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01. SAY MAN
Say man!
What's that boy?
I want to tell you 'bout your girlfriend
What about my girl?
Well, you don't look strong enough to take the message
I'm strong enough
I might hurt your feelings
My feelings are already hurt by being here with you
Well, I was walking down the street with your girl the other day
Uh-huh...
And the wind was blowin' real hard
Is that right?
And the wind blew her hair into my face
Uh-huh...
You know what else happened?
What happened?
The wind blew her hair into her face
Yeah?
And we went a little further... you wanna hear the rest of it?
I might as well...
The wind blew her hair into the street!
Ok, since you told me about my girl, I'm gonna tell you about yours. I was walking down the street with your girl,
Yes?
I took her home, for a drink, you know,
Took her home?
Yeh, just for a drink,
Oh...
But that chick looked so ugly, she had to sneak up on the glass to get a drink of water!
You've got the nerve to call somebody ugly; why, you so ugly the stork that brought you in the world oughta be arrested!
That's alright; my momma didn't have to put a sheet on my head so sleep could slip up on me!
Look-a here!
What's that?
Where are you from?
South America
What's that?
South America
You don't look like no South American to me
I'm still from South America
What part?
South Texas.
Where are your western boots at?
I've got 'em on
Those aren't no boots you got on; those broguettes!
Hey, look-a here!
What's that?
I've bin tryin' to figure out what you is
I already figured out what YOU is!
What's that?
You that thing I throw peanuts at!
Look-a here!
What's that?
You should be ashamed of yourself
Why?
Calling people ugly
I didn't call you ugly
What'd you say?
I said you was ruined, that's all!
You know somethin'?
What?
You look like you've bin whooped with a ugly-stick!
(Hey! I ain't got nothin' to do with it, but I believe the fella's right...!)
(wrote by Ellas McDaniel 1959)
02. REEFER
reefer
i'm a slave to reefer
i must admit
once and for all
reefer
everyday some reefer
what did ya say
cab calloway?
jeepers
18 years of reefer
now you all know
why i'm so slow
reefer
'dicted to that reefer
what did you say?
against the law?
let's not sing about it, ok
let's not
let's not bring it up in public, ok?
hippie
i was born a hippie
what is the point
without a joint
crutches
everything it touches
diet of smoke
butt of the joke
here's a good excuse
i'm a victim of my generation
it's cool
it's cool
jeepers
where'd you get those peepers?
i'm not stoned now
be could i how?
mara wanna
reefer
guess i won't quit roofer
empty your glass
same as the grass
mara wanna
pity
shakin' off the sixties
burn out, that's me
no memory
people
people people people
button your lip
losing the clip
let's not sing about it, ok
let's not bring it up in public, ok?
it's cool
it's cool
©1986 r.stevie moore
03. A CLEVER COMBO
When all the calendars arrive
Make sure the messenger survives
Take cover opening your eyes
Here comes millennium surprise
And the world's half crazy
And the world's half lazy
That's not a clever combo, is it?
And the world's half stupid
And the world's half cupid
The politicomedian's center stage
New century's children come of age
The care for millions goes undone
Relax, let's watch the setting sun
And the world's half greedy
While the world's half needy
That's not a clever combo, is it?
And the world's made their mind up
And the world's got their mind down
Strange colour on the lamp tonight
Doesn't 'splain why the world's not bright
There's a corner of the Earth at peace
With the angel called Elyse
To protect me
When all the calendars arrive
Make sure the messenger survives
Take cover opening your eyes
Here comes millennium surprise
And the world's half crazy
And the world's half lazy
That's not a clever combo, is it?
And the world's half stupid
And the world's half cupid
©1999 breetveld
04. TECHNICAL DIFFICULTY
Hi there
Here I go again
with a recording session
in my bedroom head
But my equipment's failing
There's something wrong here
(listen to the noise and the fading highs
don't know what to do but to compromise)
There's something wrong here
with sound-on-sound
I am going to sing a little song to you
I know you'll like to hear it
But the quality of sound
is falling to the ground
It's the cheapest sound in town for sure
Oh no
Here I go again
Here comes another
Technical difficulty
I should erase the whole thing
There's something sad here
Help me
Here I go
Another composition
that should see the studio
Man this is a drag
Sit back and think while I light a fag
Send me to Jamaica in a plastic bag
Put me in a store with a high price tag
Goodbye
I'm gonna turn my stereo completely off
and I will never attempt to impress you again
Okay? Good. Don't be ridiculous.
©1978 r.stevie moore
05. BUT YOU LOVE ME, DADDY
Your five year old face is a dirty disgrace
(Son): But you love me Daddy
You scatter your toys and you make too much noise
(Son): But you love me Daddy
You know, little lad, you can be pretty bad
(Son): But you love me Daddy
You wake me at dawn when I want to sleep on
(Son): But you love me Daddy
Now you eat the cookies when I tell you no
(Son): But you love me Daddy, 'cause you tell me so
You're so hard to scold 'cause you're my five year old
(Son): And 'cause you love me Daddy
When I dress you up you go play with the pup
(Son): But you love me Daddy
When I use the phone you won't leave me alone
(Son): But you love me Daddy
You make sister wail pulling her pony tail
(Son): But you love me Daddy
You scratch up the floor and you write on the door
(Son): But you love me Daddy
You ask foolish questions, now you know that's true
(Son): But you love me Daddy, now you know you do!
You're so hard to scold 'cause you're my five year old
(Son): And 'cause you love me Daddy
©1959 Kathryn Twitty
06. CEASE ALL RELATIONSHIPS (Phlegm Soundtrack)
©1997 r.stevie moore
07. WHY AM I HERE?
Sometimes I feel like I don't belong
completely out of place
Like I'm from some other planet
or another time and space
Everybody in the world's
in on the joke except for me
I'm a stranger to myself
and even to my family
I must be from another land
somewhere far beyond the sea
It ain't nothing like New Jersey
but it's not unlike Tennessee
Where am I from?
Where should I be?
My purpose in this life
is still a mystery to me
Why am I here?
I sure don't know
If I knew where I was meant to be
that's right where I would go
If women are from Venus
I must be the man from Mars
The alien, no, not the one
who makes those candy bars
My baby she done left me
and I could not tell you why
Unless, of course, she thought
that it was time to say goodbye
I hope it won't be long
before I figure out my fate
Should I stay or should I go?
I just can't seem to get it straight
Where am I from?
Where should I be?
My purpose in this life
is still a mystery to me
Why am I here?
I sure don't know
If I knew where I was meant to be
that's right where I would go
There's got to be some reason
got to be some rhyme
Some purpose and some meaning
for this crazy life of mine
I wanna jump into a fast black car
and drive to I don't care
Just to leave behind this feeling
that I don't belong nowhere
Tell me what I have in common
with the petty bourgeoisie
Tell me that I'm not
some interplanetary refugee
Please tell me that you love me
that we stand on common ground
Please let me know somehow
that I should even be around
©2004 ferguson/anderson
08. ADULT TREE
Seeing you comma being me
How do you say shopping spree?
Let's entwine, ooh touch so divine
Just get me home by suppertime
Loving wife, canine pee
But your adult tree is growing on me
Growing on me
Just a lark, I believe it's just a spark
Good for my soul soul so so bad for my heart
Biding my time, hassling with frozen rhyme
You'll come around when you feel like mine
Is it alright tonight if we stay out of sight?
Is it alright tonight if we stay out of sight?
It'll turn out alright if we don't die of fright
Darling, forever we shall be
Until there's no more time for eternity
And that stormy day, as roses wilt
And the sunlight in your eyes has been...
How do you say...irreflected
The moment that it is shown that our souls could not,
Heaven forbid,
Coalesce...
And you show me that your total cooperation is exhausted:
Get the shit out of here
Now
©1974 r.stevie moore/billy anderson
09. TRADED MY HEART FOR YOUR PARTS
thighs and calves
wholes and halves
chins and grins
hips and lips
t m h f y p
calves and thighs
ears and eyes
toes and knees
all of these
traded my heart for your parts
traded my heart for your parts
neck and hair
blood and guts
arms and wrists
all of this
traded my heart for your parts
traded my heart for your parts
tongue and teeth
legs and cheeks
brows and nose
all of those
traded my heart for your parts
traded my heart for your parts
even exchange
©1993 r.stevie moore
10. I'VE BEGUN TO FALL IN LOVE (Midi-Bran Piano Roll)
©1975 r.stevie moore
11. YOU MUST BE OUT OF MY MIND
ANALYZE AND INTERPRET
EMPHASIZE WHEN CRITICIZING
INTERPRET THE CULPRIT
THE CULPRIT OF LINGO
ALTOIDS CHARLES LLOYD
PARDO
BORDEAUX POLICY
THAT'S NO FALLACY
MY HOMIES CALL ME SPEEDO
BUT MY REAL NAME IS MR. EARL
I AM TRULY SORRY
OBSTINATO BRONCO
YOU MUST BE OUTTA MY MIND
DSC00183.JPEG PUNGENT STENCH
UNEMPLOYED MUSICIANS UNION
LOCAL 257
FEDERAL CATASTROPHY SHOP
BAREFOOT 7
THAT'S BEEN THERE FOREVER
BY 'FOREVER' I MEAN: SUBMIT FORM
BY 'FOREVER' I MEAN:
QUITE A WHILE, A COUNTRY MILE
WEST NILE VIRUS AMONG US
IN SPITE OF US
BECAUSE OF US
LONG WAY HOME
ANALYZE AND COMPETMENTALIZE
VAPORIZE THE SANSCRIT HEATHKIT
TOWERING IN FERMO DE PASQUO
AWAY!
J-LOVE STANG GANGSTAR
WHERE DOES HE GET OFF?
JACK OFF
CHURCH OF GOD OF PROPHECY
VILLAGE IDIOT MY BROTHERMAN
AIN'T THIS SOMETHIN!
YOU BEAT ALL, YOU KNOW THAT?
I'LL SCRATCH YOUR HEAD
IF YOU'LL SCRATCH MINE
MULCH
KEEP OUT
Y'ALL KNOW WHAT?
Y'ALL KNOW WHATT??
C H I C K E N B U T T
YOU MUST BE OUT OF MY MIND
I CAN'T MAKE ONE GODDAMN SUGGESTION
WITHOUT SEEKING YER ALLKNOWING APPROVAL
GENERATOR SEZ:
TURN ON YOUR LOVELIGHT
RAY PRICE THAT'S NICE
CAFE PRESS MORE OR LESS
LESS IS MORE
SURVEY SEZ:
MEET AN INMATE
MYFIRSTBAND.COM
DADDY'S HOME
YOU'VE BEEN SELECTED
TO RECEIVE A
FREE SUCCESS PACK
NU YAWK SEX MUSEUM
A FEW PICSWAY A A IS
BIC VENTURI DORIGHT
JACK OFF
IT'S GETTING TO THE POINT
WHERE I'M NO FUN ANYMORE
RSTEVIEMOORE
I LOVE YOU BOBBY MARSTON
CAUSE IT WAS BOTHERIN' ME
CASTLESMAN'S HALF PINT
DUDLEY FIELD CLINIC BOWL
BULBOUS CALLOUS MALICE
MY CALORIE BURROUGHS MOORE
DUDLEY MOORE
DUDLEY DORIGHT
STEVIE MURDERED YOUR BASS
SHIT HAPPENS
EIGHT DOLLAR MULCH
BIONIC BARNEY BOOGER BREAKS
MARYLAND SNIPERS
WHAT ARE YOU DOING HERE?
DON'T TOUCH ANYTHING
YOU MUST BE OUT OF MY MIND
HYPNOTIZE AND INTERPRET:
"STANG IN THE HIZZIE
GETTIN' BUSY
GETTIN' DIZZY
RIDIN' 'ROUND TOWN
IN MY LOWRIDER TIN LIZZIE
STANGO CERRITO
NO HABLA ESPANOL
DON'T KNOW WHERE I GO
WITH MY AMIGOS
AMIGO CRAZY
AMIGO SILLY
HIS NAME'S NOT BILL
IT'S ACTUALLY BILLY
WHATEVER, STEVE
I GUESS I AIN'T WORTHY
LEAVE ME ALONE AND
GO BACK TO NEW JERSEY !
THAT'S RIGHT
WHYNCH YOU TAKE A PLANE OUT
BEFORE I GET THE STANG OUT
Y'KNOW WHAT I'M SAYIN'?
WORD."
ATTACK A RACK OF
CENTERPOINT BARBECUE RIBS
TIM ROSE BOWL
NEWBERRY'S
SHOTGUN!
RED?
SHOGUN INSTEAD
YOU AND YOUR BREAD
I LOVE YOU BOBBY WATRALL
"TODAY'S SUNDAY
TOMORROW I'M GOING HOME
I JUST WOKE UP
SO LEAVE ME ALONE."
GAWW!
CHERRY COLE SLAW
MICKEY NEWBERRY'S OLD
WHEN YOU TALK
I THINK MOST OF THE PEEPS
HEARING YOU
(CLINT!)
SCRATCH THEIR HEADS
TOASTED MARSHMALLOW BEETS
RAZORBACKS & DIAMONDBACKS
JACK OFF
HOW CAN U MEND A BROKEN HEART
BY SMOKING CIGARETTES AGAIN?
AWAY!
ANALYZE AND MISINTERPRET
NATASHA AND FERNANDO
A CLEVER COMBO
VANILLA BEAN
JUST LAYING THERE
THEY RUINED HIS HAIR
DEREK AND CLIVE STAYIN' ALIVE
CUTS LIKE A KNIFE
KITCHEN HOUSEWIFE
TAKE YOUR OWN LIFE
AWAY
I'LL GO TO THE STORE
WHAT R WE WAITIN' 4?
LOOK
NO ONE WANTS YOU
RIPPING OFF THEIR IMAGES
GILLIAN WELCH GRAPE JUICE FONDUE
THAT'S WHY I SAID IT'S NEVER DONE
HIT AND RUN
SIX OVERTIMES
WHERE THE BLACKTOP BENDS
BLENDS INTO THE MOST
BEAUTIFUL STITCH THREAD
TAPESTRY ODE
ECONOLINE BACKER CRACKER
ST. ARKANSAS
MY SOCIAL LIFE'S A DUD
MY NAME IS REALLY MUD
AND THAT AIN'T RIGHT
TECHNO FUCKIN' FRUITCAKE
CHARITY CARE
BOTCHED COLONOSCOPY PREP
PUSH EM BACK PUSH EM BACK
WAY BACK
MULCH
OVERT OBSERVATION
COVERT OPERATION
DON'T U REMEMBER U TOLD ME
U LOVED ME BAYBAY?
©2002 r.stevie moore
12. YOU AND ME
you and me at eleven o'clock
try to lengthen the time
cause i love you and i love you
and i really hate to go
but at least by now you know i'm your boy
you and me at eleven o'clock
listen to our last song
cause i love you and i love you
and i really hate to go
every day i love you more, lovely chicken
i wish that i could stay all the day
you and me at the curfew hour
i don't want you to cry
cause i love you and i'll miss you
cause i really hate to go
but at least by now you know i'm your boy
he's your boy
don't want to get you in trouble
oh no no
don't want to see you in shambles
standing up at eleven o'clock
wipe the tears from your eyes
cause i love you and i love you
and i really hate to go
cause i realize it so
you and me
©1975 r.stevie moore
13. JESSICA SANDWICH
RSM: Hey, where did we get that record from?
IC: Shut up! Just came in today, uh, TK didn't want me to let you have it. So he gave it to me, he didn't wanna let you see it.
FB: Huh? Say that again.
IC: Shut up!! Just came in today! TK didn't want me to let you see it!
JP: Plintiff! And give the little girl what she asks for.
RSM: And what, may I enquire, gives you the impression I'm a 'she'?
FB: He might've seen your quim!
IC: Terry? Do, do you like us?
TKF: I only like 'her' (points to RSM).
RSM: Hey, come on, you guys! How in the world could I have a voice like this if I were a girl? I mean, everytime it's like...
FB: Look, we cannot help but wonder when we see such a smooth genitalia!
JP: I always noticed it!
CB: Come here, honey! Let's see what honky tonk angels are *really* made of!
RSM: Cut it out!!
IC: Remember when I sported a beard?
FB: Rub it on her!
RSM: STOP IT! Just... Leave... Me... ALONE!!
IC: Now, this boota's really consistent, it reminds me of that Maxwells incident. Do you think anyone ever caught on to Burt Reynolds in the White House?
RSM: Hey, hands off my pants!! You crazy???? (pause) Look, I'll prove it to ya! (reveals manhood) See? Look at this THANG!
TKF: It's FAKE!
FB: Maaan, that turns me off!
RSM: Whadda you mean?
IC: Hold it, hold it! MCA Records is here! Everybody sing!
CB: 1-2-
ALL (in unison):
"She is a modern chickadee
With a hot dog and needle and thread
Fashion plate lady of all dreams
I am not amused, I am not refused service
But, then, yet...
Jessica Sandwich
Woe is me boota
West Caldwell."
©1983 boota theatre
14. SIGNAL
I want to know if you love me
I need a signal
I want to know if you need me
I want a signal
©1986 r.stevie moore
15. RECORDS
records are so much fun
records are second to none
records are the way i choose
to entertain myself
records are neat
sounding unbeatable
records look so good and yet
they take so little space
records are here
nothing there to erase
records make a man into
a world celebrity
records are good
records are right for me
records are so much fun
records are second to none
records are so much fun
records are second to none
play
hey, why's everybody watchin tv?
i got some records, people
very good
records are so much fun
records are second to none
records are so much fun
records are second to none
©1977 r.stevie moore
16. A WHITER SHADE OF PALE
We skipped the light fandango
turned cartwheels 'cross the floor
I was feeling kinda seasick
but the crowd called out for more
The room was humming harder
as the ceiling flew away
When we called out for another drink
the waiter brought a tray
And so it was that later
as the miller told his tale
That her face, at first just ghostly
turned a whiter shade of pale
She said, 'There is no reason
and the truth is plain to see.'
But I wandered through my poker game
and would not let her be be
one of sixteen vestal virgins
who were leaving for the coast
And although my eyes were open
they might have just as well've been closed
She said, 'I'm home on shore leave,'
though in truth we were at sea
So I took her by the looking glass
and forced her to agree
Saying, 'You must be the mermaid
who took Neptune for a ride.'
But she smiled at me so sadly
that my anger straightway died
If music be the food of love
then laughter is its queen
And likewise if behind is in front
then dirt, in truth, is clean
My mouth by then like cardboard
seemed to slip straight through my head
So we crash-dived straightway quickly
and attacked the ocean bed.
©1967 brooker/reid
17. GREASE THEME
we sit sleeping with our girls
and we'll start a fried chicken
joint we'll show minnie pearl &
colonel sanders
we can dishwash busboys who gives a
darn sack food for any a & p we'll
get money if we have to steal it
we can get a phony orchestration a
rock 'n rollin group we'll be the
best we can buy some drums & lectric
guitars we can learn some songs we
can we will have a good rock band
cause we will ask for cheerful
advice from all our pals at the
studios like kitty wells roy acuff
or even elvis presley or maybe
bill dees or even bobby moore now
wouldn't that be a treat for all us
boys?
but till we can get work and make
lots of bread we'll have to cut our
greasy hair then at least we'll make
the basketball team
don't you think it's cool to have a
crewcut or wearing buckle shoes with
white socks don't you ever wish you
were a baby eating gerber's baby
food in a crib all in the nude
and getting your diaper changed even
when it's full
very deliciously tasted campbell's
chicken soup 300 bucks spent but
wasted wish we had it back oh lost
my girlfriend oh this is the
end oh my corvair has four flat tires
©1968 r.stevie moore
18. PHILOSOPHY OF THE WORLD
Oh, the rich people want what the poor people's got
And the poor people want what the rich people's got
And the skinny people want what the fat people's got
And the fat people want what the skinny people's got
You can never please anybody in this world
The short people want what the tall people's got
And the tall people want what the short people's got
The little kids want what the big kid's got
And the big kids want what the little kid's got
You can never please anybody in this world
Oh, the girls with short hair want long hair
And the girls with long hair want short hair
Oh, the boys with cars want motorcycles
And the boys with motorcycles want cars
You can never please anybody in this world
It doesn't matter what you do
It doesn't matter what you say
There will always be
One who wants things the opposite way
It doesn't matter where you go
It doesn't matter who you see
There will always be
Someone who disagrees
We do our best
We try to please
But we're like the rest
Whenever at ease
Oh, the rich people want what the poor people's got
And the poor people want what the rich people's got
And the skinny people want what the fat people's got
And the fat people want what the skinny people's got
You can never please anybody in this world
©1969 dot wiggin
19. PRAYER PATHETIQUE
Our dear and precious Lord Jesus, let me praise thee for this genuine opportunity to speak with thee on this lovely Monday evening. Oh Christ, bless us with your love and your path towards everlasting life in thy wonderful kingdom above. (Here, Here!) Lord Jesus, please remember our blessed Reverend Miller. Please touch his body, dear Jesus, and make it welt, for he has lived thy heavenly creed for forty of his last forty years. And though his body is unsuitable for thy restoration, Lord bless his heart with thy inimitable care. Remember, dear Savior, your traditional forgiveness for our many sins, and cleanse our minds of any dreadful thoughts which may call to our minds' telephones. Sweet Jesus, don't let us answer. Watch over us, day and night, and lead us toward that castle of spiritual riches, that Divine Impresario, where thy guidance and love can awaiting on us all. In the Lord Jesus Christ's blessed name... let us not forget his progress in Gash Falls, Virginia either... AMEN.
©1972 r.stevie moore
[TT=71:30]
All compositions (except a couple) published exclusively by Spunky Monkey Music (ASCAP)
Dedicated to a hero, Bob Keeshan (RIP, 22-1-04)
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