June - July 2002

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Concerts, June - July 2002

Link Wray Live at the Montage Grille, Rochester, NY July 9, 2002 (9:30 pm show)

Link, ladies and gents, is the one who showed the masses how to play the cool way. Back in the 50's, he struck the chords heard 'round the rock and roll world with his blistering guitar and non-chalant attitude. It is only a shame that he is not more well known, but popular culture is funny, and it seems that all of the great ones are the ones who get lost in the shuffle. However, you mention him to anyone who is someone-rockabilly cats, garage rockers, mod hipsters, or glam- punk trash dolls, and they will sing the praises of Link Wray. This particular show was like a who's who of Rochester's music elite- cool people definitely in the know- but I'm not here to talk about that. If you want the list of who was there, e-mail me. I'm here to talk about the sheer glory of this show. One of the first cool songs I ever learned was Rumble and it was taught to me by one Gregory Townson of Essentials-Salamanders-HiRisers fame. It was raw, powerful, and I loved it. Pretty much like the show that Link put on this particular evening. Sure, Link may be 73 years old, small and fragile, but the fact of the matter is, he's still out there doing the stuff that gave him a name. And when he was on and in the groove, Link rocked like it was 1959 and he was out playing at a demented sock hop. His guitar blistered and twanged out Rumble, Run Chicken Run, Raw-Hide, Big City After Dark, Batman, The Black Widow, The Swag, Ace of Spades, etc. as he choked the neck and bashed at the strings with an elegant ferocity and cool ease that no one else can come close to emmulating. The cover of the Nelville Brother's was stark and bleak, yet performed with wonderfully intense underlying emotion. There were lessons to be learned by everyone in that room. Wrong note? Who cares. Broken string? Let the band (who were great) comp and break out the other guitar. There's bound to be flaws, it's pure, intimate music. Not some psycho-sick pop group stage circus. And that's the beauty of it. Everyone got to see pure Link, with no fillers or additives. Just the way it should be.



The Realistics at the Bug Jar, Rochester, NY June 29, 2002 and at The Continental, Buffalo, NY June 10, 2002

I must say that the Mooney Suzuki tour with cool bands, whether it be the case of them getting asked, or them doing the asking. The Realistics, like the Moonies, are from similar stomping grounds in NYC- the bands have known each other for a while. They play a great blend of all the 'cool' music- and instruments for that matter- that you should know about by now, and if you don't, that's nobody's fault but your own. Live, they put on a wonderfully energetic and entertaining show that highlights their fairly solid, ear pleasing tunes. The band can go from full out trashy-poppy stompers like Turn it Around and It's Alright, it's Okay to the more mellow soul-infused yet equally as impressive Angie and Should've Known without breaking the groove at all. The latter two songs feature some very nice vocals by Dennis- any guy who can sing higher than me without going into a nasty falsetto rocks. Seriously. Both of these shows managed to win over converts in the audience, and rightly so. What the Realistics churn out is hot stuff- the band is definitely worth giving your time to check out, so make sure you see them when they head back over here again.



Garage Pop Benefit for Rock and Roll aka Garage Pop # Way Too Many featuring the Purrs, the Grinders, the Bloody Hollies, and the Quitters at Mercury, Rochester, NY June 21, 2002

Woah, man, woah... Is it right to have at least one member from just about each of the bands playing going after you?... White trash bitches are REALLY SCARY... Dancing is wonderful... I think I need to go Mod more often...

The Purrs have been becoming quite the players over the past few months, which is always a good thing, right? I must say that the last couple of times that I have seen them, I've enjoyed their sets much more than I did previously. They have a bonded aspect that comes through much better than it did in the past, and the kick that they get out of doing the live thing is also more apparent in their performance. I don't think anyone can NOT like them, even a little. Throw the Headbang song into the equation, and you've got yourself a mighty fine time...

The Grinders followed the Purrs, and since it was Todd's birthday, it was more of an 'event' than usual, ha ha. I discovered at one other show that isn't documented since I can't remember too much of it (no comment ...) that the Grinders really do play loud, drunk rock. They play better when they're drunk, and if you're drunk, it's GREAT. Not that you can't dig 'em sober. So the Grinders did what they do best, kicking the asses of everyone in the joint with the suspect tunes that manage to convert the rock and roll teetotalers. Todd even managed to look cool and manly in his Super-Duper-Extra-Tacky-Birthday-Crown made by yours truly. If you missed out, you suck.

The Bloody Hollies were second to last introducing a second guitarist- formerly their bassist Nick- to the Rochester audiences. I had seen this line-up about a week and a half prior when the Bloody Hollies opened up for the Mooney Suzuki and the Realistics in Buffalo, and I liked the fuller guitar sound and bass drum that largely took the part of the bass line. Kinda confusing in print, but when you see it live, it's a great combination. This Rochester show was solid like the B-lo show was, filled with many new songs (at first I thought I was going nuts and didn't recognize the old ones) and the tried and true classics as well. The Bloody Hollies have also been gelling more over the months, and they too, are proving to be a very cool band to see live. Check them out.

The purveyors of it all, the Quitters (aka the MTV mavens) themselves closed the evening out. I know I've said this before, but I'll say again that the Quitters are one of my most liked bands in the scene with all of their catchy quirky power pop with a twist of Pleasant Dreams era Ramones glory. The band provided the people with the dosage of goodness that they all needed in order to fuel the insanity that managed to ensue during the Quitters set- headbanging, body lifting, spinning, and in my case, "snagging" (for the evening at least) and swing dancing (!) with a certain Bloody Holly who's currently in Poland for the next month... go see the Quitters and end up happy, in any and all senses of the word. I did.