute obedience,' she cried out."
Hunters of Gor, p 258
"What is your duty?' asked my master.
'Absolute obedience,' I replied, in Gorean."
Slave Girl of Gor, pg 106
'What are you?'
'I am a slave girl.'
'What is a slave girl?'
'A girl who is owned.'
'Why do you wear a brand?'
'To show that I am owned.'
'Why do you wear a collar?'
'That men may know who owns me'
'What does a slave girl want more than anything?'
'To please men.'
'What are you?'
'I am a slave girl.'
'What do you want more than anything?'
'To please men.'
Assassin of Gor, p 197 |
| Kajira Mantras |
For newly acquired slaves, it is
important to have the proper mind set and understand thoroughly
what they are, nothing more then property, chattel with which an
owner can do what he pleases, a kajira is truly owned. |
| |
"He is Master and I am slave. He is
owner and I am owned. He is to be pleased and I am to please. Why
is this? Because he is Master and I am slave." pg 184 Explorers of
Gor |
| "Position" |
It is not uncommon for a kajira to
be reminded of the proper way in which she should kneel before a
free man with one word is she reminded of her place. |
| |
"Position, Slut!" I
snapped at the girl. Swiftly, the Lady Florence, frightened, knelt
in the straw. She knelt back on her heels, her back straight, her
head up, her hands on her thighs. She knelt in the position of a
house slave. I looked at her sternly. Swiftly she spread her
knees. She knelt now in the position of the pleasure slave, the
slave of interest to men." p 346, Explorers of Gor |
| Put Through Paces
On Display |
Kajira are often required to
demonstrate their knowledge and advancement in training by being
put through slave paces, one of which is the beauty of display. |
| |
"Stand!" said the
merchant. "Head back! Hands behind head! Bend backwards! Farther!
Farther!" He turned to us. "Acceptable," he said. Then to the girl
he issued orders, rapidly, harshly. I watched, with interest, as
the girl, tears in her eyes, responded to his swiftly issued,
abrupt commands. For more than four ehn he put her through a
swift, staccato regimen of movement, a set of slave paces,
assessment paces, designed to exhibit, vulnerably, decisively and
publicly, her beauty, in all of it major attitudes and positions.
"Hands on hips! Be insolent! Hands behind back! Hands crossed
before you, as though bound! Hands at throat, as though chained to
collar, fingers before mouth! Fall to the floor! Kneel! Head down!
Head up! Bend backwards! Farther! Roll to the floor, on your side,
on your back, right leg high, now flexed, left leg high, now
flexed, to your side, right leg extended, palms on floor, left leg
extended, palms on floor! Appear angry! Appear frightened! Appear
aroused! Smile!" He did this with the same swift, expert
objectivity, and clinical detachment, that a physician might bring
to a routine medical examination; this examination, of course, was
a beauty examination, assessing the desirability of a female
slave. The whip cracked again."
Tribesmen |
| Commanded to
Perform Positions |
A
slave put through her paces with positions. Commanded to perform
them one after another for the Master. |
| |
“Lesha,” snapped the
second officer to the blond girl. She spun from facing him, and
lifted her chin, turning her head to the left, placing her wrists
behind her, as though for snapping them into slave bracelets.
“Nadu!” he snapped. She swiftly turned, facing him, and dropped to
her knees. She knelt back on her heels, her back straight, her
hands on her thighs, her head up, her knees wide. It was the
position of the pleasure slave. “Sula, Kajira!” said the man. She
slid her legs from under her and lay on her back, her hands at her
sides, palms up. her legs open. “Bara, Kajira!” he said. She
rolled quickly to her stomach, placing her wrists behind her,
crossed, and crossing her ankles, ready to be bound. “She is a
pretty thing,” said Ulafi, and turned away. “Yes,” I said. “Sula!”
said the man. “Bara! Nadu! Lesha! Nadu! Bara! Sula! Nadu!” The
girl was gasping. There were tears in her eyes, as she knelt on
the deck. Once she had been struck when her transition between two
of the movements had been insufficiently beautiful. Another time
she had been struck when her response had been insufficiently
prompt." Explorers |
| Beg for Love |
Begging for any and all things is
found to be both beautiful as well as a useful way to control a
slave, little or nothing is ever simply given to them. *See below
as well for a similar command. |
| |
"You!" said the
trainer, gesturing to another girl with his Whip. "To his feet!
Beg for love!" This girl hurried forward and knelt before Drusus
Rencius. "I beg for love, Master," she whispered. "You!" said the
trainer, indicating another girl. She, too, hurried forward. She
knelt before Drusus Rencius, her palms on the floor, her head to
the very tiles. "I beg for love," she whispered. "I beg for love,
Master."
Kajira of Gor 139 |
| Beg to be Used
|
Begging for any and all things is
found to be both beautiful as well as a useful way to control a
slave, little or nothing is ever simply given to them. By such
strict and tight control can a slave truly know she is mastered. |
| |
"You may now beg to
be used as a slave," he said. "I beg to be used as a slave,
Master," I said." Kajira of Gor 339 |
| Blanket - "Coverage" or "Cloaking" |
This, while not
technically a command, is still an action the slave should
remember. If something is thrown over her head she must remain
silent and motionless until freed from it.
|
| |
"I then threw the second blanket, the top blanket over her,
covering her completely. When a blanket, or cloak, or covering of
any sort, is thrown over a slave like this she may not speak or
rise. She must remain as she is, silent, until the master , or
some free man, lifts the covering away." Explorer's of Gor pg 94
|
| Bound by Master's
Will |
Refers to a slave
being commanded to hold position, as though bound, hands clasping
opposite wrists until she is released. |
| |
"She wore the `bonds of the master's will.' Grunt had put her in
them. She could not rise to her feet. Yet there was not a rope or
strap on her body. She was `bound by the master's will.' She could
not move from this position unless, at the word of a free person,
she was freed from it. To break the position otherwise is to be
instantly slain." Blood Brothers of Gor pg 248
Har-ta: The command meaning, literally, "faster". I shouted
to my tarn, in Gorean and in English. 'Har-ta! Har-ta! Faster!
Faster!' Tarnsman of Gor pg 57
“Har-ta!” said Imnak to the girls. “Har-ta!” The expression
‘har-ta’ is Gorean. “Faster! Faster!” Beasts of Gor pg 191 |
| Juice
|
Simply put, it is a slaves duty to
be ready to serve in all ways, her sexuality is muchly dependant
upon the whims of those she serves and so this command is given
slaves for them to ready themselves of use. |
| |
'Before he had taken
the sack from its shelf he had ordered me to the floor of the
utility room, to my back on the dusty boards. "Lie there and
juice;" he had told me. 'Waste no time about it." I had lain there
and, briefly, shut my eyes and thought of his might and power, and
my helpless slavery, and then I was ready, almost in a moment, to
receive his lie and had me swiftly." Kajira of Gor 275
|
| Orgasm/Yielding
|
It is common for a slave to have all
things controlled, for they are owned in all ways, one way is the
need for a slave to beg for release, which even that can be
withheld at the owners whim. |
| |
"You may now yield, Lady Sheila," he said, "as you have begged, as
a slave." "Thank you, Master!" I cried, and threw my head back
elation and gratitude, and freed myself of feeling, and, as He
mastered me, cried out my slave's submission to him." Kajira of
Gor
'Then, after a time, at last, he permitted her her slave's
yielding, and in it she cried out her slavery, and her submission
to men, and, specifically, to he who was her master of the
evening." Kajira of Gor |
| Run |
When this command
is given, the slave runs toward her objective, taking short rapid
steps, with her legs almost straight, her feet hardly leaving the
floor. As she moves her back is straight, her head is turned to
the left, and her arms are at her sides, her palms facing outward
at a 45 degree angle to her body. Upon reaching her objective she
drops gracefully to her knees and typically resumes the position
of Nadu. |
| |
"I was amused, for she had run as a slave girl is sometimes taught
to run, with rapid short steps, her legs almost straight, her feet
scarcely leaving the ground, back straight, head turned to the
left, arms at her sides, palms out at a forty-five degree angle,
more of a dancer's motion than a true run." Assassin of Gor pg. 45
|
| She-Quadruped |
This is not
technically a position but is definitely a command sometimes used
for punishment. When ordered into this mode the slave stays on all
fours, like an animal, and cannot speak or reach for things with
her hands. she is kept quite definitely as only a mute pet much
like any sleen would act. Sometimes the slave is even taught
tricks she must learn without the help of verbal clues.
|
| |
"In this form of slavery, which is commonly used for disciplinary
purposes, or for the amusement of the Master, the woman is not
permitted to arise from all fours; similarly she is not permitted
human speech, though she may signify needs and desires by such
means as cringing, and moaning and whimpering. Not permitted the
use of her hands, save as a means of locomotion, she must also eat
and drink from pans set on the floor, or, sometimes to satisfy her
thirst, she must lap the water permitted to her from puddles or
lick pillages from the tiles; too, it is no uncommon to chain her
near her master's feet, while he dines, that he may, if he wishes,
throw her scraps of food. She will also be taught tricks, through
which paces she may be put for the entertainment of her master's
guests, such things as begging, lying down, rolling over, and
fetching his sandals in her teeth. And, needless to say, when her
master wishes to use her sexually, it will be a position common to
the she-quadruped." - p 225, Guardsman of Gor |
| Slave Lips |
When
this command is given, the slave turns her head up to the Master,
her lips pursed in a sensual kissing position. She remains
motionless, her lips thusly puckered, and may not move until she
is granted the kiss of a Master. |
| |
Similarly, I was not required to respond to certain sorts of
commands, for example, to make "slave lips," pursing my lips for
kissing, or to writhe slowly before my viewers." Kajira of Gor, p
224
"A girl who is commanded to make slave lips, or who receives the
command, `Slave lips,' must form her mouth for kissing. She then,
commonly, is not permitted to break this lips position until she
kisses or is kissed. Needless to say, a girl cannot speak when her
lips are in the unbroken, fully pursed slave lips position. The
command which commonly follows the `Slave lips' command is,
`Please me." Blood Brothers of Gor, p 11 |
| Stake Command
|
Positioning of a
slave by a stake, whereby a voice command is enough to have the
slave belly and is not allowed to rise. |
| |
"When chained at a stake with this command the slave lies down
and is not permitted to rise even to her knees." - p 386,
Vagabonds of Gor |
|