Abstract

 

 
 
 
 
 
 
 

This thesis examines John Fowles's The Collector, The Magus, and The French Lieutenant's Woman as commentaries on "calibanity," a source of male dominance in gender relationships. The first novel investigates patriarchy in society as a non-progressive structure smothering the creative feminine element. The Magus presents a series of lessons by which masculine ideology can be combatted and exorcized. The final book explores this novelist's political goal, the self-liberation of women in a society entrenched in conservatism. By investigating the roles scripted for men and women in society, Fowles examines the social conditioning that forms an "Adamic" ideology and presents a vision of liberty for both men and women.
 
 
 
 
 
 
 
 

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