Perhaps Christmas can be considered the 'canary in the mine shaft' for our culture.  It reveals if it is safe or if we are in danger of being poisoned by some invisible gas.  I've been noticing that retailers are pushing Christmas sooner at us each year.  One would have thought the existence of Hallow e'en would keep Christmas at bay, but such is not the case.  It seems that the seasons are now merging, what used to be a solid line of demarcation is seeing the bleeding of one into the other.  Retailers place the start of Christmas right at and even sneak a bit of the tinsel before the end of the Hallow e'en season.  I understand they want to get people thinking about buy the accortrements of the season.  Then again perhaps they should allow us the discerning public to decide when it is best to start the purchasing orgy.  I would like to tell the retailers that the vast majority of us possess a calendar and the skill to read one.  We do remember that Christmas is in December and yes when we are ready we shall start to buy what we need. 
    I know there are those souls that start their Christmas shopping early and they are examples to us all on how to do things.  Sadly I am not one of them.  I will not be putting up my lights or the tree until sometime in December, before the 24th I assure you  and I will start my purchases when I am ready, and not a moment before.  So please all of you, do not start with the Christmas carols or pushing the various catalogues in my face, let me have my peace until the onslaught must begin.
    Well, you would have almost thought that is my of my blogging rants,  sure it could be and yet I want to consider this more of a defense of Christmas rather then a criticism of it.  Now should I continue and go on about 'the Real Reason for the Season', again that has been flogged to death by others.  Christmas is Christmas, it roots both in the Christian and pagan holidays.  I suppose that reveals a bias, alright the roots of which belong to both the Christian, Gaelic, Latin and Norse holiday traditions.  It is the season of lights and the end of the old.  The solar time grows darker and the night takes hold.  So let me get back to my original thought, what is this 'canary' telling us about our culture?  It is an easy statement but one in danger of becoming its own cliché, and to deal with the 800 lbs gorilla that is Christmas, one should go beyond the hackneyed and truly consider what it all means.  As a gasping canary Christmas tells us the religious significance is dead.  That's it, gone, no longer to be part of the equation.  I would even suggest to you that the warm feelings of peace on earth, goodwill towards all is holding on but barely.  What is left is that it has become a season of parties and the exchanging of gifts.  The consumer culture has overwhelmed Christmas and as such it is now a shopping day to be celebrated.  I do wonder what archaeologist will write about this time of year when they look back. If they should stumble across some of the fliers and catalogues what will they say these to be, sacred texts?  Instructions for life in the afterworld?  Why all the same colour, is this the sacred writings of a dead race and culture?  Just what will they say and think about it is the question we should ask.  What will they think,  this is the question we need to ask now, what are we thinking when we do what we do with it all. 
    I am writing this at the beginning of a new week and perhaps that is part of the reflection, one always has a more dismal outlook of life on a Monday rather then say a Tuesday.  Which is not fair to Monday, it's not its fault it starts the work week.  Now I'm going off in another tangent.  I could erase this all but it's probably a good thing to let you all know what is floating around in my mind.  December marks the end of another calendar year.  For this ezine it means I ask myself the question can it continue another year?  I answer yes it can.  So I'm going to keep publishing this in the year 2005.  What about 2006, well I'll ask myself again in December 2005.  For a time it seemed that it was the end then the publishing cramp went away and a sense of renewal came again.  This renewal was aided by a number of people who wrote such nice emails to me and I was inspired to keep going. 



Poetry

I THINK THEY LIKE ME


They say city people don't care,
but the red headed skinny lady
who walks her poodle every day
placed a warm wool blanket
in front of my cardboard door,

and the borderline curmedgeon
who lives in the brownstone
down the street
and never smiles,
left a huge umbrella to keep me dry,

and the sixth grade kid
who always says hi
on the way to school, filled a vase
with yellow crysanthemums
picked from somebody's yard,

and the guy who runs the gift shop
two blocks away (I think he's gay)
gave me some pretty candles
so my honey and me
can have some romantic time.

City people ain't cold,
they care about me;
it's those others that make me mad,
y'know the ones who want me
to go to the shelter;

no shelter for me, thank you,
I like it right here
in my own space
where people are friendly, kindly,
GILDA KREUTER

FAMILY WOMEN



Ma had me when she was sixteen,
and I had baby when I was fifteen.

Grandma had eight kids
by the time she was twenty-two.

I say Ma and me and Grandma
didn't make those babies alone,

but men don't stick around
not in our family,

so it's Grandma, Ma and me
and all them kids.
GILDA KREUTER



GUITAR MAN

The floor is crowded tonight,
dancers sway to soul
flowing out of his guitar;
eyes closed he plays mellow notes,
memorized, improvised,
hoping they feel his rhythm,
sense words not yet written.

His mama tells him to play
like Pablo Casals;
he feels the tones of B.B.King,
so he plays in bars,
dressed in denim,
his audience
dressed in tanks and jeans,

connecting with them,
speaking to them;
Man, you're the greatest, they yell
as chords climax,
his face wet with the sweat
of a good night's work.
GILDA KREUTER


NOCTURNE


In the friendly harbor
between dark, dawn and daylight
I am at home in my own skin,
a moonflower
night noise, sweet in my ear,
awaken body and spirit:
leaves skim on a roof-top,
rumble of far-away thunder,

a cricket sings in his cage,
and in ancient Chinese wisdom
his song echoes rhythms
of nuptial bliss;

ghosts,
weave
in and out
of a lightening sky

I step into a shower,
water penetrates,
washes away
nocturnal pleasures;

the cricket sleeps.



MORNING LOVE



Morning love is sleepy, sweet,
sensuous, slow, soft,
silent.

The only sounds heard are
springs, sheets,
soothing sighs,

and by dawn's early light
bodies burst, bold and brilliant,
beginning a new day.



GILDA KREUTER






A new poet to these pages, enjoy this work by David Woods

The Awakening
 
Here I am, once again,
Frailty exposed to the impudent dawn;
Rude birdsong only offends unwilling ears
Soaking dew lies cold on the lawn
Devil-red sun serves to warm my fears.
 
Frozen in my empty bed
Body heat merely perfunctory to a friendless rest;
No lover's arms cocoon my mind's activity
I shudder in the sunlight
and endure the new day's bite
Beauty compliant with misery, forever wed.
 
God, that I should feel your breath on my cheek,
Slowly melting into my dejected skin
Your scent no longer tantalises on the neighbouring pillow
Who would think that freedom can become sin
and emptiness an intruder, unwanted bedfellow ?


David Woods







Wolves
 
Lone souls howl
against the backdrop of an Eternal Now,
They are sounds cloaked in cold autumnal shrouds
waiting . . .
for mourning to come and go.
 
We stalk wild
in self-imposed
sanctuaries
where not even an eagle
can eye the storm inside.
 
Leaders of sorry packs,
we find ourselves in solitude,
ever retreating into long shadows.
 
Guarded hearts,
wrapped in sharp barbs,
bleed mournfully
through each beat
tapping into the feral heat
of a wilderness wild
where only the kindred roam --
side by side, yet always
alone.

Valerie Noir






PATIO-PARTY XMAS    

The ultimate dream envisioned
by your childhood friend interpreted
in a mother’s extravaganzas: palms
and tiki torches illuminating the cut-
out Santa and his deer. Glittery
white froth sprayed like snow, like
organza dresses that make every
young girl beautiful.

Your own mother trimmed a gaunt tree
with old glass balls in red & blue.
She baked orange-peel bread
and bought one pound
of mixed nuts, one orange
per stocking. One special toy.
She never let on
Christmas was more

than a cold season, a few candles,
a long night and a star.


HOLLY FOR A GRANDMOTHER’S MIRROR

Narrow, gray-toned with a severe
scroll along the arched top
and leaves etched like a laurel crown
across the noncommittal face;
plain brass studs knuckled in
to hold front to back: it hangs
eye-level on its thin
twisted wire. Remember how she
tipped up on the toes of her old-
lady shoes to straighten her hat
and fix her outer smile.
Now you reach up to place
the wreath, to make festive
every aunt and nephew who looks
into the silvered face.


INTO THE NEW YEAR, DIVIDED

The news was never so bad:
the other half celebrating
its bonanza, our defeat; our worst
fears; the anchorman repeating
the results each half hour,
drilling disaster into deafened
ears. And then, confetti flying
as the clock ticks down.
The slogan of an echo:
choose. This is how we’ve come
to lose heart. At the next
table, someone keeps fiddling
with his shoes, undoing velcro
straps with a sound like rip-
ping good cloth apart. Our
country. The New Year.


COUNTING DOWN

I don’t want to hear the TV
celebrating with champagne,
or the turn of the cork
or the tick of the clock.

I want to go out under the night sky
and listen for a breeze in pines
and way far down the river mumbling
over stones, in voices

of people whose words never needed
a name for me to know them.
I want to listen for something
even more distant.

A message from way up there,
the rhythmic click
of planets in the cold,
or souls moving on

across the Milky Way.
A signal. Open the door.
That tick tick tick I hear
is Time.

Its pulse still running.


Taylor Graham





Carrying the Sword
by Len Bourret
(Copyright 2004)
 
Inspired by Maureen
Dowd's 'Slapping the
Other Cheek' (The
New York Times,
Copyright 2004)...
http://www.nytimes.com/2004/11/14/opinion/14dowd.html?oref=login&th
 
 
Do Not Let Yourself
Be Perished by the
Sword.
 
Love thy Neighbor,
Turn the Other Cheek,
Good Will Toward Men,
Blessed Be the Peacemakers,
Judge Not Lest You Be Judged.
 
Peace, Charity, and Tolerance
Vibes, and Not a Vengeful
Individual or Mob,
Not Revved Up by Rectitude,
and Running Around Bearing
Guns, Knives, Torches and
Hatchets,
Not Waging War Against
Heathens, and Pagans,
and Infidels.
 
Not Supporting the No-End-In-
Sight Atrocities War of Prejudice,
Discrimination, Oppression and.
Repression's Terror.
 
The Christian Prodigal, George
W. Bush, is Not Infallible and
Infiniturn.
 
Even a Prodigal is Quite Fallible,
and a U.S. Presidential Term
Lasts Only Four Short Years.
Although Time, to Man, Seems
to Be Infinitive and Quite Long.
 
Our Time is Precious, but Only
a Brief Reference in a Star's
Glittering, and Not So Glittering
Accounts, Rising and Falling in
History's Universe.
 
In a Universe, So Gigantic and
So Vast, All Common Men and
All Prodigals are but Significant
Infini-Zillion Seconds of Infinity's
Time.



Cinderella Man
Dreams
by Len Bourret
(Copyright 2004)
 
'Finding My Way',
the Ending Has
Changed.
 
Music by 'Rush'
(Copyright 2004)...
'Official' Band Site:
 
 
Sky Dancing
in Available
Light,
After Image
of an Alien
Shore,
Before and
After,
Beneath
the Sun and
the Moon,
and Beyond.
Bravado.
Count Down,
Cut to the
Chase,
Distant Early
Warning,
Dreamline
Driven,
Emotion
Detector,
Entre' Nous,
Getting My
Glory,
Finding My
Way,
Doing the
Best I can,
Chemistry, to
Hemispheres.
Climbing via
Jacob's Ladder,
Finding Limelight,
and Losing It.
Time and Motion,
Time Stands Still,
Vital Signs,
Xanadu.
Fly by Night,
on a Stairway
to the Stars,
in a Twilight
Zone of Tears
and Territories,
to Red Sector A.
Mystic Rhythm,
Spirit Radio,
on a Witch Hunt,
with the Camera
Eye.
Rivendall,
Red Barchetta,
Red Leses,
Anthem,
in the Bluest of
States,
a Marathon,
on a Mission,
Finding My
Way,
to experiencing
Cinderella Man
Dreams.

Hear, as Well as Read 'The Promise', by Len Bourret
(Copyright 2004), in 'Dreams Alive Magazine'...Click
On the 'Hand' Image...

The image “http://www.lenbourret.com/images/hand_of_god.jpg” cannot be displayed, because it contains errors.





ADVENT

The wind
Blows cold from out
The north and days grow short
And nights grow long and hope is born
Again.

---------------------



HOUSEPLANTS

Looking
Out the window
At the howling snowstorm,
Only one thing is staying green:
The Jade.

------------------



CHRISTMAS SHOPPING

People
All about me
Rushing, pushing, jostling;
In the midst of the throng, I am
Lonely.

---------------------




white smoke
pouring out of chimneys
this cold winter day
I turn up the thermostat
and forget about fossil fuels

--------------------



my old dog
is snoring contentedly
this early morning
I am up long before the dawn
the week is heavy on my mind
CW Hawes


C W Hawes is a bureaucrat by day and a poet by night. He regards as his Muses Shelley, Whitman, Basho, Issa,
Ishikawa Takuboku, the Imagists, and Millay. His favorite living poet is Wendell Berry. He has had more than 250 poems
 published in print and online in the USA, Canada, Phillipines, and the UK since 2002; over half of which have been in his
favorite form, tanka. He was chosen to be the featured poet twice on PoeticVoices; was guest editor of a Japanese-form
issue of The MAG,which appeared Summer 2004; and was a winner in the 2004 Tanka Splendor contest. He lives in the
mid-western USA with his wife, daughter, dog, and cat.





Farewell to Autumn

Again the Autumn leaves us.

What for to shout: " the Trouble! Misfortune! "

We shall not accuse a wind,

Which has torn off all leaves.

Autumn go away imperceptibly,

As the wife who any more does not like:

She only, will nod affably,

And from a rain, as from vine

We are already drunk.

Leaves fly from trees, as birds.

We want to sing and love,

And to take a shawl from a laughing blizzard,

That To put on it on the frozen linden.


Dina Televitskaya

ArtWorks


I received some art work from Bremandy Beal, I am pleased to present to you :



                                                            Beacon of Hope








Havana From the Castillo del Morro Touched by Faith



Bremandy Beal is a visual artist whose specialty is oil painting. In addition to her commissioned work, Bremandy helps children discover art by teaching weekly classes. She currently resides in Akron, Ohio.


Book Release News


Book Releases!


Michael Paul Ladanyi's chapbooks Art of the Dog and Simple Truths and Coughing Things (co-written with Patricia Gomes) are being released now through Little Poem Press, http://www.celaine.com/LittlePoemPress/
 
(Paypal account buttons will be up on the following pages within days. To pre-order these chapbooks, please go here:)
http://www.celaine.com/LittlePoemPress/pay.html
 
Art of the Dog:
http://www.celaine.com/LittlePoemPress/ladanyi2.html   $6 per copy, $3 PDF. Paypal, check, money order.
 
Simple Truths and Coughing Things:
http://www.celaine.com/LittlePoemPress/ladanyi_gomes.html  $6 per copy, $3 PDF. Paypal, check, money order
 
Also available by Michael Paul Ladanyi through Little Poem Press is his chapbook Chicken Bones: Visit here to order:
http://www.celaine.com/LittlePoemPress/ladanyi.html   $6 per copy, $3 PDF. Paypal, check, money order.
 
Sun Rising Poetry Press, http://www.sun-rising-poetry.com/ would like to announce the release of Michael Paul Ladanyi's full poetry collection (72 poems), Humming Riddles in Naked Seasons. ISBN 0-9755955-0-4. $16 per copy. This collection is available through most major online retailers, and can be ordered directly through the publisher by going here: http://www.sun-rising-books.com/humming_riddles_in_naked_seasons_1.html  Paypal, check, money order, Visa, MasterCard.

Also just being released through Sun Rising Poetry Press, is Michael Paul Ladanyi's chapbook All Your Picasso Trees. $6.50 per copy. Please visit the publisher here to order:
http://sun-rising-books.com/all_your_piccaso_trees.html  Paypal, check, money order, Visa, MasterCard.

***To read reviews and poems from all of these books, please visit Michael Paul Ladanyi's personal site: http://www.geocities.com/michael_paul_ladanyi/

Michael Paul Ladanyi is a two-time 2004 Pushcart Nominee. His poetry, reviews and interviews have appeared in hundreds of print and online journals in the US and abroad. He is the author of the poetry collection Humming Riddles in Naked Seasons, Sun Rising Books 2004. He is also the author of the chapbooks Palm Shadows, Purple Rose Publications 2002, Spelling Crows of Winter, Pudding House Publications 2003, Chicken Bones, Little Poem Press 2004, All Your Picasso Trees, Sun Rising Books 2004, Art of the Dog, Little Poem Press 2004, Simple Truths and Coughing Things, Little Poem Press 2004, co-written with the poet and author Patricia Gomes and the poetry and visual art chapbook, Beautifully Thin Oneonta Moon, Little Poem Press coming late 2004, and co-written with Donna Kuhn.

Michael has just completed work on his poetry collection Raindogs in the Sun. He is the founder, publisher and editor of the online poetry magazine Adagio Verse Quarterly, http://www.geocities.com/adagioversequarterly/Adagio_Verse_Quarterly.html and served on the editorial boards of the magazines Rustlings of the Wind and Write-away-poetry! for over a year each. Additional information about Michael Paul Ladanyi can be found in his website, http://www.geocities.com/michael_paul_ladanyi/

(If you have a new book, books or literary and creative work release, send me an email and I'll include it in future issues- paul)


Concluding Words

    Upcoming events in the magazine;  it was suggested to me that I develop a "Tea" theme, after all we have done a "Coffee" theme and it's only fair to include this drink.  I do enjoy a good cup of tea, with milk of course.  If you've seen the movie "The Great Escape" there is the one scene where Don Pleasance character is talking to  "Jim  Rockford" and tells him "tea without milk is so uncivilized".  While we view coffee as a necessary drug to get us going and also to keep the creative juices flowing, tea reminds us of the need to stop and enjoy life.  It is the drink of pleasant company.  It is the drink one associates with proper company and politie discussions, of debate in the genteel manner.  While coffeehouses were often closed down by authoriites as being the place of sedition and revolution, it is the tea salon that the real discussion of revolution takes place.  Certinly it could be recorded that the watercress sandwich has witnessed the start of more revolutions then any other food product.
    That's January, then February, it's time to look up and consider the glory of the heavens.  Where I live we've had some interesting night displays;  we had the lunar eclipse and then a rare northern lights display.  This got me thinking, perhaps an issue whcih features the heaven, stars, planets as the theme would be invited.  So get the creative juices going and I'll look forward to reading your work.

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