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Biography:
30 Seconds to Mars are:
Jared Leto - Lead Vocals/Guitar
Shannon Leto - Drums
Solon Bixler - Guitar/Synth
Matt Wachter - Bass/Synth
Welcome to the
universe. Exploding with atmosphere, power and melody, their songs
are at once apocalyptic and uplifting, filled with characters who
battle with alienation, paranoia and dark obsessions, while
envisioning their own escape from this world.
30 Seconds To Mars is
a captivating, imaginative new band from Southern California. They
co-produced their self-titled Immortal/Virgin album with the
legendary Bob Ezrin and newcomer Brian Virtue (Jane’s Addiction).
They sought out Ezrin because they grew up listening to his
groundbreaking work with Pink Floyd, KISS and Alice Cooper and they
felt he was the only one who could help them capture the size and
scope of what they wanted to accomplish on their debut recording.
The band’s wide-screen sound is adrenalized and nuanced, balancing
huge guitars with anthemic vocal lines and organic synthesizers with
electronic underpinnings.
Even before the album was released, the buzz was so strong Puddle of
Mudd took the unusual step of inviting 30 Seconds To Mars to open a
six-week tour for them in the spring of 2002, even though they were
totally unknown and no one had yet heard their music on the radio.
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Drawing on influences
ranging from masters like Pink Floyd, Led Zeppelin and Rush to other
important artists such as Brian Eno and The Cure, 30 Seconds To Mars
transcends the chaos of the modern world by allowing listeners to
imagine themselves away from it. The band’s very name implies the
accelerated society we live in, suggesting that an escape may be as
close as a few seconds away. Mars hovering above us has always been
an iconographic image, not to mention being the God of War. But this
is not science fiction. 30 Seconds To Mars’ songs are real stories
and real moments that examine personal human experience. Lyrically,
the songs are filled with metaphors and moments of fantasy that
capture the imagination.
In songs such as the
dynamic “Capricorn (a brand new name),” with its reference to a
mysterious disappearance, and the foreboding “End Of The
Beginning,” with its soaring vocals and intense driving rhythm, 30
Seconds To Mars draws a startlingly unique mood rather than a
picture. Relishing the challenge of the artist’s duty, rather than
simply representing the obvious, the band thrusts itself into the
sonic atmosphere they’ve created, leaving their own indelible
mark. In the provocative “Oblivion,” pulsating guitar and
keyboards lead into the frantic warning, “Everybody run now,
everybody run now.” Powerful vocals, potent guitars and a dramatic
narration drive “Buddha For Mary,” the story of “a different
girl” who “always liked to fly” and had “a thing for
astronauts.” Living life on Mars, she is urged to, “leave the
politics to madmen.”
30 Seconds To Mars
retreated to the isolation of Wyoming’s big sky country to record
the album. The band and Ezrin chose an empty warehouse lot on 15,000
acres, striving for the precise location that would enhance their
sound. An intense period of pre-production began, starting with an
almost obsessive examination of close to 50 songs. After an initial
period of chaos, a fruitful relationship bloomed between the
musicians and producer, leading to an artistically rewarding work
atmosphere. The expansive frontier helped feed their imagination and
their playing. Although the songs had already been written, nothing
was left untouched as they massaged them frame-by-frame into
distinguished guitar riffs and tones and sculpted every last note
and detail to achieve their goal.
While the subjects of
their songs are engaged in their own searches, 30 Seconds To Mars is
involved in a search of their own to produce something unique in
today’s world of disposable music--something with depth and
substance, a work that is built to last.
[Mission
accomplished.]

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