Here is an alien photo from the alien crash in Roswell, New Mexico.
Here's the Dave Matthew's Band at one of their concerts.
If you want to here more 80's music, you can listen to the river 105.1 fm, from 12:00am to 1:00pm they play the best 80's music at lunch hour on weekdays !.
Our House- Madness
Father wears his Sunday best
Mother's tired she needs a rest
The kids are playing up downstairs
Sister's sighing in her sleep
Brother's got a date to keep
He can't hang around
Our house, in the middle of our street
Our house, in the middle of our ...
Our house it has a crowd
There's always something happening
And it's usually quite loud
Our mum she's so house-proud
Nothing ever slows her down
And a mess is not allowed
Our house, in the middle of our street
Our house, in the middle of our ...
Our house, in the middle of our street
Our house, in the middle of our ...
Something tells you that you've got to get away from it
Father gets up late for work
Mother has to iron his shirt
Then she sends the kids to school
Sees them off with a small kiss
She's the one they're going to miss
In lots of ways
Our house, in the middle of our street
Our house, in the middle of our ...
I remember way back then when everything was true and when
We would have such a very good time such a fine time
Such a happy time
And I remember how we'd play simply waste the day away
Then we'd say nothing would come between us two dreamers
Father wears his Sunday best
Mother's tired she needs a rest
The kids are playing up downstairs
Sister's sighing in her sleep
Brother's got a date to keep
He can't hang around
Our house, in the middle of our street
Our house, in the middle of our street
Our house, in the middle of our street
Our house, in the middle of our ...
Our house, was our castle and our keep
Our house, in the middle of our street
Our house, that was where we used to sleep
Our house, in the middle of our street
Our house, in the middle of our street
Another one bites the dust- Queen
Steve walks warily down the street,
With the brim pulled way down low
Ain't no sound but the sound of his feet,
Machine guns ready to go
Are you ready, Are you ready for this
Are you hanging on the edge of your seat
Out of the doorway the bullets rip
To the sound of the beat
CHORUS:
Another one bites the dust
Another one bites the dust
And another one gone, and another one gone
Another one bites the dust
Hey, I'm gonna get you too
Another one bites the dust
How do you think I'm going to get along,
without you, when you're gone
You took me for everything that I had,
and kicked me out on my own
Are you happy, are you satisfied
How long can you stand the heat
Out of the doorway the bullets rip
To the sound of the beat
CHORUS
Another one bites the dust
Another one bites the dust
Another one bites the dust
Another one bites the dust
There are plenty of ways you can hurt a man
And bring him to the ground
You can beat him
You can cheat him
you can treat him bad and leave him
When he's down
But I'm ready, yes I'm ready for you
I'm standing on my own two feet
Out of the doorway the bullets rip
Repeating the sound of the beat
Here is the band No Doubt
at one of their concerts.
Someday I would like to be in a band just like "No
Doubt" ,her music kind of has a techno flare to it and it sounds good !
Here is a photo of Toronto , isn't it Beautiful !
Thank -you for visiting my Web Page !
Enjoy!! Please!!
Here our some moose eating food !!!
The B-52's at one of their concerts, their my favorite band !
I first heard the B-52's at Darien Lake now called "Six Flags". At Darien Lake's first ever laser light show when I was five and since then I liked them. I think anybody who will go to this site will like them too.
Lead singer Jakob Dylan
Joke !! Ha, Ha, Ha !!!
Yogi | ||
Why didn't they make two Yogi Bears? Cause someone made a Boo-Boo! |
This looks like a lot of Fun !
Here is a photo of a polar bear, aren't they beautiful, their my favorite animal !
The band the "Talking Heads" smiling for a photo !
The band "Madness" getting ready for a photo !
Here is a photo of out east in Canada the most beautiful place on Earth !
Here's the band the "Tea Party", I saw them at a few of their concerts.
Here's our the Smurfs from the cartoon the Smurfs !
Astro Smurf Papa Smurf Brainy Smurf Harmony
Smurf
Gargamel is the person who tries to catch the smurfs, and the smurfs run away from him.
Here is another photo of Jakob Dylan again from "The Wallflowers".
Here is the band "The Wallflowers" getting ready for a photo !
Here is the band "Great Big Sea" getting ready for their group photo !
They play Newfoundland music, down east music !
It the End of the World As We Know It - Great Big Sea
Life for the band "B-52's"
Twenty years and twenty million albums into a
career that began as a low-rent lark in Athens, Georgia, the B-52's remain the
most unlikely pop superstars ever. The first band to glorify pop culture with an
almost Warholian sense of purpose, the B-52’s purveyed their absurd B-movie
style and off-kilter sound celebrating the weirdness lurking just beneath the
surface of Americana – not exactly a recipe for chart success but way ahead of
its time, nonetheless. One listen through the new greatest hits disc Time
Capsule: Songs For A Future Generation, however, and any mystery concerning
their longevity and ongoing appeal is solved. From "Rock Lobster," "Planet
Claire" and "Private Idaho" to "Channel Z," "Good Stuff" and the two new songs,
"Hallucinating Pluto" and the single, "Debbie," the B-52's unforgettable
dance-rock tunes start a party every time the music begins.
The B-52's early days are well documented. Formed on an October night in 1976
following drinks at a Chinese restaurant, the band played their first gig at a
friend's house on Valentine's Day 1977. Naming themselves after Southern slang
for exaggerated 'bouffant” hairdos, the newly-christened B-52's (Fred
Schneider, Kate Pierson, Keith Strickland, Cindy Wilson and Ricky Wilson) began
weekend road trips to and from New York City for pick-up gigs at CBGB's and a
handful of other rundown venues. Before long, their thrift store aesthetic,
beehive hairdos, toy instruments and genre-defying songs were the talk of the
post-punk underground.
A record deal soon followed and their self-titled debut disc, produced by Chris
Blackwell, sold more than 500,000 copies on the strength of their first singles,
the garage rock party classics "Rock Lobster," "Planet Claire" and "52 Girls."
With virtually no radio support, the B-52's began to attract fans far beyond the
punk clubs of the Lower East Side – galvanizing the pop world with their
'stream-of-consciousness' approach to songwriting and outrageous performance.
The B-52's had clearly tapped into a growing audience for new music that was
much larger than anyone could have anticipated. "We always appealed to people
outside the mainstream,” says Kate Pierson, "and I think more people feel
they're outside the mainstream these days."
An unexpected commercial and critical success, the band inadvertently formed the
core of the burgeoning early '80's New Wave 'movement' and, along with such
contemporaries as Blondie and Talking Heads, continued the pop music revolution
that punk began. With the release of their second studio effort, Wild Planet
(1980), the B-52's, co-producing with Rhett Davies, proved that their success
was no fluke, scoring hits with "Private Idaho," "Party Out Of Bounds" and "Strobelight."
In just two albums, the B-52's had created a lexicon of songs, styles, phrases
and images which would set the standard for the development of the 'alternative
music scene' for the next decade.
The success of Mesopotamia, produced by David Byrne (1982), and Whammy LP (1983)
thrust the B-52's into the pole position in the New Wave derby, with the band
graduating to arena tours and becoming MTV regulars as well as alternative radio
staples. At the time of their greatest achievement, however, they were to suffer
their greatest tragedy – the death of guitarist Ricky Wilson from AIDS. "He
really had a vision…," said sister Cindy Wilson. "He was one of the strongest
elements of the B-52's from the beginning."
Wilson's passing in 1985 came just after the sessions for Bouncing Off The
Satellites (1986). The album, dedicated to Wilson, had taken nearly three years
to complete and was worth the wait, serving up the favorites "She Brakes For
Rainbows" and "Summer Of Love." Too heartbroken to promote the album as
aggressively as they had in the past, the B’52’s questioned their future in
music.
Even as the period of mourning grew into a three-year hiatus, Strickland, now on
guitar, gradually resumed writing music for a new album. Working together on
vocal melodies, lyrics and arrangements for the new tracks, Keith, Kate, Fred
and Cindy emerged from their hiatus with the Don Was/Nile Rodgers co-produced
Cosmic Thing (1989), the B-52's greatest commercial achievement and an album
that propelled them from cult act to international superstars. "When we started
writing for the new album," explains Fred, "we realized that a lot of the songs
seemed to hark back to our roots, the time spent in Athens. It was a way to
reassert who we were and why we got together in the first-place." The look back
was actually a great leap forward for the B-52's.
The album soared to #3 on the Billboard Album chart, sold four million copies
and yielded their first-ever Hot 100 hits – "Love Shack," "Roam" and "Deadbeat
Club." Thought to have gone the way of their late, great New Wave
contemporaries, the B-52's would, ironically, chart their greatest pop smashes
in the '90's – and advance their reputation as the greatest party band on the
planet to a whole new generation. The band played to sold-out audiences
worldwide as part of a tour that would last more than 18 months.
Exhausted from constant touring – including a 1990 Earth Day gig before nearly
750,000 people in New York City's Central Park – and promotion to ensure their
hard-won success, the band took stock and, soon thereafter, Cindy Wilson
amicably departed. "I'd been a B-52 for a long time, and it just felt like time
for a change," said Cindy. Before long, Wilson had successfully completed her
first solo project – a baby girl. Meanwhile, Kate collaborated with other
artists, including Athens compatriots R.E.M., for whom she guest-starred on
"Shiny Happy People" and CBGB's friend Iggy Pop, dueting with the ex-Stooge on
the lovelorn "Candy."
Now a trio, Fred, Keith and Kate re-enlisted the tag team of Was and Rodgers to
produce the energetic Good Stuff (1992), the B-52's last studio album to date.
Including the title cut and interactive concert favorite "Is That You Mo-Dean?,"
Good Stuff is more than just a great pop record – it is also the group's most
overtly political album. Activists and fund-raisers for environmental, AIDS and
animal rights causes for many years, the B-52's had rarely expressed themselves
so openly in their music. "We're out there to entertain people," said Fred, "but
it's great to get people thinking and dancing at the same time."
In typically surprising B-52's fashion, the band followed-up the
socially-conscious Good Stuff with a completely apolitical cover of the
Flintstones theme song, recorded for the soundtrack to the big-budget film
revival of the '60's Hanna Barbera cartoon. Apart from Schneider's Steve Albini-produced
solo effort Just ...Fred (1996), the "Meet The Flintstones" single would be the
last that B-52's fans would hear from them – until now.
Reuniting with Cindy, the B-52's wrote and recorded two new tracks that fit
perfectly into Time Capsule's stellar collection of hits. "Debbie," the first
single to be released from the collection, is best described as a metaphorical
tribute to band friend and supporter Debbie Harry as well as the whole CBGB's
scene of the late '70s. Featuring gorgeous harmonies from Kate & Cindy, as well
as Strickland's punchy guitar riffs, the track retains the essence of the B-52's
classic musical signatures without sounding retro. Likewise, "Hallucinating
Pluto" is the latest installment in the band's patented interstellar fantasies
sung-narrated by Fred Schneider in his inimitable vocal style.
It has been said that the B-52's are as quintessentially American as the Beach
Boys. In subtitling this collection 'Songs For A Future Generation,' the B-52's
are finally taking much-deserved credit for a body of work that is as unique,
beloved and timeless in its own way. Once visionary stripminers of American pop
culture, they are now very much a reference point in our cultural consciousness
for future generations. The B-52's influence cuts a wide path through much of
so-called 'modern rock' – from the low-fi efforts of nouveau garage bands to the
retro-hip of ultra-lounge to the very ascendancy of dance music itself. "Maybe
people are at last beginning to pick up on what we're doing and what we've been
doing all along," muses Strickland. "The underlying message of the B-52's is,
it's okay to be different.
Click down below here for the best band in the world the"B-52's" They our soo great and their song clips!"
Click down below here for "The Wallflowers" song clips !
Click down below here for "Great Big Sea" song clips !
The End Of the World (Radio Mix)
Click down below here for" Talking Heads" song clip !