BLONDIE
Blondie was the most commercially successful band to emerge from
the much vaunted punk/new wave movement of the late '70s. The
group was formed in New York City in August 1974 by singer Deborah
Harry (b. July 1, 1945, Miami), formerly of Wind in the Willows,
and guitarist Chris Stein (b. Jan. 5, 1950, Brooklyn) out of the
remnants of Harry's previous group, the Stilettos. The lineup
fluctuated over the next year. Drummer Clement Burke (b. Nov.
24, 1955, New York) joined in May 1975. Bassist Gary Valentine
joined in August. In October, keyboard player James Destri (b.
Apr. 13, 1954) joined, to complete the initial permanent lineup.
They released their first album, Blondie, on Private Stock Records
in December 1976. In July 1977, Valentine was replaced by Frank
Infante.
In August, Chrysalis Records bought their contract from Private
Stock and in October reissued Blondie and released the second
album, Plastic Letters. Blondie expanded to a sextet in November
with the addition of bassist Nigel Harrison (born Princes Risborough,
Buckinghamshire, England), as Infante switched to guitar. Blondie
broke commercially in the U.K. in March 1978, when their cover
of Randy and the Rainbows' 1963 hit "Denise," renamed
"Denis," became a Top Ten hit, as did Plastic Letters,
followed by a second U.K. Top Ten, "(I'm Always Touched by
Your) Presence, Dear."
Blondie turned to U.K. producer/songwriter Mike Chapman for their
third album, Parallel Lines, which was released in September 1978
and eventually broke them worldwide. "Picture This"
became a U.K. Top 40 hit, and "Hanging on the Telephone"
made the U.K. Top Ten, but it was the album's third single, the
disco-influenced "Heart of Glass," that took Blondie
to #1 in both the U.K. and the U.S. "Sunday Girl" hit
#1 in the U.K. in May, and "One Way or Another" hit
the U.S. Top 40 in August. Blondie followed with their fourth
album, Eat to the Beat, in October. Its first single, "Dreaming,"
went Top Ten in the U.K., Top 40 in the U.S. The second U.K. single,
"Union City Blue," went Top 40. In March 1980, the third
U.K. single from Eat to the Beat, "Atomic," became the
group's third British #1. (It later made the U.S. Top 40.)
Meanwhile, Harry was collaborating with German disco producer
Giorgio Moroder on "Call Me," the theme from the movie
American Gigolo. It became Blondie's second transatlantic chart
topper. Blondie's fifth album, Autoamerican, was released in November
1980, and its first single was the reggaeish tune "The Tide
Is High," which went to #1 in the U.S. and U.K. The second
single was the rap-oriented "Rapture," which topped
the U.S. pop charts and went Top Ten in the U.K. But the band's
eclectic style reflected a diminished participation by its members
-- Infante sued, charging that he wasn't being used on the records,
though he settled and stayed in the lineup. But in 1981, the members
of Blondie worked on individual projects, notably Harry's gold-selling
solo album, KooKoo. The Best of Blondie was released in the fall
of the year.
The Hunter, Blondie's sixth and last new album, was released in
July 1982, preceded by the single "Island of Lost Souls,"
a Top 40 hit in the U.S. and U.K. "War Child" also became
a Top 40 hit in the U.K., but The Hunter was a commercial disappointment.
At the same time, Stein became seriously ill with the genetic
disease pemphigus. As a result, Blondie broke up in October 1982,
with Deborah Harry launching a part-time solo career while caring
for Stein, who eventually recovered.
In 1998, the original line-up of Harry, Stein, Destri and Burke
reunited to tour Europe, their first series of dates in 16 years;
a new LP, No Exit, followed early the next year.