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Uncle Tupelo: True to Life



The Essential The Rest
No Depression
Still Feel Gone
March 16-20, 1992

Anodyne


The Essential

No Depression (1990, Rockville 6050-2)

With their first LP, No Depression, Uncle Tupelo paint a grim portrait of American life, ingeniously allying the rehearsed discontent of country music with that of punk rock. Sounding wise beyond their years, Farrar and Tweedy condemn the life of of desolation and toil while damning the vices that cause it: alcohol, idleness and poverty.

Appropriately enough, the music is always extreme -- either dirge-like or unabashedly noisy -- as the subject matter for every song is meloncholic. Whether approaching songwriting with a dipsomanaical thirst or with a defeatist's sense of reality, Uncle Tupelo never falter in their delivery of the prototypical alternative-country album.

HIGHLIGHTS: The agonizingly down-trodden Farrar compositions "Before I Break," "Whiskey Bottle," "Factory Belt," Life Worth Livin'," "Graveyard Shift," "Outdone" and "No Depression," a cover of the Carter Family classic. Tweedy's "That Year" and "Train."

LOWLIGHTS: The album's strongest material is definately at the beginning, leaving the weaker, but not throwaway, tracks at the end.

GRADE: A


Still Feel Gone (1991, Rockville 6070-2)

Still Feel Gone represents the best and most diverse Uncle Tupelo effort. Edgier, cleaner, and more consistent than No Depression, the album features seven excellent songs by a fully matured songwriter in Jay Farrar, while bandmate Jeff Tweedy's contributions have grown by leaps and bounds. No longer just the bass player and occasional vocalist, Tweedy augments the Uncle Tupelo canon with six solid tracks.

Once again, the band's strength lies in its schizophrenic integration of seemingly opposite musical styles: country and punk. The results vary, but the amazingly even songwriting carries the album through the weak spots.

HIGHLIGHTS: The country/folk-inspired "Looking for a Way Out," "True to Life" and "Still be Around" by Farrar, and "Watch Me Fall" by Tweedy. Farrar's assertive rockers "Postcard" and "Punch Drunk." Tweedy's hook-happy "Gun," "Nothing" and "D. Boon," a tribute to the late singer/guitarist of the Minutemen.

LOWLIGHTS: Compared to the intensity of the rest of the album, the closers "Discarded" (Farrar) and "If That's Alright" (Tweedy) are a bit weak.

GRADE: A


March 16-20, 1992 (1992, Rockville 6090-2)



Recorded in Peter Buck's Atlanta studio in, well, March 1992, March 16-20, 1992 finds Uncle Tupelo abandoning all electric instrumentation in favor of acoustic and steel guitars. (In fact, most tracks don't even feature drums.) The Rest

Anodyne (1993, Sire 9 45424-2)



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All Uncle Tupelo album reviews by Matthew Eddy 3/99