[lil wayne]what, wha, wha, wha, wha, what, wha, wha, wha, wha cash mo-ney millionairs so take it there_[juvenile] yellow viper, yellow hummer, yellow benz, yellow pt cruiser, yellow 'lac on rims, drop yellow 'Vette and a platinum rolls royce that's seven different cars, everyday I got a choice on my way to pick up joyce, she be makin me moist givin me head while she hummin, she can play with her voice And she got nice thighs, a big plump ass she could ride a dick too, make me come fast i like them modelin bitches, I love them swallowin bitches where them hoes, there they at, i'm 'bout to follow them bitches (let's go) i know you with your folks, but that nigga is broke you might as well open your legs up and let a nigga poke i'm a show you what it is not to be a window shopper mama you can have fifty, mama you can have platinum all you gotta do is break a nigga off proper you could be with your man, I ain't tryna stop ya_ [chorus-baby] (shine), from my head down to my shoes (shine), skiiiiirtin on twenty-two's (shine), check my baby mama(shine), whip rover's not honda's (shine), i'm a spend it 'til it's gone (shine), don't know when i'm comin home (shine), pop x and drank cris' (shine), my life is the shit_[lil' wayne] it be me, fire wayne, ice and change you can catch me in an acqua Range, squattin things with them twenty-two inch chopper blades diamond face, diamond brace more colors than the game Simon Says go, 'hind me and mami on forty-fifth she told me "i'm a last" but she ain't like to much of this but get to bobbin it's head, and so I took it anyway but bitch i got family get your pussy anyway ok, let's talk about this ice that I'm carryin all these karats like i'm a fuckin vegetarian niggas play, I bury them, y'all already knowin i threw up my arm and bitches thought it started snowin see i'm a keep it goin, big tymin, you heard's me? dog i got cake like everyday my birthday wait, don't think they heard me i say dog i got cake like everyday my birthday_[chorus-baby] (shine), from my head down to my shoes (shine), skiiiiirtin on twenty-two's (shine), check my baby mama(shine), whip rover's not honda's (shine), i'm a spend it 'til it's gone (shine), don't know when i'm comin home (shine), pop x and drank cris' (shine), my life is the shit_[b.g.] i'm a hot boy, that's name brand and top of the line ride fly daily, all year 'round i shine ain't a nigga and they mama gonna stop me dog come through on dub-dueces, they jock me dog glock cocked for haters tryna block me dog catch 'em so low, they geezy, don't shock me dog well get the fuck, slide on out the way And let B.G. ease down the shinin linen let the diamonds and the jewelry light shit up each piece of jewelry I own, I ice it up you don't wanna put your vehicle next to us 'cause all of our vehicles, we dress 'em up with television, dreamcast, dvds nice sounds, buttons, it's twenties i'm a cash money hot big tymer nigga that'll hold a pinky finger up and blind ya nigga_ [chorus-baby](shine), from my head down to my shoes (shine), skiiiiirtin on twenty-two's (shine), check my baby mama(shine), whip rover's not honda's (shine), i'm a spend it 'til it's gone (shine), don't know when i'm comin home (shine), pop x and drank cris' (shine), my life is the shit_[turk] i'm a stunt 'til i die, so you better respect it 'cause whoever try testin is gonna be restin i'm a young millionaire, Hot Boy, Lil' Turk bling blingin everyday, plus i got work (bling) nigga like me stay in the cut twenty-four/seven steady stackin my ends on dubs, twenty-four/seven every car you wish you had, we got it, we got it bentleys, hummers and Jags, big bodies, big bodies love to floss, no secret stun'ner's niggas steady baller block, can't take nothin from us young nigga, livin a life surrounded by ice hoes be like, "damn, them boys, they're nothin nice" they on fire, that must be them hot boys you muthafuckin right, you think this not girl? better think twice, get it right dog know you recognize, we got it on lock for all_[chorus-baby](shine), from my head down to my shoes (shine), skiiiiirtin on twenty-two's (shine), check my baby mama(shine), whip rover's not honda's (shine), i'm a spend it 'til it's gone (shine), don't know when i'm comin home (shine), pop x and drank cris' (shine), my life is the shit

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There's no question about it. The Bayou is the birthplace of the new hip-hop. Rap for the next millennium. And now Blaxuede (pronounced Black Suede) comes out of New Orleans spitting lyrics so hard they'll verbally slay any contender, a flow so smooth it lulls a baby to sleep, and beats so tight they make an Expedition hop. Blaxuede's self-titled debut album IN STORES DECEMBER 14TH, on Avatar Records, showcases a style that will make even rap veterans sweat.

"Bring Da Pain" is the first single of the LP's 17 cuts to hit the streets. Featuring Lil' Wayne and Young Turk of the hit-making Hot Boys, "Bring Da Pain" puts all fake MCs on alert. Blaxuede rhymes: "Now I Done Warned You/ Not to Battle Me/I Leave More Casualties Than the Dolla Bills in Your Salary...Ain't No Stoppin' The Black."

Produced by Infamous and executive produced by Ray Vincent, Blaxuede, will appeal to hip-hop fans beyond the South. "I have songs for the East, West, Midwest, North and South. I want my album to reach everyone," says Blaxuede. Track after track, Blaxuede, spans regional tastes. B.G., also of the Hot Boys, hooks up with Blaxuede on the defiant "Don't F**K Wit Us." "I liked what I had heard from the Hot Boys and thought it would be great to work together," says Blaxuede.

Blaxuede slows down the pace with "Da Sheetz." Utilizing the Isley Brothers' classic, Blaxuede romances his girl on the track. The cut's more about love than lust, a novel sentiment in contemporary rap. "I don't go around calling women bitches and hoes," says Blaxuede. "I don't talk like that in real life, why should I on records? That's not how I was raised." Of course, Blaxuede had to include a shout out to his hometown. "N.O. Be Da City" flows with full Southern flavor while "Dreaming" takes you on a jazzy, surreal journey. "Dey Don't Kno" warns fans and critics to sleep no longer on the "504" a.k.a. New Orleans.

Blaxuede's favorite track, however, is "The Only Lady." Following 2Pac's lead, "The Only Lady" is an ode to Blaxuede's mother. "She means the world to me," he says. While Blaxuede admires the success and style of Louisiana's other hip-hop movers-and-shakers, the No Limit and Cash Money clicks, he wants to make a distinction between his music and theirs. "I rap about different subjects. I can rhyme fast. I can rhyme slow. I can flow with anybody," he says.

Growing up, Blaxuede's household was filled with music. "Everyone in my family listened to the radio. We rarely watched TV," recalls Blaxuede, who counts Public Enemy as a major influence. "One day I was bored and I just started writing and fell in love with it." So the sixth grader started penning rhymes. By high school he began rapping and entering local talent shows. "I never lost one," says Blaxuede. Although Blaxuede was into sports, having played basketball and football in high school, rap was his main interest. He performed with several crews before going solo. Along the way, he picked up the tag Blaxuede, "because of my smooth delivery," says the tall, dark and handsome 21-year-old master of word-play.

His big break came while working at the Winn-Dixie grocery store where, between bagging, he'd battle his friend Ray Vincent. The two had goals of making it in the rap world. Vincent, now CEO of 504 Entertainment, executive produced the album and hooked Blaxuede up with Avatar Records. Their dreams would soon became a reality.

Now Blaxuede, whose friends call him "Suede" for short, is out to change the course of hip hop. "No one has stepped up to the plate to take rap to the next level. I'm going to be the one."

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