He wasn't an imposing figure—just a wiry kid from Sandy Hook, Kentucky with the music of country idols like Lefty Frizzell and Ralph Stanley rolling around in his head. He wasn't terribly prolific—he recorded enough material to fill roughly five solo albums before he died too young in 1989.

But Keith Whitley shows every sign of becoming one of the most influential country stars of modern times. A generation of stylists too young to remember Lefty Frizzell has seized upon Whitley's music, sat spellbound by his records and stood in awe of his talent. Garth Brooks, Tracy Lawrence, Alan Jackson, Tim McGraw and many lesser lights openly acknowledge his influence,citing him alongside such legends as Merle Haggard and George Jones. Jackson sang with an old Keith Whitley tape on his 1993 Christmas album. Suzy Bogguss and Lee Greenwood scored a top-ten hit in 1991 with the Whitley composition "Hopelessly Yours." Newcomer Kenny Chesney has revived Whitley's "I Want My Rib Back." Ken Mellons salutes Whitley in his 1994 tune "Honky Tonk Teachers. Kathy Mattea included the late songwriter's "There's A New Kid In Town" on her Grammy Award winning Christmas album of 1993.

Keith's widow Lorrie Morgan won a 1990 CMA Award for their duet "Til A Tear Become A Rose" and honored his memory with her 1994 single "If You Came Back From Heaven." "Keith and I went through some hard times," Lorrie recalls, "but as far as him being The One, yeah, I think that we would have lasted forever. One day...I got real sad and sentimental about Keith, and I said, 'God, I wish he was still here,'...I can't help but think about Keith whenever I sing "A Picture Of Me Without You." This man touched my life."

Country sensation Tim McGraw says he owes it all to Keith Whitley: "I remember hearing "Miami My Amy" when I was a junior in high school. I stopped and thought, 'Man, this is the way it is supposed to be done. That is what I want to sing.' I don't think it gets any better than Keith Whitley. I had all his records, just loved his voice. He was a big; big influence. I moved to Nashville the day Keith Whitley died."

That day was May 9, 1989. Keith Whitley passed away at home. The country music world was stunned. Lorrie was devastated. The day after his death, the lamp posts and trees along Music Row were draped with black ribbons. The RCA Records office, the Grand Ole Opry cast, the staff at Tree Publishing and thousands of fans went into mourning. Few entertainers have been as widely loved. Fewer still were as awesomely gifted.

"I have never done anything in my life but sing, Keith said. "I can't remember not playing and singing...I always wanted to be a country singer; and I always knew I couldn't be satisfied doing anything else."

So from childhood on, sing he did. Born in the Kentucky Appalachians in 1954, Jackie Keith Whitley was singing Marty Robbins and George Jones songs in local shows by age 4, playing guitar by age 6, entertaining on West Virginia radio by age 8 and performing in a bluegrass duet act with his older brother Dwight by age 13.

The Whitley Brothers met fellow Kentuckian Ricky Skaggs at a fiddle contest in 1969. Keith and Ricky shared an enormous enthusiasm for the music of The Stanley Brothers. Within a week, the two 14-years-olds were harmonizing together. They were 15 when Ralph Stanley discovered them and hired them for his Clinch Mountain Boys band.

Skaggs and Whitley toured with Stanley's group during the Bluegrass festival months in 1970, 1971, and 1972. The youngsters recorded eight albums with Stanley, including Cry From The Cross, hailed as bluegrass music's Album of the Year in 1971. Another collection, 2nd Generation Bluegrass (1971), was a duet LP that marked both teens' first star billing as recording artists. They left Stanley's band a year or so later, but Whitley returned to record five additional LPs with the bluegrass legend in 1975-77.

Keith Whitley came into his own as the lead singer of J.D. Crowe's band The New South in 1979-82. Three albums he made with that group made Nashville sit up and take notice--My Home Ain't In The Hall Of Fame, Live in Japan, and Somewhere Between.

He arrived in January 1983 and soon gathered a strong group of supporters around him. He was signed as a songwriter by Tree, to management by Jack McFadden and as a recording artist by RCA in 1984.

"He was one of the best singers I've ever heard in my life," says Norro Wilson, who brought him to RCA and produced him. "There was no better." Whitley's star began to rise with the 1985 hit "Miami My Amy," and continued with top-10 records produced by Blake Mevis. His natural charm made him a magnet for friendships and musical collaborations. Whitley did hilarious imitations of country's superstars, which invariably delighted audiences. His skills as a songwriter made him a favorite collaborator with Kix Brooks, Curly Putman, Don Cook and other Tree tunesmiths.

He married Lorrie Morgan in 1986 and they had a son in 1987. His music gained immense power when producer Garth Fundis realized that Whitley's finest vocals were done "live" with the musicians in the studio. As a result of Fundis' vision, Keith shot to superstardom in 1988 with "Don't Close Your Eyes," the nation's No. 1 country hit of the year, as well as a second chart-topping smash, "When You Say Nothing At All." In 1989 he had his third consecutive No. 1 hit, "I'm No Stranger to the Rain." Following his death, "I Wonder Do You Think Of Me" and "It Ain't Nothin'," became his fourth and fifth No. 1 singles. Then "I'm Over You" and the award-winning "Til A Tear Becomes A Rose" duet with Lorrie hit the top-10 in 1990. "Brotherly Love," a duet with Earl Thomas Conley, and the solo "Somebody's Doin' Me Right" became 1991 hits. Two posthumous albums, I Wonder Do You Think Of Me and Kentucky Bluebird, plus two "best-of" collections have also kept his memory alive. Three of his albums are million sellers.

In death, his music continues to attract great talents. In 1994, with Lorrie's blessing, top stars such as Alan Jackson, Tracy Lawrence, Joe Diffie, Mark Chesnutt, Alison Krauss and Diamond Rio redid Keith Whitley hits. Newcomer Daron Norwood added a song written in his hero's honor. Ricky Skaggs and Shenandoah offered a bluegrass salute. More than a dozen others participated in a tribute "event" song titled "A Voice Still Rings True." Four previously unreleased Whitley vocals were unearthed and Lorrie added a duet vocal to one. The result is Keith Whitley: A Tribute Album. Produced by Randy Scruggs and Blake Mevis, it is eloquent testimony that great musicians never really die. They are as immortal as love and poetry.