Welcome to the first issue of 2003.  Yes I know it's the first issue in quite a few months and some of you may have wondered if "Above Ground Testing" was over for good.  I  wondered that myself, and I'm glad to say that there is a new sense of vigour within these fingers and I'm ready to start typing and getting this thing off the ground.
    You may be wondering what happened, well, what did happen?  Let's see, in August some of my children, actually now grown young adults left the home for university, so this meant doing a great deal of travelling.  Then September rolled around and the anniversary of 9-11.  I was dealing with some flashbacks and avoiding the whole thing.  There was some good, I was able to attend a conference on Disaster Planning, which was a bit of a celebration for a job well done.  It was good and I did bring back a lot of free stuff and a lot of pens.  It that wasn't all, there was a bit of bad health that took care of about three months of my life.  Not serious, just enough to make life a bit miserable for the time.  It wasn't life threatening or anything, just an annoying ailment, which finally did clear up early this month.  There, you have my tale of woe and excuses but this is 2003 2K3 another year of the future and here we all are.  There has been a bit of poetry in my mailbox and I'm going to post it for you. There's not going to be a lot else.  I number of people sent me short stories and essays, I hope you don't mind if I wait until March or April to post them.  I've got a few ideas for upcoming issues which I think you may find interesting.
    I'm still looking for artwork, photographs and other expressions of your artistic talent.  Please do share, I'll be giving you the address at the end of this issue.

Poetry

    This is still a poetry journal and here's some work for you to read and enjoy.


It devours me from left to right
Spread out on the width of my wings
 and I find fear in not being able to fly
And joy for the new found flight of being
 on my feet
Both condescending and really deep
A need for flirtation when involving
 both depth and reality
A collage about the walls
and who is God ;bounces inside opinion
Religion
takes form in what some believe but
never seen or really reached to endure
 and I am neither committed or too far gone
Just in the middle spiritually
and I hope that its hunger keeps
 a craving
forever for me
Cause without it I'd had never
known what it means to be living

Desmond
Copyright 2002 All rights Reserved
 

 LETTING GO
 
 Against the black backdrop I stand.
 They are breaking through, destroying
 this which I've tried to defend.

Why pretend the End is not coming
  when I can hear the vicious words ripping
 away at the last defenses?
Breaching one wall after another
I watch, removed, as my castle falls
to their hands.  Stones rain down on the unwary;
 from the clouds, foundations fall like hail.
I've been here before.
This lost,
 this confused,
this . . . Sorrow.
 
 The Nothing is almost a comfort now,
 a familiar friend before the end whispering
 in shadow tongues not to worry, not to cry
for when the peace of dark night
claims the last of my hold,
 I will let go
and in that instant
 be reborn.
 
  Valerie Schwader
 Have your work published for free: http://www.cjacks.com/cjacks/

The Exhibition
 
In the midst of the brackish crowd filled
with faceless figures stands the accused,
her sorrow reflected in her drab blue dress
and empty eyes. Her wings, now filthy gray and molted,
shout that her decay is underway and her once glimmering
scales have started to fall away.
 
Her vacuous stare is a testament; she has drawn inward,
cowering in that place where she can survive the misunderstanding
glances pelting her like jagged stones hurled
as fast as accusation and just as hard.
 
 “Give me the strength to die this day,”
she silently prays, stealing a look here and there, searching
for the one who could grace her one last time
 with a kind knowing smile,
 telling her she has done no wrong to warrant
 the inevitable outcome of this mass judgment, predefined.
 
Head down, bowed seemingly by defeat, she remains
before the eyes that scrutinize, tear at her with claws
sharper than knives.  It is the sadness, though, that burdens
her more than fear. This melancholy she emanates
 is not the kind that is resplendent with tears,
but rather is more like the bitter rain that falls
from betrayal.
 
Lost in thought, she barely notes the pain as it begins.
 
 She is now far away, watching them cut
a bite -
a stab -
a gash -
 until there is nothing left.
 
Once it is clear there is nothing left to kill, the frenzy dies and the fanatic,
frantic faces disperse and disappear into the night hot on the trail of yet
another target.
 
Alone now, her pitiful remains lay on the ground
as the earth cries crimson.  Her gown is scattered in shreds
as feathers and scales intermingle in a garish collage of death.
When all is quiet and the moon sheds its shards of sorrow,
 A figure emerges from the darkness to claim the remains.
 
This is the one who tried to stop the pain;
This is the one who tried to save the accused,
But one voice is never enough when the lust for blood
under the guise of noble motives drives the sane insane.

 He had been pushed back from the frantic chaos
and could not provide the strength to give her back
Her wings to fly away or the fin to swim to the fathomless depths
 she knew in her youth.
 
He kneels before the bloodied remains,
and cries out to the sky, yearning for his lost
love.  His tears bathe her mangled face,
and the death pallor stares back with understanding
and a warning:
 
 there is another who is betrayed -
and this will make it three:
 the dargen
 the muse,
and the artist,
she who receives the creativity.

Before the night is done all will be lost.
 
 What the masses have destroyed is larger than they know,
 larger than they care to comprehend.  In the grander scheme of matters
  one multi-faceted life sacrificed for many is always the best course of action.
 
 - Dargenhara (2002)
 

HER SHADOW
 
I gaze at the impenetrable darkness
Of her shadow,
I gaze at the opaqueness.
The twists
Of her shadow
Speaks more truth than her voice.
 
I keep watching her shadow,
Its tremulous darkness.
Her shadow is a black, quivering mirror.
Sometimes, her shadow
Is the shape of a black bird,
Sometimes the shape of a black fire.
Often,  the shadow is the shape of a black iceberg.
But the shadow
Speaks more truth
Than the gold cross
That hangs on the freckled pale skin between her breasts.
 
When I hold her,
I hold the lie, her body.
I never hold the truth,
Her shadow.
 

A RETURN TO MY
ONE-LEGGED LOVER,
THE WINE GLASS
 
This rainy night as I sit
In this worn-out chair
Listening to the leak in my roof,
I hold my one-legged lover, the wine glass,
And kiss her body.
I thought I would have liked
To live in the Age of Shelley
When poets could faint, fall, and weep.
I would weep
Because I’m kissing a liquid and glass,
Not a woman’s flesh.
Poets are not allowed
To faint, fall, and weep in our age
Of tepid and ignorant emotions.
My friend, the philosophy professor, said,
“If you want to be near a woman,
Get some twenty dollar bills,
And stick the money
In the rose, ruffled garter of a lap dancer.”
I tried to explain to the professor
That I was a Romantic,
But his being a postmodernist,
He did not know what a Romantic was.
He only replied, “You mean
You want to take opium
And travel to Xanadu. Well,
I tell you, crack and Tampa
Are much nearer.  And think
Of how many strip tease joints
There are in Tampa.”
I left this learned man,
For he could not understand my desires,
All I wanted was one woman
With whom I could have a deep love
That would enhance,
Enrich each others’ lives.
On this night, as I sit here
With my one-legged lover, the wine glass,
I turned to Nietzsche
And decided not
To follow herd mentality any longer.
So I pulled down all the curtains and wept.
I cried and cried.
 
THREE GLASSES OF WINE
 
Norris Benjamin, deracinated, alienated,
Feeling always alone, followed a couple
On their way to a picnic spot on a mountain ledge.
Feeling sorrow for Norris, the couple invited him.
The two planned to get married next week.
They held each other’s hands.
Norris walked apart and alone.
She sat down the sandwiches on the ledge.
He stuck a corkscrew in the top of Shiraz,
Poured out three glass of wine.
Norris walked over to the edge,
Shook his glass to watch the bubbles.
The girl thought Norris was going to jump
To a small ledge below, just large enough to hold his two feet.
She became excited, how daring, she thought.
She had always thought her future husband
Was too cautious and tepid.
She immediately felt the spark,
Feel intensely in love with Norris Benjamin.
She ran towards Norris, to embrace,
And announce the wedding was off,
For she had found an adventurous man
She could really love.
She was so passionate in her running
To Norris that she slipped off the ledge.
She fell 1;000 feet to jagged rock.
The future husband ran over.
He could not live without his beloved, jumped.
Norris Benjamin, who in a few years
Would become a famous postmodernist philosopher,
Who disdained logo-centrism and binary opposites,
Loved aporias and decentering.
 

Could not understand what happened,
So he sat down on the ledge,
Finished his glass of wine,
And drank the other two glasses.
 

MY SCHOOLDAYS
 
My teacher, a chubby Polish blonde, with a Bengal tiger
Tattooed under her ankle on the left leg said to me
When I was on a bench far away from everyone else
And reading a book, “No one will ever speak to you again.”
 
I was very puzzled by her cryptic statement.
It happened without any cause. I thought.
Perhaps she mistook me for someone else.
This was first year at the school, I had not spoken to anyone.
 
I kept wondering why this peculiar teacher said this to me,
“No one will speak to you now.”
All I knew is that I had been one year at the school,
And no one had ever spoken to me.
 
AT THE WEDDING’S DINNER PARTY
 
On the napkin folded inside the tall champagne glass
Sat in front of me on a lavender table cloth,
I saw a blue shadow in the shape of a swirl.
 
I said, “Blue shadow, I love you,”
Much to my surprise, the shadow stuck out
A blue finger and touched my cheek.
 
I was asked if I wanted champagne,
Yes, I wanted it very much.  I wanted
More to feel the touch of the blue shadow.
 
So I answered, “No thank you, no champagne.”
 
 
Duane Locke
2716 Jefferson Street
Tampa, FL 33602-16200
 
E-mail: duanelocke@netzero.net
 
 
 
[BIOGRAPHICAL NOTE: Duane Locke, Doctor of Philosophy in English Renaissance literature, Professor Emeritus of the Humanities, was Poet in Residence at the University of  Tampa for over 20 years.  Has had over 2,000 of his own poems published in over 500 print magazines such as American Poetry Review, Nation, Literary Quarterly, Black Moon, and Bitter Oleander.  Is author of 14 print books of poems, the latest print book is WATCHING WISTERIA ( to order write Vida Publishing, P.O. Box 12665, Lake, Park, FL. 33405-0665, or Amazon or Barnes and Noble).  Since September 1999, he became a cyber poet and started submitting on-line, and since September 1999 he has added to his over 2,000 print acceptances with 2,461 acceptances by e zines. 539 more to reach having over 5,000 poems published.
 
Recently,  Two E books published  February 2002.:
 
THE SQUID’S DARK INK, published by Ze  Books, http.//www.blquanbeck.com.zebooks.  Inquire: NOVLNymph@aol.com, or Ward708@aol.com.
 
FROM A TINY ROOM, published in Spain by OTO’S  E-BOOKs,  http.//atotos.gksdesign.com/ebooks/locke?index.htm. Inquire: guiam@wol.es.
 
Forthcoming in April, 2002,the third E Book from 4*9*1, URL: 491.20m.com, The DEATH OF DAPHNE containing  50 poems never before published.  Inquire: Stompdcr@aol.com.
 
 
 
 
 
He is also a painter.  Recently had exhibitions at Thomas Center Galleries (Gainesville, FL) and Tyson Trading Company (Micanopy, FL)  and a one-man show at Pyramid Galleries (Tampa, FL)
 
Also, a photographer, has had 168 of his photos selected for appearance in e zines.  He photographs trash in alleys.  Moves in close to find beauty in what people have thrown away.
 
He now lives alone in a two-story decaying house in the sunny Tampa slums.  He lives isolated and estranged as an alien, not understanding the customs, the costumes, the language (some form of postmodern English) of his neighbors. The egregious ugliness
Of his neighborhood has recently been mitigated by the esthetic efforts of the police force who put bright orange and yellow posters on the posts to advertise the location is a shopping mall for drugs. His alley is the dumping ground for stolen cars.  One advantage
Of  living in this neighborhood, if your car is stolen, you can step out in the back and pick it up.  Also, the burglars are afraid to come in on account of the muggers.
 
His recreational activities are drinking wine, listening to old operas, and reading postmodern philosophy.]
 
Announcing:  THREE NEW BOOKS OF POEMS By
                                                                                     Duane Locke
[Duane Locke has renounced print publication to publish electronically.  Duane Locke
has over 4,000 poems published, over 2,000 in print publications, American Poetry Review, etc. and since September 1999, over 2,000 in e zines.]
 
Published in February, 2OO2, E book:
                                             THE SQUID’S BLACK INK,
Published by Ze books (the publisher of  poetry
For only 69 cents per book)  Contact: http.//www.blquanbeck.com.zebooks. Inquire:
NOVLNymph@aol,com  or Ward708@aol.com .
 
Published in February, 2002, E Book: 
                                             FROM A TINY ROOM,
Published in Spain by OTO’ S E-BOOKS, http.//atotos.gksdesign.com/ebooks/locke  or http://atotos.gksdesign.com/ebooks/buy1.htm  or  http://www.atotos-ebooks.com  Inquire: guiam@wol.es.
Price: 5.60 Euros.
 
3, Forthcoming in April, 2002, E book:
                                              THE DEATH OF DAPHNE,
Contains 50 poems never published before.  To be published by 4*9*1, URL: 491.20m.com.  Inquire: Stompdcr@aol.com,  Price $5.
 
Order the above through the internet.
 
[Duane Locke’s 14th  print book is still in print,  WATCHING WISTERIA. Order from Vida Publishing via iod@ironoverload.org. Or order from Amazon, Barnes and Noble, and many others.  Paperback, $9.95; Hardcover, $19.95]
 

“The function of the poet is to transform the language of lies spoken by the people into a language of truth, which is always mystic, mysterious, inexplicable, and exciting”----Duane Locke
 
For Your Interest:

    I'm listening to a very interesting dub poet who goes by the name  of   FAADA.  I invite you to take the time to learn of his work and to listen.  Visit his website and enjoy.
    If you are a band or a musician and you want your work reviewed, send me an email and we can discuss things.


CLOSING WORDS

    Well, my words are few, but it's good to get back to the work.  Next month is February the annual Romance issue will be out and if you have any love sonnets or poems, just send them to the address:
pabear_7@yahoo.com