Welcome to another special issue. I had hoped to include an interview with Rachel Kann, but her work schedule was such she couldn't return the questions. She is interested in doing the interview, but she is an extremely busy individual. So look for the interview in a future episode. On the subject of interviews, I am in discussion with a musical group for an interview. They are releasing a CD soon, so we're going to tie the release with the interview. Also, on my Vox blog I received a posting from a person who has a book coming out in the Fall of 2007, perhaps she is another source for me to consider. It just keeps my busy. So this explains the late date for this ezine.  Well these things do happen so we must take it all in stride. Right now I'm working on my back porch, es the weather has finally warmed up. My plans after today is to give the ground just a few more days to dry and then I'll work in the garden. I think I shall plant more Sunflowers this year along the back fence. Sunflowers are always a delight to watch grow.
    So hello everyone and welcome to issue 96.




Michael Johnson sends us these poems

Jesus Knelt in Grief Over the Death of Children


Breaking out of silence,
Jesus knelt to his knees
in moist desert sand
& wrote messages
with his fingertips
to children-
water is water, toys are toys,
but by my fingers burn with life,
though I toil over tombs with grief & tears-
I am the living & I am the dead-
I was born to life to bring
new hope into the death of children.
I am the messenger of the morning sun
the prayer book between the morning dew,
& the play fields of your daily adventures.
When I kneel here again, the end will be the end
to all-fire willed into my words-
driftwood & sand turn to stone-
drag my fingers across hot sand once more-
& morning coming without a daybreak.
Birds no longer sing, & crickets lose their songs.”

 

 

Rainbow in April


April again,
the wind
falls in love with itself
skipping across asphalt
and concrete bare
with the breaking weather.
A rainbow
Is half arched,
broken off deep
into the aorta
of the sky.
It hangs
from elastic
rubber bands
of mixed colors
dipped in God’s
inkwell,
airbrushed
by the fingertips
of Michelangelo.
April again,
the wind steps high.
 
 

From Toronto To Ottawa

She comes,
and she goes,
unnoticed.
She walks,
and she talks,
to no one.
Her night is
the long city street
sheltered & protected by neon.
She amuses
& she entertains,
swaying her slender body,
but no one offers,
& she shouts outfor no reward.

Mr. Michael Lee Johnson lives in Chicago, IL. after spending 10 years in Edmonton, Alberta Canada during the Viet Nam era. He is a freelance writer and poet. He is heavy influenced by Carl Sandburg, Robert Frost, & William Carlos Williams, Leonard Cohen. He is a member of Poets & Writers, Inc; Directory of American Poets & Fictions Writers: http://www.pw.org/directory/.

5 Top Things Mr. Johnson likes in his life:

1) His interests in the study of spirituality, religions.

2) Nikki, his beloved kitten.

3) His fire deep in his belly for universal health care in the United States so everyone has access to care, not just the rich or extreme poor.

4) His drive to find a way to survive old age in poverty.

5) His need to leave a legacy behind for others, no matter how humble or small the contribution.

He is presently self-employed, with a previous background in social service areas. He has a B.A. degree in sociology, worked on a Masters Program in Correctional Administration, started a pre-Phd program & quit. He took a creative writing course in university on a pass/fail basis-he failed. A sample of published poems can be found at:

The Orange Room Review website: http://www.freewebs.com/theorangeroomreview/;
The Flask Review:
http://www.freewebs.com/theflaskreview
Apollo's Lyre: http://www.apollos-lyre.com/
The Foliate Oak Online Literary Magazine: 
http://www.foliateoak.uamont.edu
Ken*Again: 
http://kenagain.freeservers.com

Michael Lee Johnson
Itasca, Illinois
60143-1542
E-mail: poetry
man@walla.com



From J. Williams comes this selection of poems.









Taylor Graham sent this opening note and poems:

Thanks for the new issue -- 95, wow! Here are some poems for next time, if you can use them.


I've been researching a distant relation, Elihu Burritt (1810-1879), the Learned Blacksmith, who taught himself about 50 languages and was an advocate for world peace, among other causes. Two of these poems are about him.

Happy spring,



FLUENCY

    One unbroken, unabated stream it was of profound and lofty and original eloquence.
        -Nathaniel P. Rogers, on hearing Elihu Burritt speak in Boston


It’s hard enough, Elihu, to teach yourself
to read another language. Harder still
to put your own words on paper. It must
take genius to write movingly
in a foreign tongue.

But how ticklish, without language-labs
or tutors, to speak
the lofty words out loud, to master
accent and emphasis; inflection
and the affective pauses.       

Elihu, I confess, even with quick-
and-easy travel tapes, I can’t
form my mouth around the word for “no”
in Greek. My Spanish will not
romantically roll its “rr”s.

In Paris, you gave your script up
to a Frenchman, believing your correct
grammar, in his fluent mouth, might
fire the world to your passion
for peace.


THE BARN-CHAPEL ON THE HILL

...[the services] were unsectarian, so simple that the poor need not feel the burden of ‘dressing up for Sunday’
    -Ellen Strong Bartlett


We’re looking for a President again,
Elihu. It’s got to be somebody
who appeals to the religious right
with all its family values, but doesn’t
threaten stem cell research, a woman’s
right to choose, or the freedom
of all to worship as they wish.

Remember your Barn-Chapel, Elihu,
that rough-built farmer’s place
of prayer? Is it still open to everyone
who rises early, sketching lines
through dew on grass, townsfolk
who left their denominational hats
at home to file across the meadow?

Christians all – Congregational,
Episcopal, or Baptist. But within your
walls, they had no names for sect.
Are your doors still open on the hill,
and perhaps to Muslim, Buddhist,
Jew as well, to anyone who comes
in peace, hope, and praise?


John Meany sends these three works. He is a new to this ezine poet.


Glamour From The Other Side Of The Fence

 

There ears never seem to hear my mind’s well-read intellect;
my knowledge of world issues,
or just my daily perceptions pertaining to ordinary life in general.
No.
They are far too preoccupied with my blond, boyish good looks.
I expose this insight to make clear that this sort of thing doesn’t only happen to women.
Men of glamour are also often viewed as mere sex objects.

 

Fog Banks Gloom

 

When the decade old graves were dug up,
as ordered by the high badge at Scotland Yard,
each creaking coffin was discovered empty.
Nothing remained of the grisly murder victims.
Not even their decaying bones. Or lingering hair follicles.
Theory has it,
demon wolves, unseen creatures that wander the graveyard night,
had devoured all remaining fragments,
where dead voices still sometimes whisper in fog banks gloom.

 

 

Time Rule
 
The human race is in a hurry to go nowhere.
Tick!
Tock!
Tick!
We’ve been this way since the dawn of creation.
Look at the guy who’s not in a rush,
yet feels the need to drive well over the designated speed limit.
Or think of the impatient loners at the store,
who pressure the cashier into swiftly moving the line along,
as though if they don’t make there transaction in two minutes flat,
the building might mysteriously catch fire.
Yes.
There can be no denying the human race is a mortal slave to time.




I hope you enjoyed the recent interview with Dr. Charles Frederickson. He is a fascinating individual and it is always a pleasure to include his work. He writes this note:


Celebrating Songkran, the Thai New Year – 2550, auspicious best wishes for health, wealth, prosperity, 
continued success and heartfelt Thaidings
of Joy!
RED BAMBOO Dense hard-walled thickets skyward bent Steadfast upright soldiers at attention Resolutely erect vertebrate spinal taproot Hollow tubular echo bleeding green Plotting coordinates parallel lines merge Kindred soul mates clumped together Reedy woodwinds shrill high-pitched flutes Breezy swayback resounding moonlight serenade Exposed naked truths laid bare Stalking lonely ghosts play hide-and-seek Edible segmented worms timid creatures Peekaboo offshoots night crawler striptease Cylindrical ringed joints culm flexed Clenched fist brass knuckling underground Entire grove singular tunnel plant Antsy burrowers dig express subway Towering fronds holding up firmament Interwoven fringe casting shadowy webs Atlantean columns shrug shoulder blades Droopy nature terminal blossoms wilt Elusive talc flowers flaccid cheeks Six anthers fraying threadbare nap Seedy pollination sowing butterfly dismay Ephemeral fleetly existence spiritual regeneration



 FIELD HANDS Endless uprooted sterile fields unfurl Soiled earth tillage licked clean Cast-iron calibrated sundial ticked off Secondhand sere minutes turned to Lingering hours stunted leftover spoils Meager cornucopian bounty dumped out Fearsome crude ragged stick figure Petrified scarecrow nailed to stake Shadowy posed crucifix holding still Scratching chelae grasping pincers snapshot Harrowing straw boss stuffed cavities Murder of ravens strangely missing Limp pointless fingertips clawing thorns Moonlit lunar scythe dusky silhouette Fenced barbs razor strand twists Rust sowing corrosion piercing silence Rats scurrying across clumpy trenches Gathered grim harvest reapers homebound Hunched shoulder tattoos stooped over Unaccustomed muscle strains craving relief Furrowed sweaty brow dripping relief Bloodstained clay clogging shower drain Ingrained routine clinging to tradition Longing chap touch-and-go beyond horizon


HILL TRIBES^^^^^^^^^^^^^
What always was isn’t anymore Untold stories hand-me-down traditions waylaid Virgin spring trickle-down bamboo viaduct Steamy teakettle puffs spouting change Besieged lowlands lost nevermore found Innermost feelings defiled by outsiders Betrayed innocence seeks hilltop refuge Humble upstarts above timberline bounds Supernatural beings govern every realm Wild mountain valley spirits tamed Possessed cave ghosts shaman exorcised Sacred circle dance celebrating joy No fences only ceremonial bridges Build for magical soul-searching rituals Sagging horizon lazy hammock views Eventually everything disappears including us Nothing remains hidden behind masks Groovy slits baiting nebulous void Desperate human essence leaking out Groundless soiled apparitions staking claim Raw opium oozes from scored Pods up in smoke addiction Cash crops tobacco coffee sesame Replacing poppies chili peppers sun-dried Wheel of fortune pointlessly aswirl Roundabout spellbound compass lacking direction Stuck needle in limbo trance Crossing over into borderless beyond Shivering forest thick with refuse Full moon hollow trunk echoes Uprooted stumps bark stripped clean What never was still isn’t


Dr. Charles Frederickson
charles_frederickson@hotmail.com


I read your Letters

Yes I do a number of letters about the ezine, and so let me share a few of them with you.

Even though I was not represented in this issue (busy with some other commitments) I enjoyed reading your interview with Dr. Fredrickson and the poetry.
While I have had poems and prose published in many other magazines and on-line, I have a spec ial feeling for "above the ground testing". mainly because it is so personal.
I think it is you whot has made this on-line publication such an excellent one.

Si

You are truly amazing - full of positive energy, verve and pizazz! I love the article and  send you the bestest best heartfelt thoughts 
and wishes for continued success and prosperity! 
Cheers! 
Charles
You have a letter you would like read?  Just send it to abovegroundtesting@yahoo.com



Other News

    Alright.  Here's the news, I'm resurrection
avantgardetimes, my ezine of poetry, prose and short stories that go beyond the conventional.   It's always been my hope to start it again and since I've increased my angelfire account, I've got more space.  What does this mean to you?  It means another journal of creativity by which you can experiment.  It is the place for the conventional and the dangerous.  The theme of that ezine is poetry can be dangerous and it can.  It can upset those who prefer all things nice and pleasant.  We know that's not true so you now have a place to exercise your freedom.  If you want to contribute, send your writing to avantgardetimes@gmail.com
   I don't know when the first issue will be released, I suppose when I have enough contributions.  The former ezine of the same name was quarterly, if I can, I can, perhaps it will be occassional until I can build up a presence on the web.   I hope you will consider this venture as the place for you to experiment.  When you go to the homepage, there's a link to the past and you can read some issues to gain an understanding of the flavour of the ezine.  Yes
abovegroundtesting continuing to move forward  into the future.



There are some changes. I've changed my hosting company so there will be a time before abovegroundtewting.com gets transferred over. I've decided to upgrade my angelfire.com account. It's just more comfortable for me.

The address to reach me is abovegroundtesting@yahoo.com



This is issue 96. April 2007. All works are copyright by the various authors. Always respect their rights. Enjoy reading them and share your love of poetry with others.