| Band | State | City | Venue | Date | Number Of Discs | Source | Comments |
|---|---|---|---|---|---|---|---|
| ABB | NY | New York | A&R Studios, WPLJ-FM | 8/26/71 | 1 | FM>Reel>Cassette>DAT>CDR | |
| ABB | CA | Daly City | Cow Palace | 12/31/73 | 5 | SBD Master Reels->DAT->CD-R | Includes Marshall Tucker Band opener |
| ABB | CA | Mountain View | Shoreline Amphitheatre | 8/1/99 | 2 | DAUD?>CDR | WOW!! I can't believe that's an audience tape!!!! |
| Band Of Gypsies | NY | New York | Fillmore East | 1/1/70 | 3 | Liberated Bootleg (SBD)>?>SHN | Both Early, and late Shows; Sounds nice |
| Beatles | N/A | N/A | N/A | 1 | Liberated Bootleg (originally titled Ultra Rare Trax Vol 1 & 2)>SHN | For more complete information check: http://www.yokono.com/collection/beatles/bootleg/bootleg1.html##1 | |
| Coltrane And Davis | Holland | Amsterdam | Green Dolphin Street | 4/9/60 | 1 | SBD/8 46(DATC1)>--CD>DAT1>CDR1 | John
Coltrane Miles Davis Green Dophin Street Amsterdam, Holland 4-9-60 Miles Davis Quintet April 9, 1960 Kurhaus, Scheveningen VARA radio broadcast Miles Davis (tpt) John Coltrane (ts) Wynton Kelly (p) Paul Chambers (b) Jimmy Cobb (d) So What 17:40 'Round Midnight 5:47 On Green Dolphin Street 12:37 Walkin' 8:30 The Theme 0:40 SBD/8 46(DATC1)>--CD>DAT1>CDR1 |
| Derek Trucks Band | GA | Athens | Georgia Theatre | 5/18/96 | 1 | SBD>?>CDR | |
| Derek Trucks Band | CO | Tellurde | Town Park | 9/18/99 | 1 | SBD>D8>CDR>EAC>SHN | |
| Derek Trucks Band | CA | Angels Camp | Mountain Aire Festival, Clavaras County Fairgrounds | 5/27/00 | 2 | soundboard > DA-P1>CDR>SHN? | Unsure as to whether this was SHN encoded before or after being transferred to CDR. 1 SHN disc or 2 audio. PA problems @ 11:04 and 12:12 of d1t2 |
| Derek Trucks Band | PA | Lake Harmony | Big Boulder Mountain | 8/6/00 | 1 | Schoeps
CMC6-MK4V>Grace Lunatec V2>Apogee AD-1000>HHB Portadat(S/PDIF)>D8>CDR>EAC>SHN |
|
| Eric Clapton | RI | Providence | Civic Center | 7/10/74 | 1 | ???>Little Wing Bootleg (Multi Coloured Music)>cdr>SHN | |
| Gov't Mule | CA | Solana Beach | The Belly Up | 3/29/98 | 3 | Mic info unknown | Conversion info:Sony TCD-D7 > Opcode DATPort > Pentium III 550 > Samplitude (48kHz > 44.1kHz) > CDWAV > SHN |
| Gov't Mule | PA | Philadelphia | Theatre Of Living Arts | 9/23/98 | 3 | Neumann KM140>Lunatec V2>D8>D7>SHN>CDR | W/Bruce Willis (yep, the actor) on harmonica for encores |
| Gov't Mule | KS | Lawrence | The Grenada Theatre | 4/11/00 | 3 | AKG 451's > DAP1 > TCD-D7 | Conversion: Ken Kieffer Equipment: Sony TCD-D7 > Opcode DATPort > Pentium III 550 > Samplitude (48kHz > 44.1kHz) > CDWAV > SHN; NOTES (from .txt file included w/ SHN's): This show definitely has a "crunchy" sound. This was due to an overdriven PA in the club. I patched out of two different rigs, and both tapes sound the same. This show is still smoking, but it should be known before it is downloaded that it does suffer from the cruchiness aforementioned. The third disc does not suffer from this effect as much as the first two, so I still believe this show is worthy of circulation. Enjoy! |
| Grateful Dead | CA | Rio Nido | Dance Hall | 9/3/67 | 1 | See comments | This
tape is not a master, it's a 1st gen. It takes several minutes for the mix to come together in the beginning "Schoolgirl" is cut @ 10:43 "Viola Lee" is cut @ both ends The sound quality deteriorates towards the end of the "Alligator' jam |
| Grateful Dead | CA | Los Angeles | Shrine Auditorium | 8/23/68 | 1 | Vault Tapes>?>CDR | Mastered by Dan Healy for "Two From The Vault" but never used. Part of mix disc; also contains 3-23-75 |
| Grateful Dead | FL | Hallendale Beach | Gulfstream Park Raceway | 12/29/68 | 1 | SBDMR>C1>DAT>CDR>EAC>SHN | C1 = Latvala's Cassette |
| Grateful Dead | CA | San Francisco | Fillmore West | 3/2/69 | 3 | MSR>? Number of DAT>? Number of CDR>EAC>SHN | |
| Grateful Dead | MA | Boston | Boston Tea Party | 12/31/69 | 3 | SBD->DAT->Cass->DAT->Sonic Sense->CD-R (NOTE: the DAT master from the vault reels is unavailable) | |
| Grateful Dead | CA | San Francisco | Fillmore West | 6/7/70 | 3 | MR>Cass>DAT>ZA2>CD>EAC>shn | Flaws:
There is a reel cut during Casey Jones and It's A Man's World. DAT to CD conversion by David Hollister Editing: Recorded with SoundForge. Burned to CD using CD Architect. The only editing was to remove approximately 4 minutes and 22 seconds of repeated material on the DAT during the banter between Top of the World and Cosmic Charlie. I also removed a couple of minor pops. Other than that, no editing was done. The breaks between each CD were breaks that were already present on the DAT. The only addition was 2 seconds of silence prior to the start of disc 3. |
| Grateful Dead | CA | San Francisco | Winterland Arena | 12/31/70 | 2 | See Comments | 12/31/70:*
Dead Winterland - very rare in complete form. SOURCE: ENTIRE SHOW - UNKNOWN;
Dire Wolf - Sugar Magnolia Pre-FM SBD, excellent quality 2 CDs SETLIST: CDI: 1. Truckin' (AUD or from the TV broadcast recorded with mics) 2. Monkey & The //Engineer (same) 3. Cold Rain & Snow (possible SBD or lower gen source) 4. Easy Wind.... Big RxR (same) 5. Cumberland Blues (same) 6. Dire Wolf (Pre-FM Crispy SBD->MR->DAT->CD-R) 7. Cryptical->Drums->Other One->Cryptical ("") 8. Black Peter ("") 9. Sugar Magnolia* ("") CD II 1. China Cat Sunflower-> (same as set I part I) 2. I Know You Rider ("") 3. Good Lovin'-> (SBD->MR->?->CAS->DAT->CD-R) 4. Uncle John's Band ("") FILLER: THE WHO 12/31/70 Lulu T.V. Show 5. I Don't Even Know Myself (T.V.->?->CD-R) 6. /Naked Eye ("") FILLER: Grateful Dead 2/11/70 b 7. Dark// Star (SBD->MR->DAT->MP3->CD-R) FILLER: Grateful Dead 4/15/70 8. Dancin' In The Streets |
| Grateful Dead | NY | Portchester | Capitol Theatre | 2/18/71 | 3 | BBD -> Dolby A Reel -> Dolby A decode -> DAT -> Sound Forge NR -> CD-R | The Sound Forge noise reduction was used to attenuate a very narrow frequency band (in the vicinity of 8000 Hz) which was present as interference on the original reels. See http://members.home.net/orf/notch.html for details. |
| Grateful Dead | NY | Portchester | Capitol Theatre | 2/19/71 | 3 | 7" two track BBD reel w/ Dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz (Dolby not decoded?) > WAV > Cool Edit Pro (filtering and sample rate conversion) > SHN data files (seed) | The recording is in mono, and reflects very occasional analog tape flaws such as bursts of flutter. These flaws are from the master. The lineage information available states that Dolby A decoding was not performed, but the sound is nevertheless very good and does not sound compressed. As with the other Port Chester recordings, a slight whine comes and goes hroughout the recording. We have applied a very light notch filter as needed. The filtering was accomplished using Cool Edit Pro, and consisted of a sequence of notch filters at and around 8k, approx 1k wide and only 2db in depth. The filtering was mainly during the in-between banter but also on the songs where required - more so the 2nd set. In The Other One here ere two short bursts of static that appear to have come from the stage, and these were reduced in level. No other filtering was performed. As indicated in the set list, Bird Song is cut. There are also several cuts on the master during crowd noise before Truckin' starts the first set, but who cares? |
| Grateful Dead | NY | New York | Manhattan Center | 4/5/71 | 3 | 7" two track BBD reel w/dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > dolby A decoder > analog in PCMF1 PCM501ES analog out > Fostex D5 @ 48 kHz > ?# of DAT clones (most likely no more than 3) > CD | CD2 4. Other One digi-dropout @ 0:03 (less than a second)reel splice which loses jam between verses and almost all of the second verse where track 5 starts 8. King Bee weird audience noise @ 0:07, like an audience mic feed slipped into the mix? CD3 1. Sing Me low levels during first 1:35 – JG is teaching the band the chorus.High-pictched whine that lasts until about 2:30 4. Lovelight intermitent digi-noise @ 9:25 --> 9:47subtle reel splice 13:26, the "Great big noble thighs " line is cut Lovelight is split between Tracks #4 & #5 with a big wet sloppy cut (don't know exactly how much is cut there?) |
| Grateful Dead | NY | New York | Manhattan Center | 4/6/71 | 3 | 7" two track BBD reel w/dolby A @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > dolby A decoder > analog in PCMF1 PCM501ES analog out > Fostex D5 @ 48 kHz > ?# of DAT clones (most likely no more than 3) > CD | CD ANOMALIES: CD1 8. Playin’ intermittent digi-pops from 0:13 to 0:19 reel splice near end of reprise section CD2 4. Loser reel splice at beginning CD3 2. GDTRFB reel splice & brief analog droput going into Track 3 |
| Grateful Dead | NJ | Princeton | Dillon Gym | 4/17/71 | 3 | See Comments | The lineage of these files is: Main: S:R?D Dub: S:RPD Both DATs were downsampled into my computer via ZA2 (48>44.1) The Main tape sounds much better than the dub - which is only used for 1.1 seconds (want to find it? Listen to the last time the guys say "the blues" in Bobbi McGee) Given the differences in the reel flip (at the end of lovelight) I would guess that the 'Main' tape represents a separate A>D transfer than the 'Dub' tape. If you know more, I'd love to hear about it.This tape is NOT an A+, healy master to DAT, multi-track remix, 96bit A>D conversion. This is from a reel made in 1971, so you will hear some rough bits. To the best of my knowledge, this transfer represents the best circulating copy in existence. |
| Grateful Dead | NY | New York | Fillmore West | 4/26/71 | MR>R>D>CD | ||
| Grateful Dead | NY | New York | Fillmore West | 4/27/71 | 3 | MR>R>D>CD | Have 2 versions of this one. Haven't compared which, if any, is the better of 2 yet. If interested, ask and I'll give them a side-by-side comparison. |
| Grateful Dead | NY | New York | Fillmore East | 4/27/71 | 3 | SBDMR>Reel>DAT>CD | |
| Grateful Dead | NY | New York | Fillmore East | 4/29/71 | 4 | SBD>? | 4 discs total w/ NRPS set (3 discs if you want just GD material) |
| Grateful Dead | CA | San Francisco | Fillmore West | 7/2/71 | 3 | Pre-FM SBD>RR>?>PCM>DAT>CDR | |
| Grateful Dead | CA | San Francisco | Winterland Arena | 12/31/71 | 3 | FM>RTR>DAT>CDR | |
| Grateful Dead | France | Paris | Olympia Theatre | 5/3/72 | 4 | SBD>?>CDR | Great show. China>Rider appears on Europe '72 |
| Grateful Dead | France | Paris | Olympia Hall | 5/4/72 | 4 | SBD>Reel>DAT>CDR | Known Flaws: d1t12 1:33-1:43 diginoise |
| Grateful Dead | Germany | Munich | Kongressaal, Deutches Museum | 5/18/72 | 3 | Pre-FM>?>CDR | |
| Grateful Dead | OR | Veneta | Old Renaissance Faire Grounds | 8/27/72 | 3 | SBD>?>CDR | |
| Grateful Dead | PA | Philadelphia | Spectrum | 9/21/72 | 4 | SBD>?>CDR | |
| Grateful Dead | CT | Waterbury | Palace Theater | 9/23/72 | 3 | SBD>MR>Cass>DAT>CDR>EAC>SHN | |
| Grateful Dead | CT | Waterbury | Palace Theater | 9/24/72 | 3 | SBD>MR>CASS>DAT>CDR>EAC>SHN | Known
Flaws: d1t08 cut at beggining of Tennessee Jed; d2t01 cut during 15:00 minute mark of Playin' in the Band; d3t05 I Know You Rider cuts at 4:02 (rest is missing). These flaws exist on all known to be circulating soundoard sources of this rare show. If someone has the even rarer aud., It would be nice to patch the rest of Rider in. DAE(EAC) and SHN Encoding by Jeff M. email: fy1220_jeffm@snet.net or lost_sailor1620@hotmail.com cdrlist> http://db.etree.org |
| Grateful Dead | MO | St. Louis | Fox Theatre | 10/18/72 | 3 | SBD>?>CDR | List
of known flaws posted on original tree structure ca. 12/XX/99:Fellow Branches, I have completed documenting as many of the errors as I could hear on the recording. Here's what I found: d1t01 Vocals break up into a "brittle" sound @ 5:43 (1st ending "anymore") dropout at t01-t02 track change d1t02 1:21 Pop followed by 2 seconds of static. Another small pop at the t02-t03 track change d1t03 static from 0:04 through 0:32 d1t04 Buzzing sound from 1:55 through 2:14 Buzzing sound from 3:02 through end of song (ends with last notes) d1t05 Static from beginning of track to 0:22 Dropout @ 0:04 Dropout at t05-t06 track change d1t06 Static starts at 6th downbeat (0:19), ends around 0:50 d1t07 Static starts at 0:17, continues through 1:20 Static starts again at 2:21 Cut @ 08:03 d2t01 Major static from 02:24 through 02:32 d2t02 Huge Dropout (missing info) 00:50-00:51 d2t05 Minor pop @ 10:27 14:55/56 minor click 15:36 minor click Cut @ 20:52 Pop@ 21:30 d2t06 10:44 Major distortion 10:58 Major Distortion I actually gave up trying to document all the static. The majority seems to be in the 1st set. It comes & goes, but a lot of it sounds like it might be some sort of deterioration of the master as the static seems to coincide with the music. BTW, David Gans was nice enough to check his discs against the list. He said "All of the problems you mention exist on my copy", so it appears that what we have is as good as it's gonna get. |
| Grateful Dead | CA | San Francisco | Winterland Arena | 12/31/72 | 3 | FM Broadcast->Reel to Reel->DAT->CD-R | |
| Grateful Dead | CA | Palo Alto | Roscoe Maples Pavilion, Stanford U. | 2/9/73 | 3 | SBD>?>CDR | |
| Grateful Dead | WI | Madison | Dane County Coliseum | 2/15/73 | 3 | SBD>?>CDR | |
| Grateful Dead | IL | Champaign-Urbana | Assembly Hall | 2/21/73 | |||
| Grateful Dead | PA | Philadelphia | The Spectrum | 3/24/73 | 3 | SBD>?>CDR | |
| Grateful Dead | MD | Baltimore | Baltimore Civic Center | 3/26/73 | 4 | MR>DAT>CD>EAC>SHN | |
| Grateful Dead | CA | San Francisco | Kezar Stadium | 5/26/73 | 3 | BBD>MR>PCM>DAT>CDR | missing encore (Casey Jones) |
| Grateful Dead | DC | Washington | RFK Stadium | 6/10/73 | 4 | S:MR (10" reels) > DAT > CDR > EAC > SHN | Known flaws: D1t2 (BIODTL) cut at the beginning D1t09 (The Race Is On): sounds like loose cord to board: 1:33, 1:34, 1:36, 1:44 D2t01 (Bird Song): very brief tape waver @ 2:44 D2t03 (Eyes) transient sound system glitch @ 5:06; subsecond dropout @ 6:54 D4t06 (GDTRFB): reel flip/splice @ 6:42, split second dropout @ 8:42, glitch @ 9:27 D4t07 (Drums): glitch @ 2:47 |
| Grateful Dead | NY | Uniondale | Nassau Veterans Memorial Coliseum | 9/7/73 | 3 | SBD>?>DAT>CDR | Crisp, bright, good levels, but some minor hiss; still very listenable |
| Grateful Dead | NY | Uniondale | Nassau Veterans Memorial Coliseum | 9/8/73 | 3 | SBD>?>DAT>CDR | Crisp, bright, good levels, but some minor hiss; still very listenable |
| Grateful Dead | PA | Philadelphia | The Spectrum | 9/21/73 | 3 | SBD>RR>PCM>DAT>CD | Missing.. Casey Jones Encore One More Saturday Night. Flaws: d1t4 "Me & My Uncle" dropout @ 0:54 d1t6 "Sugaree" cut @ 3:22 d1t7 "Big River" beginning cut d1t11 "Loose Lucy " dropout @ 4:27 d2t2 "Playing In The Band" cut @ 13:55 - 14:06 d2t3 "Let Me Sing Your Blues Away" cut @ 0:21 - 0:25 d3t4 "The Other One" cut @ 2:25 - 2:30 |
| Grateful Dead | CA | San Francisco | Winterland Arena | 11/11/73 | 3 | Source:
Disks 1-2 MSR>Cass>Cass>DATs>CDRs>EAC>SHN Disk 3 MSR>Cass>DATs>CDRs>EAC>SHN |
Notes: continuity not preserved (specifically: [Dark Star>Eyes>China Doll Jam on disk3] ) |
| Grateful Dead | CO | Denver | Denver Coliseum | 11/20/73 | 3 | sdb>reel master>cassette>dat>cdr | |
| Grateful Dead | CO | Denver | Denver Coliseum | 11/21/73 | 3 | Unknown, but probably: MR>DAT>CASS>DAT>CDR | Filler on disc 3: 2-22-73- Box Of Rain, Playin'; 2-21-73- China>Rider, Jack Straw |
| Grateful Dead | FL | Tampa | Curtis Hixon Convention Hall | 12/18/73 | 3 | SBD>?>CDR | |
| Grateful Dead | FL | Tampa | Curtis Hixon Convention Hall | 12/19/73 | 1 | SBDMR>DAT>Sonic Solutions>CD | Dick's Picks 1 leftovers… |
| Grateful Dead | CA | San Francisco | Winterland Arena | 2/23/74 | 3 | SBD>Reel>PCM>DAT>CD>EAC>SHN | Notes:Missing Big River, Ramble On Rose, Me And My Uncle, Casey Jones |
| Grateful Dead | CA | San Francisco | Winterland Arena | 2/23/74 | 3 | SBD>Reel>PCM>DAT>CD>EAC>SHN | Mastered
by Jay Serafin Extraction and SHN encoding by G.S. Hamilton Thanks to Seth Kaplan for providing this excellent copy of this show! Notes: Missing Big River, Ramble On Rose, Me And My Uncle, Casey Jones |
| Grateful Dead | CA | San Francisco | Winterland | 2/24/74 | 4 | SBDMR>DAT>CD | |
| Grateful Dead | CA | Daly City | Cow Palace | 3/23/74 | 3 | SBD>?>CDR | |
| Grateful Dead | MT | Misoula | Adams Field House | 5/14/74 | 3 | MSR>cassette>DAT>CD-R>TAE>shn | Note: There is a splice in China Doll |
| Grateful Dead | WA | Seattle | Edmundson Pavilion | 5/21/74 | 3 | See Comments | Lineage:
S:MR > cassette > DAT > CD > EAC > SHN, except Playing In The Band, which is S:MR > DAT > CD > EAC > SHN, with 26 seconds of aud patched in. |
| Grateful Dead | CA | Santa Barbara | Campus Stadium, U.C.S.B. | 5/25/74 | 3 | MSR > Dick Latvala's cass > DAT > mastered to CD-R on an HHB CDR-850 > .shn; via J. Miller, A. Roux; D. Hollister reports problems on USB track | |
| Grateful Dead | KY | Louisville | Freedom Hall | 6/18/74 | 3 | SBD>MR>CASS>DAT>CDR | Touch of reel drag on WRS Prelude |
| Grateful Dead | FL | Miami | Jai-Alai Fronton | 6/22/74 | 3 | SBDMR>CASS>DAT>DAT>CD | |
| Grateful Dead | CT | Hartford | Dillon Stadium | 7/31/74 | 4 | SBDMR>DATx>CD>DAT>CD>EAC>SHN | Known
Anomalies: 1. Beginning of Scarlet is clipped -- slight bit of diginoise too 2. Reel flip in the middle of Row Jimmy 3. Warble/ Mixing problems in Jack Straw 4 Cut in the beginning of WRS Prelude |
| Grateful Dead | PA | Philadelphia | Civic Convention Hall Auditorium | 8/4/74 | 3 | MSR>DATs>CDRs>EAC>SHN | Notes: Small aud patches in PITB (14:28-14:41) and LIG (16:20-16:35) and the first few seconds of Sugar Magnolia. Thanks to Bob Fishman for the Source Disk, EAC/SHN by dnsacks@usa.net seeded to etree 9/24/00 |
| Grateful Dead | PA | Philadelphia | Spectrum | 8/5/74 | 3 | SBD>?>CDR | All through Stella Blue which cuts @ about 2:30 min.; Phil & Ned is missing; 6-30-74 filler on disc 3 |
| Grateful Dead | NJ | Jersey City | Roosevelt Stadium | 8/6/74 | 4 | MR>DAT>CD>Sonic Solutions>CD Circulation | Notes
from SHN's I received: shn: Plextor SCSI 40x Reader > EAC As of Sept 00, this copy is just entering circulation. For more info on the source of this copy, read Jim Powell's comments below. .shn and .md5 created by Mike Hall (myko@well.com) >From Jim Powell: "OK, I just got the master of the DeadLists Edition of Roosevelt Stadium, Jersey City 8/6/74: a digital copy of the master SBD reels with the 20 second flip cut in Scarlet Begonias patched with an excellent AUD master. This is the entire show including Seastones, in perfect condition, on 4 CDs. ... We owe thanks especially to Hugh Barroll, who passed along CDs of a digital copy of the master SBD; to Ihor Slabicky, who supplied a copy of his AUD master of the show; and to Dave Greenberg, who used Soundforge to patch the tape flip in Scarlet Begonias on the SBD and produce our masters. Noah Weiner also helped with the project, forwarding a copy of Barry Glassberg's AUD master." and later Jim reiterated: "The lineage of this copy of 8/6/74 is MR > DAT > CDs. It is the entire show, uncut, including Seastones (and the encore). The flip chop in Scarlet is expertly patched with excellent AUD. It very markedly upgrades the copy that came around a year or so ago, as well as all other circulating copies. Until and unless they release this as a Dick's Picks, and do as good or better a job than we have with the patch, this is the ultimate copy of this alltime great show, hands down, no shit." ********** FURTHUR: More work was done on this by David Gans using Sonic Solutions. A digital copy of Ihor Slabicky's tape and the cd's from Dave Greenberg were used to further patch the reel flips in Eyes of the World and Truckin'. David also edited the reel starts and stops between songs. Nothing that was said was removed. What we have here is the *FINAL* copy of this, my first show, to be circulated! These .shn's have been generated from the discs David Gans made. MD5's have been generated for both the .wav and .shn files. I, before sending Greenbergs disks to Gans, retracked the original Disk 2 as there were 2 leadin tracks that were orphaned from the main song track. Jim said it first, " .. this is the ultimate copy of this alltime great show, hands down, no shit." |
| Grateful Dead | CA | San Francisco | Winterland Arena | 10/16/74 | 4 | SBD:MR>R>C>D>CD>EAC>SHN OR CD For Aud patches * - Aud master>Rx2>C>D>CD | Known flaws - reel flip - 1:02 disc three Eyes cut at 6:30 and 11:08 UJB cut at 4:11 cut at ~19:06 in playin' - drop out removed; Aud patches for Bertha, Deal /, Jack Straw; Deal//, 10-22-67 filler on disc 4 |
| Grateful Dead | CA | San Francisco | Winterland | 10/19/74 | 3 | Rough SBD mixes(see comments for more info)>Cassette>Reel-to-Reel*>?>DAT@48k>za2>@44.1k>SoundForge & CD Architect>CDR>EAC>SHN | Known
Flaws: Track 1: 2:59, 3:02, 4:47-4:49, 5:06-5:16 Track 2: 0:03-0:34 Track 3: 3:24 Track 5: 0:09-0:12, 0:19-0:22, 3:44 Track 6: 0:09, 1:18, 3:41-3:43 Track 7: 0:04-0:27, 1:06-1:14, 2:31-2:35, 3:01-3:16, 3:45-3:53, 4:42-5:01 Track 8: 5:50 Track 9: 2:04-2:09, 3:10-3:17, 3:42-3:54, 8:19 info from original tree admin's website: Here's some emails I received after requesting information on my source tapes. -------------------------------------------------------------------------------- From: Jim Wise Date: Mon, 06 Mar 2000 19:37:03 -0600 Subject: 10/74 winterland sound can we please get this settled? the audience - ish sound on "some" of the circulating recordings from this run are the result of an ambient "room" mic that was mixed into the feed intentionally as an experiment. the ultimate goal was to "liven up" the recording, which was anticipated to be released. too bad all we officially got out of the whole effort was "steal your face". -------------------------------------------------------------------------------- From: Rob Bertrando Date: Tue, 14 Mar 2000 17:17:22 -0800 Subject: Oct 1974 Winterland AUDs The best sounding AUDs of this run (all 5 nights) were made by Charles Conner (sp?), using a Sony ECM-22P into a highly modified Sony mono portable. There is occasional wow/flutter, but the frequency response is great, and the hiss low. I started the distribution of the "audiency"-sounding SBDs of the last three nights, in late 1976. They came to me on cassette, from Jerry Wexler's (of Atlantic Records fame) son or nephew, I forget the exact connection. I and about 4 others copied them to reel at that time, and copies have flowed since. Much more recently, SBDs of the 16th and 17th have surfaced, without the audience mix. I don't know if anyone has similar mixes of the last three nights for trade or listening. ------------------------------------------------------------------------------- from Bear's website: Steal Your Face, (Arista)/Grateful Dead Records (GDM) 1976. "This is one that I would just as soon forget. The master tapes were a disaster of epic proportions, requiring a complete over dubbing of all the vocals and many of the instrumental tracks. I had absolutely nothing to do with the recording of the master tapes, and was called in to try to "fix" it. Phil Lesh and I were given only 18 days to rebuild this "titanic". Fact is, of course, no-one could make a silk purse out of this pig's ear." --------------------------------- Bear's email answer to me: There was a film crew running around there during the show..and there may have been a lot of rough audio mixes floating around, connected to the cameras, etc. from the onstage microphones, and even some other feeds, one of which may have been taken away and misrepresented as a "soundboard". The fact is, there was NO soundboard in the design of the Wall of Sound. The musicians made their own adjustments on stage to their own feeds to the various amplifiers and speaker stacks, so there can be no soundboard mix, it didn't exist, there was no soundman at that show doing any mixing. I asked him, "is there some truth to the 'phil's stage mic's' source then"? Bear replied, "They would have had only the bass guitar, no other instruments, no vocals." --------------------------------------------------------------------------- ; *most likely by Rob Bertrando in 1976 |
| Grateful Dead | CA | San Francisco | Winterland | 10/20/74 | 3 (or 4 w/ Phil & Ned (A.K.A. Seastones) | Rough SBD mixes(see comments for more info)>Cassette>Reel-to-Reel*>?>DAT@48k>za2>@44.1k>SoundForge & CD Architect>CDR>EAC>SHN | |
| Grateful Dead | CA | San Francisco | Kezar Stadium | 3/23/75 | 1 | Pre-Fm SBD?>?>CDR | Part of mix disc containing material from 8-23-68 mastered by Dan Healy for "Two From The Vault" but never used. |
| Grateful Dead | CA | San Francisco | Winterland | 6/17/75 | 2 | AUD>?>DAT>CDR | I'm kinda a SBD snob, but this is a very, very nice AUD recording. A must have if only for it's historical significance |
| Grateful Dead | NY | New York | Beacon Theatre | 6/15/76 | 3 | 7"
2-track BBD reel @ 7.5 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > Fostex D5 @ 48 kHz |
|
| Grateful Dead | IL | Chicago | Auditorium Theatre | 6/29/76 | 3 | 7"
two track BBD reel @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog
out > Fostex D5 @ 48 kHz > DAT > ZA2 > CDR > EAC > SHN |
|
| Grateful Dead | CA | San Francisco | Orpheum Theater | 7/18/76 | 3 | sbd>mr>pcm>dat>cdr | |
| Grateful Dead | CA | San Bernardino | Swing Auditorium | 2/26/77 | 3 | SBD>?>CDR | |
| Grateful Dead | CA | San Francisco | Winterland Arena | 3/18/77 | 3 | SBDMR @ 7.5 ips>DAT>CD>EAC>SHN | Audience recording is the source for Promised, Mississippi, and Ship Of Fools. Source:Master (J. Bertrando Sony ECM-270/TC-152SD)>Cassette>DAT>CD>EAC>SHN; filler: 6-24-73 Source: MSBDR > ? > CD > EAC > SHN |
| Grateful Dead | CA | San Francisco | Winterland Arena | 3/19/77 | 3 | SBD>MR>DAT>DAT>Sonic Solutions>CDR | David Gans seed, reel glitch in Terrapin for approx 1 Min. |
| Grateful Dead | MA | Springfield | Springfield Civic Center | 4/23/77 | 3 | SBD->MR->DAT->CD | d3t3
patched with audience source (FOB Sony ECM99A mics->Sony TC152->DAT->CD
via D.Sacks)to cover missing SBD source due to reel flip. No other known flaws. Discs #1 and #2 have tuning tracks between songs. Special thanks to Sam Esla for providing the seed. Enjoy! Aud patch & CD->EAC->SHN conversion & upload by AJ - a2k@pacbell.net - September 26th 2000. |
| Grateful Dead | CT | New Haven | Veterans Memorial Coliseum | 5/5/77 | 3 | BBD>MR>PCM>DAT>CDR | Known master reel flaw: Scarlet fades in, but happens *very* early in the song, still very listenable; extremely minor defect IMHO |
| Grateful Dead | MA | Boston | Boston Garden | 5/7/77 | 3 | 7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz>PCM501ES analog out > DBX-1 decoder > analog in PCM501ES>PCM501ES analog out > Fostex D5 @ 48 kHz | Missing encore |
| Grateful Dead | NY | Ithaca | Barton Hall, Cornell U. | 5/8/77 | 3 | 7" two track BBD reel encoded w/ DBX-1 noise reduction @ 7 1/2 ips > Sony PCM501ES @ 44.055 kHz > Sony PCM501ES analog out > DBX-1 decoder > analog in PCM501ES > PCM501ES analog out > Fostex D5 @ 48 kHz > ZA2 > CD | 21 second AUD splice at the beginning of Minglewood. 26 second AUD splice at the end of Lazy Lightning; Filler - 05/07/77 Master Reel->PCM->DAT->CDR Terrapin (10.38) 7. Samson & Delilah (7.18) 8 Friend Of The Devil (8.12) |
| Grateful Dead | NY | Ithaca | Barton Hall, Cornell U. | 5/8/77 | 3 | SBD:MR > R > R > DAT > CD > DAT > CD | Minglewood fades in, cut between LL and Supplication. |
| Grateful Dead | NY | Buffalo | War Memorial Auditorium | 5/9/77 | 3 | 7"
two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES
analog out > DBX-1 decoder > analog in PCM501ES PCM501ES analog out > Fostex D5 @ 48 kHz |
Known master reel flaw in NFA (reel change?) |
| Grateful Dead | AL | Tuscaloosa | Memorial Coliseum | 5/17/77 | 3 | SBD>MR 7" (Baked)>DAT>Cass>DAT>CD | From
.txt file that accompanied my SHN's:Seeded by Brian Leonard (peyote@mindspring.com). This is the best copy of this show in circulation to my knowledge. I recieved it on disc and EAC'd it myself. Thanks to Andy Singer for hookin' me up with this one that had been on my wishlist for years!! Notes: Tuning pauses have been shortened in some cases Very very slight hiss Encore (Sugar Mags) is missing, so if you have a good one from '77...! |
| Grateful Dead | FL | Lakeland | Civic Center Arena | 5/21/77 | 3 | SBD>?>CDR | Sounds great. Solid show. |
| Grateful Dead | VA | Richmond | The Mosque | 5/25/77 | 3 | Btybd/MR>RR>PCM>DAT>CD | |
| Grateful Dead | CA | San Francisco | Winterland Arena | 6/7/77 | 3 | ||
| Grateful Dead | NJ | Englishtown | Raceway Park | 9/3/77 | 3 | SBD>?>CDR | all SBD *except* for Terrapin encore which is from AUD |
| Grateful Dead | OR | Portland | Paramount Theater | 10/1/77 | 2 | SBD>7" two track BBD reel w/ DBX-1 @ 7 1/2 ips > PCM501ES @ 44.055 kHz PCM501ES analog out > DBX-1 decoder > analog in PCM501ES PCM501ES analog out > Fostex D5 @ 48 kHz | Promised Land is cut on either end; TLEO cuts in; Estimated has some mic distortion for roughly 1.5 min. |
| Grateful Dead | OR | Portland | Paramount Theater | 10/2/77 | 3 | SBD >7" two track Master Betty Reels @ 7.5 IPS > PCM501ES analog out >DBX type I decoder > analog in PCM501ES analog out > PCM501ES analog out > Fostex D5 DAT at 48 kHz>CDR | Casey Jones has brief low-level crackle possibly due to a bad microphone; Wharf Rat has a thirty-second section of analog tape damage leading to a cut during the song. There is an illegal bootleg available of this date that apparently has no cut in Wharf Rat, but the cut has been edited out and the song is about 30 seconds shorter than on the Betty reel. No EQ has been performed. You hear what is on the Betty reels, as best as we can get it to you. |
| Grateful Dead | OK | Norman | Lloyd Noble Center, U. Of Oklahoma | 10/11/77 | 3 | SBD>?>CDR | Lineage unknown, but crisp. |
| Grateful Dead | IL | DeKalb | Evans Field House, N Illinois U. | 10/29/77 | 3 | SBD>?>Commercial Boot>CDR | |
| Grateful Dead | NY | Binghamton | Broome County Arena | 11/6/77 | 3 | MR>PCM>DAT>CDR | Anomalies: The minor background noises or click/pop noises noted have been compared to the master and are listed below. Disc 1 T1: 1:05; 1:41; 8:13; 9:52 T3: 5:42; 6:59; 8:09 T9: 0:16; 0:42 T10: 2:41 Disc 2 T1: 0:35 T3: 0:04 Disc 3 T6 3:21 T7 2:26 |
| Grateful Dead | CA | San Francisco | Winterland Arena | 12/27/77 | 3 | David Gans seed. Master Reel>DAT>Sonic Solutions remastering >CD-R. | 1. "F@&%er" in "Wharf Rat" is muted out. 2. There's a glitch about the 1 min. 12 sec. mark in "Around n' Round", right around the time Bobby and Donna sing about the moon going down. David confirmed this appears on the master reel. 3. Samson encore is missing. |
| Grateful Dead | WV | Huntington | Civic Center | 4/16/78 | 2 | SBD>? | |
| Grateful Dead | CT | New Haven | Veterans Memorial Coliseum | 5/10/78 | 3 | Sbd>Bettys 7.5ips>DAT>CDR | Not 100% sure that this lineage is correct, but this is what was given to me… Show sure is a sweetie though |
| Grateful Dead | CO | Morrison | Red Rocks | 7/7/78 | 3 | SBD>MR>?>DAT>CDR | known flaws - d3t02 d/o @ 10:14 |
| Grateful Dead | CO | Morrison | Red Rocks Amphitheatre | 7/8/78 | 3 | reel master>PCM>DAT>CDR>EAC>SHN | |
| Grateful Dead | CA | San Francisco | Winterland Arena | 10/18/78 | 3 | SBD>?>CDR | |
| Grateful Dead | PA | Philadelphia | Spectrum | 11/6/79 | 1 | SBD>?>CDR | Set II only; this one has been floating around as a David Gans seed, but I can't confirm that is where this one comes from, although it probably is |
| Grateful Dead | CA | Oakland | Oakland Auditorium Arena | 12/28/79 | 2 | SBD>?>CDR | Missing 2nd Encore (One More Saturday Night) |
| Grateful Dead | CA | San Francisco | Warfield Theater | 10/11/80 | 1 | SBD>?>CDR | Acoustic set only |
| Grateful Dead | CA | Oakland | Oakland Auditorium Arena | 12/31/81 | 4 | no source info but is either board or FM; CD1: splice and tape drag in Mexicali at ~1:22; CD2: dropout during Kesey rap and tape splice in Playin' at ~9:32 | |
| Grateful Dead | PA | Philadelphia | Civic Convention Hall Auditorium | 4/21/84 | 3 | Sony D5>Neumann's Spilt 45, 17' from front row>DAT>CDR | |
| Grateful Dead | PA | Hershey | Hershey Park Stadium | 6/28/85 | 3 | SBD>?>Commercial Boot>CDR | I have heard several analog copies of this show w/ SBD lineage and am certain that this commercial boot is from those same masters… |
| Grateful Dead | CA | Oakland | Henry J. Kaiser Convention Center | 12/31/86 | 3 | SBD>Pre-FM>DAT>Serrafin Studios Re-Master>CD-R | Popping sounds during Touch Of Grey are balloons being popped on stage, NOT digi-noise… |
| Grateful Dead | NY | New York | Madison Square Gardens | 9/18/87 | 2 | sbd>dat>cdr | |
| Grateful Dead | WI | East Troy | Alpine Valley Music Theatre | 7/18/89 | 3 | DSBD>DAT>CD | |
| Grateful Dead | NJ | East Rutherford | Giants/Jets Stadium | 6/17/91 | 3 | DSBD>DAT>CDR | Best of 1991?? It's a sweetie. |
| Grateful Dead | NY | New York | Madison Square Garden | 9/8/91 | 3 | SBD>DAT>CDR | |
| Grateful Dead | NY | New York | Madison Square Garden | 9/9/91 | 3 | DSBD>DAT>CDA>SHN | |
| Grateful Dead | NY | New York | Madison Square Garden | 9/10/91 | 3 | SBD>DAT>CDR | |
| Grateful Dead | NY | New York | Madison Square Garden | 9/14/91 | 3 | DSBD>DAT>CD>EAC>SHN | |
| Grateful Dead | NY | New York | Madison Square Garden | 9/16/91 | 3 | DSBD>DAT>CD>EAC>SHN | diginoise/dropout at start of bertha is found on "all that circulate" |
| Grateful Dead | NY | New York | Madison Square Garden | 9/18/91 | 3 | SBD>DAT>CDR | |
| Grateful Dead | CA | Oakland | Oakland Auditorium Arena | 12/31/91 | 3 | Pre-FM SBD->DAT->CD-R | |
| Jazz Is Dead | CO | Boulder | Fox Theatre | 4/13/99 | 3 | SBD>?>CDR>CD Paranoia>SHN | Original notes that accompanied SHN's:<<re-seeded to orf.cx by Leigh Orf (http://orf.cx) on Tuesday Nov 21, 2000 Extracted with cdparanoia from source CD-R This is a high-quality, lush-sounding digital soundboard I forget who I got it from, but thanks!>> My Notes: SWEET show. |
| Jerry Garcia Band | CA | Berkeley | Keystone | 12/31/75 | 2 | SBD->Master Reels->DAT->CD-R | |
| Jerry Garcia Band | CA | Berkeley | Keystone | 2/14/76 | 3 | 02/14/76
Keystone, Berkeley, CA top Set One: (7 songs - 72 minutes) Second That Emotion They Love Each Other I Want To Tell You Russian Lullaby Tore Up Over You The Night They Drove Old Dixie Down After Midnight Set Two: (6 songs - 67 minutes) Sitting Here In Limbo A Strange Man Catfish John Mystery Train Moonlight Mile How Sweet It Is (To Be Loved By You) Recordings: 135 SBD (DAT: MSR>cass>DAT>CDR |
Great show, but alas, lots of digi-clicks. Looking for upgrade. Non-tradeable until upgrade is found |
| Jerry Garcia Band | RI | Pawtucket | Leroy Theater | 3/11/78 | 2 | AUD>?>CDR | Great
sounding AUD. External notes from http://www.thejerrysite.com/1978_setlist.stm:
Comments: There was also an interview with the Jerry Garcia Band on this date,
done by Andy Gefen, that also circulates. The complete show circulates in
SBD in the analog domain. Set 2 circulates in SBD in the Digital domain with
a splice in Tore Up Over You. IMO, the AUD tape is a much better than the
SBD tapes. Recordings: 161 AUD (DAT: MAC>D), 161 SBD, 73 SBD (DAT: MSC>D) Contributors: Marc Schaeffer, Ryan Shriver |
| Jerry Garcia Band | NY | New York | Lunt-Fontanne Theatre | 10/28/87 | 1 | SBD>?>DAT>CDR>EAC>SHN | acoustic set |
| Jerry Garcia Band | MD | Columbia | Merriweather Post Pavillion | 9/2/89 | 2 | Schoeps CMC-44 (FOB) > Oade pre-amp > Sony PCM-F1 > Sony SL 2000 (Beta) | |
| Kingfish | CO | Vail | Unknown | 8/14/86 | 3 | Source:
SBD Genealogy: MC > CASS 1 > DAT > CD "Cassette Playback: NAK CR7A> HHB PDR1000" "Digi Playback: MDAT > Fostex D1O > Tascam CDRW700 via co-ax feed (and tascam sample rate conversion)" |
Hypnotize// due to cassette flip |
| Legion Of Mary | CA | Berkeley | Keystone | 5/21/75 | 2 | SBD>15 IPS MR>15 IPS Reel>DAT>DAT>CDR | |
| Little Feat | MA | Boston | Orpheum Theatre | 10/31/75 | 1 | Liberated Bootleg (originally titled "Keep on Walking" by Flashback World Productions, Luxemburg)>?>SHN | |
| moe. | PA | Philadelphia | Electric Factory | 12/31/98 | 3 | DSBD+Matrix mix(mics unknown)>DAT>CD-R>EAC>SHN | I
attended this show. I was fairly versed w/ the officially released moe. stuff
and walked away thinking this was, hmm..err...eh…, a decent show. Cut to almost
2 years later, and what a buddy of mine and I call a "fresh set of ears"
(for lack of a better term)… In retrospect, what a fuckin' show! Consider
me a convert! Where and when is the next moe. show? Notes from SHN's I received:
I received this show on CD from a kind individual passing through town for
a show and EAC'd his discs. The exact source he acquired it from is unknown. Notes: Noted Digipops @ d1t01 0:05 & d3t01 0:02 & 0:05 (the last two I cleaned up because they occur through music, they are still somewhat noticible but much more bearable) The matrix mix begins to change around the end of d1t07 as the sound engineer lowers the board levels and raises the mic mix, to bring in more crowd (I suppose). The effect makes this sound like AUD at this point and causes some overproduction, but the source is the same I promise! If you listen closely you can hear the gradual change. This lasts through the end of the set (d2t01). Start of set 2 the sound returns to normal. Thanks to moelinks.com for the setlist and show notes. Enjoy! -B Disc I - Set I 1. Moth 2. Timmy Tucker 3. Spine Of A Dog 4. crowd+tuning 5. Blue Eyed Son* 6. Awesome Gary 7. She Sends Me 8. After Midnight** Disc II - Set I (cotd) 1. Bring It Back Home Set II 2. Strychnine Waltz# 3. Seat Of My Pants## 4. Time Again* 5. Ugly American Disc III 1. Mexico > Amazing Grace > Mexico^ 2. Dr. Graffenburg > 3. Four^^ 4. Plane Crash E: San Ber'dino * Acoustic. Al on mandolin. Last "Awesome Gary" 11/21/97. ** First time played. # Al acoustic. Without Vinnie, who was dancing around the stage in a diaper, smoking a cigar, throwing glitter on Chuck, Rob, and Al. ## With "Close Encounters" theme and "Auld Lang Syne" (traditional) teases. Last "Ugly American" 6/29/96. ^ Chuck acoustic. ^^ With "In The Year 2000" (Conan O'Brien) tease. Last "San Ber'dino" 9/29/95. |
| moe. | TX | Dallas | Deep Ellum | 11/6/99 | 4 | AKG 480/61>MV100>SBM1>DAP1>CDR | Extraction>Retrack>SHN: Steven Brupbacher Known Flaws: drop out in (rise) d1t4 @ 06:47 |
| moe. | FL | St. Petersburg | Jannus Landing | 2/10/00 | 2 (1x80min. And 1x74min.) | at404 > Gram Patten > DAP1 > CD > EAC > SHN | |
| moe. | NY | New York | Wetlands Preserve | 4/10/00 | 3 | Schoeps CMC62S (7' split, above crowd; 7' from stacks)>Apogee AD1000>HHB PDR1000>ZA2>Soundforge>CDR>SHN | |
| moe. | MA | Great Barrington | Berkfest, Butternut Basin Ski Area | 8/12/00 | 2 | Neumann
TLM 170(subcard setting, @90 degrees NOS)->Sonosax SX-M2->Apogee AD-1000
from ots @48kHz; Sony 59ES->Audio Magic Presto II->ZA2->Soundforge 4.5(48>44.1)->CDwav->.shn |
|
| moe. | PA | Upper Darby | Tower Theatre | 10/31/00 | 4 | Schoeps CMC64V > Apogee AD-1000 (44.1) > DAT (at front-left of sbd) | Transfer: TASCAM DA-20MKII > ZA2 > wav > Cool Edit (normalize & fades) > shn by Bob Haas (rhaas131@home.com) |
| Old And In The Way | CA | Santa Rosa | Sonoma State | 11/4/73 | 1 | ???>CDR | |
| Phil And Friends | CA | Angels Camp | Mountain Aire Festival, Clavaras County Fairgrounds | 5/29/99 | 3 | DSBD>Sony P300>coax>LynxOne>Soundforge>cdrwin>CDR>EAC>SHN | |
| Phil And Friends | CA | Angels Camp | Mountain Aire Festival, Clavaras County Fairgrounds | 5/29/99 | 3 | DAUD | |
| Phil And Friends | CO | Morrison | Red Rocks Amphitheatre | 8/14/99 | 2 | FOB DAUD>DAT>CDR | |
| Phil And Friends | OR | Eugene | Cuthbert Amphitheatre | 8/17/99 | 2 | DAUD | |
| Phil And Friends | MO | Maryland Heights | Riverport Amphitheatre | 7/8/00 | 2 | AKG 480's>Graham Patten Dmic 20>D8>SHN | |
| Phil And Friends | NJ | Camden | E-Center | 7/28/00 | 2 | NEUMANN KM140>DMIC 20>DAT>CDR>EAC>SHN | Fade out and fade in between Wheel> and Jam>Pride of Cucamonga; |
| Phil And Friends | NJ | Stanhope | Waterloo Village | 7/30/00 | VHS | Sony Digital Camera>VHS>Pansonic Pro Deck>Video Distribution Amp>My Copy | Audience shot (handheld), lots of shots of lighting rig due to arm fatigue; several drop-outs at end of show due to weak battery; shitty onboard condensor mic actually produced a really nice sounding tape... |
| Phil And Friends | VT | Burlington | Memorial Auditorium | 10/1/00 | 3 | See Comments | Source:
AKG ck61 > Active Cables > JKLabs ECMS Box > SBM-1 > M1 (13th Row Center) Conversion: DA-P1 > Fiji > Sound Forge 4.5 > CD Wave > SHN v3 by Mike Wren <mikew@etree.org> |
| Phil And Friends | MA | Boston | Orpheum Theatre | 10/7/00 | 3 | AKG460BCK61
VLS 110" ORTF AERCOMP2 Sony d10 Pro II |
|
| Phil And Friends | NY | New York | Beacon Theatre | 10/9/00 | 4 | Beyer Dynamic TGX180's>D7>DA-P1 | Known Flaws: noise in first couple tunes in first set due to bad mic cable(?); very breif and occurs 4 times, tops; appears on master |
| Phil And Friends | NY | New York | Beacon Theatre | 10/9/00 | 3 | See Comments | Source: mics: SP-CMC-6 w/ AT omni capsules (www.soundprofessionals.com) mic power: SP-SPSB-2 9v module no roll-off ~.3 gain both l/r dat: Sony M-1 9/10 level Mic -20db @ 44.1 location: Orchestra 16 row center-right-sound got better around track 4-5 Conversion: Sony M-1 > Optical Midiman > SPDIF Front Bay SB Platinum > CoolEdit WAV > CDWav >MKW > SHN |
| Phil And Friends | NY | New York | Beacon Theatre | 10/10/00 | 3 | Microtek AM210's>Oade Bros. M248>SBM1>Unknown DAT deck>digital coax>my DA-P1>HDD>SHN | |
| Phil And Friends | NY | New York | Beacon Theatre | 10/11/00 | 3 | Microtek AM210's>Oade Bros. M248>SBM1>Unknown DAT deck>digital coax>my DA-P1>HDD>SHN | 15-20 seconds of 1st tune, 1st set missing (ChinaCat) due to technical difficulties; sounds great |
| Phil And Friends | NY | New York | Beacon Theatre | 10/14/00 | 3 | See Comments | Source: mics: SP-CMC-6 w/ AT omni capsules (www.soundprofessionals.com) mic power: SP-SPSB-2 9v module no roll-off ~.3 gain both l/r dat: Sony M-1 9/10 level Mic -20db @ 44.1 location: Orchestra 16 row center-right-sound got better around track 4-5 Conversion: Sony M-1 > Optical Midiman > SPDIF Front Bay SB Platinum > CoolEdit WAV > CDWav > MKW > SHN |
| Phil And Friends | NY | New York | Beacon Theatre | 10/15/00 | 3 | FOB schoeps cmc5-mk4>psp2>m1>cdr>EAC>SHN | |
| Phil And Friends | IL | Chicago | The Riviera Theatre | 10/21/00 | 3 (2x74min. and 1x80min) OR 4x74min. | See comments | Source: SBD > DAT (44.1kHz) Transfer: DA-20mkII > ZA2 > CDWAV > SHN |
| Phil And Friends | CO | Denver | Denver Fillmore | 10/24/00 | 3 | Master DSBD -> Mac Hard disc -> Peak -> CDR | **Note** Retracked using CDWAV to comply with redbook audio standard sector boundry issues. Noted Flaws: d1t01 - dropout @ 0:54. 3rd release from Phil's website, http://www.thephilzone.com, made available for free via SHN download. D/L'ed from gdlive.com's ftp mirror |
| Phil And Friends | NV | Las Vegas | House Of Blues | 10/27/00 | 3 | DSBD>?>SHN | SBD made available to public in SHN format through Phil's website, www.thephilzone.com (thanks, Phil!!!) Files have been re-named in accordance to e-tree.org's naming convention and the md5's have been updated to reflect these changes. D/L'ed from gdlive.com mirror. |
| Phil And Friends | CA | Los Angeles | Wiltern Theatre | 10/28/00 | 3 | DSBD>?>SHN | SBD made available to public in SHN format through Phil's website, www.thephilzone.com (thanks, Phil!!!) Files have been re-named in accordance to e-tree.org's naming convention and the md5's have been updated to reflect these changes. D/L'ed from gdlive.com mirror. |
| Phish | Italy | Milan | Teatro Smeraldo | 2/20/97 | 3 | DSBD > CD > EAC > SHN | Cut: Sweet Adeline, Encore: Julius |
| Psychedelic Breakfast | CT | Hartford | University of Hartford | 10/21/00 | 2 | AKG
480/ck63>DMIC-20>DA-P1 15 ft split on stage |
|
| SCI | VA | Charlottesville | TRAX | 10/24/98 | 3 | SBD? | |
| SCI | CA | West Hollywood | House Of Blues | 2/5/99 | 3 | ??? | |
| SCI | PA | Philadelphia | Electric Factory | 10/31/99 | 4 | Matrix>DAT>CDR | Mic info unknown |
| SCI | BC | Vancouver | Vougue Theatre | 12/28/99 | 4 | See comments | D/L'ed from official SCI ftp server. Accompanying SHN note: <<SCI Fidelity Records joyfully uploads… THE STRING CHEESE INCIDENT @ The Vogue Theater Vancouver, B.C. 12-28-99 This is the first in a series of shows that SCI Fidelity will take from the SCI Archive and upload to the etree. Source: John O'Leary matrix feed->Tascam DAP1 CD Mastering: Brooks Elliot Tascam DA30->HHB CDR800 Digital Clone from 48 khz DAT to CDR 44.1 khz (using shielded coax digicable) Extracted and SHNed by reis@scifidelity.com>> |
| SCI | OR | Portland | Oregon Convention Center | 12/30/99 | 3 | Neumann
KM 184s->Star Quad Cables->Denecke PS-1s->STAR QUADS->SBM-1->PCM-M1 (44.1) Transfer: PCM-M1->DATORT->HD |
|
| SCI | OR | Portland | Oregon Convention Center | 12/31/99 | 4 | Neumann
KM 184s->Star Quad Cables->Denecke PS-1s->STAR QUADS->SBM-1->PCM-M1 (44.1) Transfer: PCM-M1->DATORT->HD |
|
| SCI | PA | Lake Harmony | Big Boulder Mountain | 8/6/00 | 2 | DAUD (rig info unknown)>CDR>SHN | Sounds great! |
| Stevie Ray Vaughn | CO | Morrison | Red Rocks | 6/19/85 | 1 | Liberated Bootleg(SBD)>?>SHN | |
| The New Deal | NY | New York | Wetlands Preserve | 11/2/00 | 2 | Audio-Technica
AT822 > Sony TCD-D8 Conversion: Sony TCD-D8 > Zoltrix Nightingale > Sound Forge 4.5 > CDWav > WAV > SHN |
|
| The Slip | OH | Gambier | Philander's Pub | 4/27/00 | 3 | DAUD, but sounds like a board. See comments | Taper
and X-fer: Jordan Braunstein Schoeps CMC64 > Sonosax > AD1000 Onstage - Overhead 6' high Tascam DA-P1 > Audio Magic Presto II digi-cable > Opcode DATport > CDwav > Cool Edit (fades) |
| Theory Of Everything | CO | Boulder | Boulder Theater | 9/7/00 | 3 | Jon-O feed (SBD)>D-8>HHb>CDR | |
| Zappa | MA | Boston | Boston Music Hall | 10/24/76 | 2 | AUD>?>CDR | Sounds surprisingly good… A must have for the Zappa fan |
| Ziggy Marley | NJ | East Rutherford | Continental Airlines Arena | 9/10/00 | 2 | DAUD (rig info unknown)>cdr>SHN |
