updated as of feb 24th '08
A Gateway 6 has been made to accomodate more galleries and is now up.....see the bottom....
SECOS e MOLHODAS - 70s Brazilian glam act added as well as
reviews begun on SMOKEY and his SISTER, a folk duo from the late 60s,
THREE FOR ALL - 70s Glam Film gallery and others added below,
ASIAN GLAM GIRLS of the 70s - BIG SECRET added below....+ more long lost glam gals of the 70s like YANCEY, GROUPIES DELITE, PUNCHIN' JUDY, etc.......
( Our gateway 5 was made on Jan 22nd '06, )
( Picture above of Lord Chaintanya, he stressed singing , dancing, and chanting the names of God as devotional service )
The Claim There is "No Scientific Evidence" for Alternative Treatments The budget for people doing serious research on alternative treatment plans is virtually zero. One reason for this is that the FDA will not give formal permission for anyone to do research on alternative treatments on live patients. In other words, the government cronies of the pharmaceutical industry do everything in their power to stop alternative treatment research. That way they can claim there is "no scientific evidence" for alternative treatments.
Because the FDA, NIH (National Institute of Health, a government agency) and NCI (a division of the NIH) refuse to do legitimate and honest research into alternative treatments, they are artificially manufacturing a situation where there is "no scientific evidence" for alternative treatments (according to their definition of "science"), and because there is "no scientific evidence" for alternative treatments, these agencies, along with the AMA, have legal power to suppress and harass alternative treatment practitioners, thus making sure there is "no scientific evidence." It is a "self-fulfilling prophesy."
In other words, it is like Jim predicting John is going to die within 5 hours, and then Jim pulls out a gun and shoots John, thus fulfilling his own prophesy. The pharmaceutical industry's cronies claim there is "no scientific evidence" for natural treatments, then they do everything in their power to insure there is "no scientific evidence."
But that is not all. In a jury trial, one or two witnesses is enough "evidence" for a jury. But with the FDA, NIH and NCI, the tens of thousands of witnesses, who have been cured by alternative treatments, are not allowed to testify. Their testimony is not admitted as evidence. Nor are the hundreds of scientific studies on natural treatments for cancer.
The ultimate goal of the FDA, which they have achieved, is to only allow scientific evidence that comes from the pharmaceutical industry. Since the pharmaceutical industry does not research alternative treatments for cancer (because it is not profitable), by limiting "research" to the pharmaceutical industry they have stopped any possibility that there will ever be any "scientific" evidence for alternative treatments for cancer. On top of this, the pharmaceutical industry are the biggest scientific liars on earth. Many, many of their studies have been shown to be fraudulent. On top of that the FDA has made the approval process so expensive, there is no way that any natural product manufacturer can afford to get a natural product approved.
see this site for more info _
http://www.cancertutor.com/WarBetween/War_Fda.html
Since sound is the non-material source of the material manifestation, it is the key by which we can become free from bondage. It is the thread-like link between the material and spiritual realms.
Originally published in "Tattva Prakasha" Volume 1, Issue 7; available online at
www.indiadivine.org/index.htm
In the Vedantic traditions sound is considered one of the most important principles of existence, as it is both the source of matter and the key to become free from it. One who can thoroughly understand the four stages of sound as explained in the Vedic texts can utilize this science to become free from the bondage of matter.
When trying to understand the four levels of sound, we must first understand what is "sound" as defined in the scriptures. In the Srimad Bhagavatam (3.26.33) we find an interesting definition for sound (shabda) as follows:
arthashrayatvam shabdasya drashtur lingatvam eva ca tan-matratvam ca nabhaso lakshanam kavayo viduh
"Persons who are learned and who have true knowledge define sound as that which conveys the idea of an object, indicates the presence of a speaker and constitutes the subtle form of ether."
This may not be an absolute definition of sound, as there are various levels of sound to define, but it provides us with a solid foundation to begin our study of this topic. This definition, as given in Srimad Bhagavatam, is very interesting in that it differs completely from western and modern views of defining sound.
First, those who are learned and who have true knowledge define sound as that which conveys the idea of an object. Sound is not just the vibration created by the meeting of two objects. Sound is that which conveys the idea of an object. The exact word used in this connection is "artha-ashraya" or "the shelter of the meaning". In the Vedic conception the aksharas (letters) are bijas, or seeds of existence. The audible sound is categorized into 50 alphabets of Sanskrit starting from "a" and ending with "ksha". Hence the alphabet is called "akshara", which literally means "infallible" or "supreme". Akshara is also a synonym for pranava (Om), the sum of all syllables and source of all vedic hymns. The Bhagavad Gita confirms this as follows:
karma brahmodbhavam viddhi brahmakshara-samudbhavam tasmat sarva-gatam brahma nityam yajne pratisthitam
"Regulated activities are prescribed in the Vedas, and the Vedas are directly manifested from akshara, the sacred syllable Om. Consequently the all-pervading Transcendence (pranava or the syllable 'Om') is eternally situated in acts of sacrifice."
Karma, or duty, is manifested from the Vedas. This manifestation is not exactly direct, for one is spiritual and the other is material. This is indicated by the word udbhavam. On the other hand, the manifestation of the Vedas from the pranava (Om) is direct, and thus the word used to describe it is sam-udbhavam, and not just udbhavam.
In the Tantras the aksharas are traced back to their material source level which is a particular deity of Shakti. Each of her stages of manifestation are phases in the evolution of the universe. Thus the aksharas are potent sound, constitutionally connected to objects as sound (shabda) and its meaning (artha).
This is interesting in that it draws a distinction between sound and noise. Noise, as distinct from sound, is not the artha-ashraya, or the shelter of meaning.
see this link for more info ~
http://www.veda.harekrsna.cz/encyclopedia/vedicsound.htm
1 STEPHANIE de SYKES gallery 14 !
2 60s Folk - BREAD, LOVE, and DREAMS
3 70s Glam ROCK ; BOBBIE McGEE Gallery 3
4 70s Glam ; BRENDAN , SKY, CANDY
5 70s Glam de Argentina ; BADGE :)
6 Rare 70s ; NEO, TONTO's EXPLODING HEAD BAND, PAGLIARO *
7 Rare 70s Glam; BOSTON BOPPERS, WILD ANGELS, WHIZZ KIDS *
8 Rare 70s Glam ; KIPPER, JEFF PHILIPS /TIGERWING, BITTER SUITE
9 TITBITS - u.k. magazine ' 73
10 TITBITS Gallery 2 - uk magazine ' 73
11 Rare 60s ; RAMASES, BOJOURA, SILVER APPLES,
12 STEPHANIE de SYKES gallery 15 !
13 ZENDA JACKS gallery 7 :)
14 70s GLAM Girls ; WILDY, ROCKBOTTOM, SUZETTE *
15 70s Glam Girl KRISTINE SPARKLE, gallery 3
16 Ultrarare 70s Glam ; PATCHES, THE SECRET, OLIVER DAY
17 70s PUNK - AURORA PUSHUPS - post ZOLAR - X / VENUS/RAZORBLADES/ The USERS
18 N.y. Glitter ; 70s - STREET PUNK, LUGER, THE DYNOMITERS, * etc * *
19 N.y. Glitter page 2
20 * * SIDE by SIDE Gallery 3 * * *
21 SIDE by SIDE Gallery 4
22 SIDE by SIDE Gallery 5
23 rare 70s glam ; WILLIAM PATRICE, FANCY, JERRY and the CRACKS
24 70s Glam Girl ~ AMANDA LEAR
25 SIDE by SIDE gallery 6 / STEPHANIE de SYKES Gallery 16
26 STEPHANIE de SYKES Gallery 17
27 70s Gals ; FLAME, CHAMPAGNE, VERNONS
28 RARE 70s Glam GUMBO, JETS, FUNKY FAMILY
29 Lost 70s PUNK ------- DEGENERATION - ( Interview )
30 70s New WAVE Girl - , NADINE EXPERT :)
31 70s Glam Girls :) - HAMLETT, GIRLIE, HEART
32 70s Girls ; ANN PEACOCK, TWIGGY, PANS PEOPLE :)
33 70s Glam Girls ; BIG SECRET, GINNY ROYCE, MARIANNE
34 70s Rare Glam - HECTOR / MAX LAZER
35 70s Bubblegum Pop ~ FOX , DEBRA CLINGER *
36 Rare 70s - THE WEATHERMEN, CAPTAIN LOCKHEED, THE RATS *
37 70s Glam - TYKE, THE PANICS, GENERAL OF BUDAPEST *
38 70s Street Chicks - YANCEY / COCO-n-MILK
39 Various 70s - JOHNNY HALLDAY / ZOO /TOY.
40 70s Glam Girls - PUNCHIN' JUDY, , ASTRID NIGGH, ESTHER GALIL
41 70s Glam Girls - GROUPIES DELITE / CANDY
42 SIDE by SIDE Gallery 7 :)
43 70s Glam Girls - CAROL MACDONALD, SLACK ALICE, JAIL.
44 Early 80s Sci-Fi - ZOLAR X , ZARJOZ
45 70s - Early 80s Punk ; GLORIA MUNDI, SCREAMERS, TEENIE
46 70s Glam ; SHERBET, NOOSHA FOX, AMSTERDAM
47 60s JAPANESE-PSYCH ; CARMEN MAKI, FLOWER TRAVELIN' BAND, IMPACT
48 JAPANESE 70s Film Girl Rock - STRAY CAT ROCK
49 70s Glam Film - THREE FOR ALL * BILLY BEETHOVEN ( Reviews ! )
50 70s Glam Girls - GLADYS SHOCK ! / NADINE EXPERT / the PEARLS
51 Rare 70s Glam - BURNING / SOFT ROCK and BLUE JEANS/ the YANKEES
52 70s Glam - ROTTEN to the CORE / PLANET of the APES / RED, WHITE and BLUE....
53 70s Glam - RATTLES / ZEBRA / TEDDY LANE
54 STEPHANIE de SYKES Gallery 18
55 70s Turkish Gals ; SENAY / ZAFER / ADJA
56 70s Underground Rock ; WOWii, ARMAND SCHAUBROECK STEALS,
57 70s/60s FOLK; GWENDAL, CLICK,
58 70s Glam Girl - CHERRIE
59 70s Glam ; SISTERS, BILBO, STRANGE FOX
60 Miscellaneous 70s - BELISAMA, YVETTE HORNIE,
61 70s Punk - No One Is Left To Blame / The POLES / ELISABETH WEINER
62 70s Glam ; BUBBLES / SHELBY the CLAP / MICHAEL BUNDT
63 Lost 60s ~ SMOKEY and his SISTER ( Reviews )
64 Lost 60s Girl bands ~ THE CAKE / FIREBALL
65 70s Glam En Espanol ~ SECOS e MOLHODAS / RONNEVON *
66 70s Pre-Punk ; TRANS EUROPE EXPRESS / PLUMMETT AIRLINES / FRENZY ( Reviews )
67 70s Dutch Punk Girl - HANSJE :)
68 70s/80s Punk Girls ; TOO MUCH, SNATCH, CHI PIG
69 Early 80s Punk Girls - JEZEBEL, The GIRLS, MALARIA
70 70s Punk - The CORTINAS, The LURKERS, The DOCKZ ( Reviews )
* 70s invasion Gateway 6 *
