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ACT ONE

 

FADE IN:

 

INT. DARK CAVE-LIKE PLACE

 

Inside, we see a strange place that looks like a cave. We PAN TO an isolated corner. In the corner, we see a strange looking guy wearing a robe, although we can't see his face. His entire short body is covering up something that glowing behind him.

 

CLOSER

 

The glowing stops and the figure turns. We see that the figure is the ORACLE OF DELPHIUS.

 

ORACLE

No, it can't be.

 

He walks off into the caves. He's talking to himself.

 

ORACLE

I can't believe that the royal future comes down to this. Something must be done. But what?

 

INT. ORACLE LIBRARY - SAME TIME

 

We are in the library where the Oracle holds his books. In the corner of the library is a waterfall-like enterance and exit. The Oracle looks through his books trying to find something.

 

ORACLE

It's got to be around here somewhere.

 

ON BOOKS

 

The Oracle moves his hands through the books like mad trying to find something.

 

ORACLE (V.O.)

Here it is!

 

The ORacle pulls out a book from the shelf.

 

ANOTHER ANGLE

 

The Oracle places a book on the book holder and flips it open.

 

ORACLE'S P.O.V.

 

We see the book is just text. He flips through the pages looking for something. He stops at a page and points his finger through it.

 

CLOSE ON BOOK

 

At this zoom, we see the text easy and huge to see. The Oracle's findertip is rather large on the screen too. He looks through the text which is a series of numbers. the CAM stays with his fingertip as he looks through the numbers. Finally, he stops at a number showing a ten-didget number saying, '750487243'.

 

ORACLE

Got it.

 

ON ORACLE'S HAND

 

The Oracle writes the number on his hand with a quill pen.

 

CUT TO:

 

We see a huge glowing crystal ball in the cave-like place. The Oracle's hand COMES INTO VIEW and it hovers over the top of the ball. We PAN TO see the Oracle starring at the ball. He has his eyes closed as the ball glows brighter.

 

CLOSE ON ORACLE

 

The Oracle looks at his palm.

 

ORACLE

Seven... five... zero... four... eight... seven...

 

CUT TO:

 

INT. CASTLE - BEDROOM - SAME TIME

 

Aleena is still sleeping in beed with her children.

 

ORACLE (CONT.)(V.O.)

two... four... three!

 

Instantly, Aleena's eyes opened up in fear. She breaths heavily.

 

ANOTHER ANGLE

 

Suddently, the Oracle fades into the room hovering in front of Aleena.

 

ALEENA

Oracle. What are you doing here?

 

ORACLE

Something has come up.

 

CUT TO:

 

INT. CAVELIKE PLACE

 

The Oracle had his eyes closed as he sits in front of the ball.

 

ALEENA (V.O.)

Is it deadly serious?

 

ORACLE

I think you better come--

 

CUT TO:

 

INT. BEDROOM - SAME TIME

 

ORACLE (CONT.)

--over to the lair.

 

ALEENA

It is bad, isn't it?

 

ORACLE

You better come to the lair and see for yourself. And, bring your children with you.

 

DISSOLVE TO.

 

EXT. VALLEY - FAR FROM MOBOTROPOLICE - NIGHT

 

In the ground if this valley is a huge bay door. Stepping out of the shadows stand a huge fat man. He stands in front of the doors in the ground. PAN TO see the man's face. It's Doctor Robotnik!

 

ROBOTNIK

Oh yes! Yes! Yes! Yes! Years and years of planning and now I feel like it's actually going to work.

 

He clasps his hands evily.

 

CUT TO:

 

INT. BAY DOORS

 

Under the doors is a huge aircraft-like object. Inside are hundreds of SWAT Bots working on it. It's mostly completed but a few things aren't done yet which are being made as of now.

 

ON ELEVATOR

 

Robotnik rides an elevator down to the creation. As he looks out the window of the downward moving elevator, he looks at his creation and smiles.

 

ON OBJECT

 

The thing is huge. We see a bunch of displays on it, like a picture of Robotnik's face on the side. We then see the side showing the words "ROBOTOSIZER" on the side. It appears to be a huge Robotosizer planning to robotosize the buildings and take control over Mobotropolice.

 

ON ROBOTNIK

 

Robotnik looks down on it still happily.

 

CLOSE ON OBJECT

 

We look at all of the displays and decals of the object. It has Robotnik's face on it, the letter "R" on it.

 

ON ROBOTNIK

 

Robotnik smiles again.

 

ON ELEVATOR

 

The elevator stops and open up. Robotnik steps outside and walks to it. He places his hand on it and rubs it.

 

ROBOTNIK

Marvelous, isn't it.

 

SWATBOT

It will be underway in about 3 hours, sir.

 

ROBOTNIK

Excellent.

 

ANOTHER ANGLE

 

Robotnik walks around the huge object staring happily at it. He smiles as he walks around it slowly, looking at every detail. As he's doing it, he's rubbing his hand along the serface.

 

ROBOTNIK

All my life I've always wanted this to be real. I must have drawn it about a thousand diagrams of it and made models of it, but I was never able to touch the real thing. This is a heart-warming moment for me.

 

ANOTHER ANGLE

 

ROBOTNIK

Soon enough, I'll use this baby to fly it over the city of Mobotropolice, and then, it'll be mine.

 

He laughs evily.

 

CUT TO:

 

INT. CAVE

 

The Oracle of Delphius sits alone reading a book.

 

ORACLE

Good evening, Aleena.

 

The Oracle looks up.

 

ORACLE

Or maybe I should say, good morning.

 

ANOTHER ANGLE

 

We see Queen Aleena still wearing her night gown under a red hooded coat. In her arms are the three sleeping hedgehogs.

 

ALEENA

You called me over to tell me something Oracle?

 

ORACLE

Indeed, your hinness. You see, it's only a matter of hours left until you have to fullfill your deed and quickly.

 

ALEENA

Fullfill my deed? That doesn't sound good.

 

ORACLE

I'm sorry, but it's not good at all. If I had the power and authority to alter this demand, I would change it quicker than you can say, "My, that was quick." But, you know as they say, things have to be done certain ways. Tell me your time before your children's birth, Aleena.

 

ON ALEENA

 

Aleena thought deeply.

 

ALEENA

Well...

 

DISSOLVE TO.

 

INT. KITCHEN - DAY

 

We see a five-month pregnant Queen Aleena sitting at her table reading a book. The only different in looks, rather than the pregnant body she has, is that her hair is a tad bit shorter and brighter.

 

ALEENA (V.O.)

I knew childhood was going to be hard for me, knowing I never had a child before.

 

CLOSE ON BOOK

 

We see that this is a book about babies for parents.

 

ALEENA (CONT.)(V.O.)

I have held children before. I've nursed them, fed them, changed them, potty train them, and played with them. But those were all other peoples children I had to care for. Now I'm finally going to have a child of my own. I just never though of something so huge.

 

CUT TO:

 

INT. HOSPITAL ROOM

 

Inside, we see Aleena laying on a bed with a few doctors around her showing an Ultra Sound Video on a screen. On the screen, we see three little hedgehogs crampt into Aleena. One blue, one pink, and one green.

 

DOCTOR

Well, your hiness, it appears that you are going to have triplets.

 

ON ALEENA

 

Aleena looked surprised.

 

ALEENA

Triplets?

 

Then she smiled.

 

ALEENA (V.O.)

"Triplets?"... that was all I could get out of my mouth. I was shocked and happy.

 

CUT TO:

 

INT. CAVE

 

Aleena is still speaking.

 

ALEENA (CONT.)

I read books, I went to child classes. I had a feeling that I was ready. I knew sooner or later the day would come. And that day was the most wonderful day of my life.

 

Aleena smiles.

 

ON ORACLE

 

ORACLE

How did it feel in your feeling about the birth of your children?

 

ON ALEENA Aleena is still smiling at the thought.

 

ALEENA

It felt like my life was being born along with it. I was holding new life in myself to spread to the world. All three are my light and wonder. They are my life. Without them, I don't think I will be able to live anymore.

 

Aleena held all three sleeping hedgehogs closer to her face and nuzzled them.

 

ON ORACLE

 

ORACLE

And how did it feel while you were sending them to the world.

 

ON ALEENA

 

Aleena then grew an angry face.

 

ALEENA

It was the most painful period that I went through!

 

CUT TO:

 

INT. HOSPITAL - DELIVERY ROOM

 

We see Aleena in a hospital bed sweating and breathing hard as other doctors are on all her sides.

 

DOCTOR

Come on! Keep breathing! Keep breathing!

 

Aleena SCREAMS.

 

DISSOLVE TO.

 

SAME PLACE

 

Aleena is laying in the hospital bed all alone while she holds three little hedgehoglets in her arms. One blue male, one pink female, and one green male. The three lay in Aleena's arms cooing. Aleena smiles at them, hair still sweaty.

 

ALEENA (V.O.)

Since that day, I knew I had the best of the best laying right there in my arms.

 

CUT TO:

 

INT. CAVE

 

ORACLE

Your Majesty, do you know a man named Doctor Ivo Robotnik?

 

ON ALEENA

 

Aleena grows a wide-eyed look.

 

CLOSE ON ALEENA'S EYES

 

She then grows angry looking eyes.

 

CUT TO:

 

INT. CASTLE - HALL - NIGHT

 

The view is in STROBE view, and we hear all the sounds echo. The sound so far is just heavy breathing.

 

CUT TO:

 

ON ALEENA

 

We see a little 5-year-old Aleena running through the halls. Her hair is shorter and brighter, she's wearing a princess gown. She's running in SLOW MOTIONG down the halls like something was chasing her.

 

ALEENA'S P.O.V.

 

She reaches the end of the hall. Then she turns around and looks on the wall of the hall. On the wall shows a shadow of a big fat man. Robotnik's voice echo's through her mind.

 

ROBOTNIK (V.O.)

You have nowhere to go, Princess!

 

CUT TO:

 

INT. CAVE

 

ON ALEENA

 

Aleena still has that angry look on her face. Robotnik's voice is still heard.

 

ROBOTNIK (CONT.)(V.O.)

As soon as my project is done, you'll be mine!

 

Aleena shook her head to wave out the thought. She breaths worriedly.

 

ALEENA

Yes, I know Robotnik. Why?

 

ON ORACLE

 

The Oracle raises his hands to show a view. The view shows of Doctor Robotnik releasing his technology. It views everywhere showing many cities being turned into metal and terror.

 

ON ALEENA

 

Aleena grows frightened with that view.

 

ON ORACLE

 

The view then shows of many innocent civilians as robots, the robotosizer in action, and a bunch of SWAT Bots searching the city like crazy.

 

ORACLE

This, Queen Aleena, is going to start tonight. Doctor Robotnik will unleash his new technology against Mobotropolice and turn it into a world of terror.

 

ALEENA

You mean, this is going to happen tonight?

 

ORACLE

Down to the last detail. All civilians will be taken away and robotosized. Meaning they'll turn into robots making them mindless slaves to Robotnik.

 

ALEENA

Yeah, I know what robotosized means.

 

ORACLE

You see, Mobius is built for peace. There is nothing no one can do to stop Doctor Robotnik from his rein of terror.

 

ALEENA

We don't have an army or something?

 

ORACLE

You're the one who said Mobius should be completely peaceful. All citizens will be robotosized and all aristocrats will be free to rome and walk unharmed. Doctor Robotnik will use them and their money to pay for his SWAT Bot factories.

 

The vision shows of a bunch of SWAT Bots running around the place destorying everything in sight.

 

ON ALEENA

 

Aleena is shocked and sad by the views.

 

ALEENA

Oracle, will all this really happen tonight?

 

ORACLE

Afraid so, your majesty. As I said, if I can prevent what I'm going to tell you, I would. But I have to tell you this.

 

ALEENA

Tell me what?

 

ORACLE

You see, the terror days are numbered! One day, you and your children will form the Council of Four. On that day, Robotnik's terror will end in a large smash.

 

ALEENA

All four of us?

 

ORACLE

Yes, but there is something you have to do in order for that to happen.

 

Aleena turned to the Oracle and worried.

 

ALEENA

What?

 

ORACLE

That's why I told you to bring your children here.

 

ALEENA

I knew it. It's bad, isn't it!

 

ORACLE

I say again, I absolutely don't want to do this to you... but I have to.

 

Aleena started to worry.

 

ON ORACLE

 

The visions from his hands faded away.

 

CLOSE ON ORACLE

 

ORACLE

Your Majesty... in order for the prophacy to be full-filled, you must...

 

The Oracle pauses.

 

ON ALEENA

 

ALEENA

I must what?

 

ON ORACLE

 

The Oracle looks up sadly.

 

ORACLE

I don't want to do this, but... in order for the prophacy to be fullfilled... you must give up your children and separate them to different homes.

 

Upon those words, we FADE OUT.

 

END OF ACT ONE