Merry Christmas to all of you (all three of you).
Well, the Australians put on a great show. The Royal Navy showband was the opener. If you ever saw The Commitments, you have an idea of how it went. Think "Australian Soul". Lots of Motown, a great horn section, backup singers, light show, the whole bag of gerbils. It was fortunate that I received a set of good gloves and ear warmers from my Mother in the mail today, as it was pretty cold, and windy, and near a lake. About halfway through the show, we could hear the .50 calibre machine guns on the perimeter, and gunships flew overhead soon after. So much for my "one day of peace on Earth" theory.
There has got to be a better way to save the world.
Tomorrow will be mostly just another work day out here, except fot better food at the dining hall, and the Aussies will repeat their performance. Angry Anderson still has his famous stage presence, and holds a crowd better than any man under 5 feet tall that I have ever seen. He was backed by a group called Kitara, who was a very tight group.
On the way back from the show, I was thinking about my own days in the music business. There are times that I really miss performing. I still write music, and I occasionally perform, but taking the stage with your band, for your show, with an audience that paid their own money to come hear you, that's more addictive, and more satisfying, that just about anything I have experienced.
NOTE: The following is blatant nostalgia, and has nothing to do with Christmas, or Baghdad, and bery little to do with poetry. All readers that have no interest in my past, or my waxing nostalgic, should eject IMMEDIATELY.
Back in the days of my misspent youth, I was extremely serious about my future music career. I attended a School of Performing Arts, I practiced for hours a day, and played any instrument I could grab. I didn't write much, because I hadn't really had any life experience, and didn't really understand the mechanics and science of music yet. But I could sing, and I could play a lot of instruments in a lot of different styles. Additionally, though I was (and obviously still am) rather shy in person, I could perform on stage without choking. Consequently, I fronted more than my share of rock and roll garage bands. There was even a brief period as an adult that I supported my family of four as a musician, which is an accomplishment in itself. You will not find me in your local music store, though, as I managed to keep my name off anything that was recorded. I did work with some fine musicians, though, some of whom have gone on to be respected recording artists, and whose names you would see in your local music stor, or even in your own CD collection.
So why did I get out? It was a priorities thing. I illustrate it thusly. I have spent my entire life in, around, and making music, but I can't dance. When you are they man behind the guitar or the drums or the microphone, you don't get to dance. You don't get a lot of other things that happen on the listening side of music, either, like meeting someone and falling in love, or talking about the impact of the music on your emotions after it is over, or going home from the concert with memories and stories for your friends. When you finish a gig, you pack your gear, go grab a bite with the other guys in the band, and go rest up for the next show. After a while, I found that I wanted something more.
Another problem was the business end. I, like many musicians, love to play, and love to write, and love to feel the reactions of the audience, but I don't love planning marketing of my latest album, or deciding where I will tour based on the promotional value of the venue. I don't like contracts, or copyrights, or intellectual property arrangements. But those things have to be handled, and if you don't handle those things yourself, then you put yourself at the mercy of the kind of people that DO like dealing with those type of things. At worst, you end up losing your shirt, and Michael Jackson owns every song you ever wrote. At best, you lose touch with reality, because other people are doing the things you don't like to do, and you get used to never having to deal with anything you don't like. you have heard enough stories to know what I mean.
So I left the music scene. I still think about it now and again. I also remember a quote from Janice Joplin. She once said, "Every night, I make love to ten thousand people, and then I go to bed alone." That quote, which she said only days before her death, reminds me of the cost I decided I wasn't willing to pay. When I see Mrs. E. Poet, and the little poetlings, I am convinced I made the right choice.
Having said that, I wish you all a Merry Christmas. We in Baghdad will be thinking of you, and even envying you a little. Not a lot, actually, but a bit. I'll discuss that concept a bit more next time.