Crew
| David Fincher
| Michael Kaplan
| Alex McDowel
| Jeff Cronenweth
| Crew List
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| director | David Fincher |
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| first assistant director | Mike Potozian |
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| second assistant director | Bob Wagner |
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| second second assistant director | Allen Kupetsky, Michael A. McCue |
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| screenwriter | Jim Ulhs, based upon the novel by Chuck Palahniuk |
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| script supervisor | Dina Waxman |
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| production designer | Alex McDowell |
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| art director | Chris Gorak |
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| assistant art director | Seth Roed |
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| art department coordinator | S. Quinn |
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| art departement coordinator assistant | Diane Chadwick |
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| set designers | Luis G. Hayes, Hugo Santiago,
Peter J. Kellis, Domenic H. Silvestri, Julia Levine |
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| illustrators | Rick K. Buden, Kani Kunitake |
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| storyboard artist | Peter Ramsey |
| costume designer | Michael Kaplan |
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| costume supervisor | Elinor Bardach |
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| key costume | Rhona Meyers, Wendy Grenier |
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| set costumers | Terry Anderson, Wendy M. Craig, Amanda Friedland |
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| Bob's suit keyperson | Camilla Henneman |
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| on set dresser | Gregory M. Rocco |
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| set dressing buyer | Danielle M. Simpson |
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| set dressers | Charles W. Belisle, Doug Sieck, Max E. Brohme,
Tim Wiles, William Andrew, John Grant, Adam Pearlman,
Chris Grant, Kai Bloomberg, Tyler Patton |
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| model master | Fanée Aaron |
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| lead man | Scott Bailey |
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| graphic designer | Eric Rosenberg |
| special makeup effects supervisor | Rob Bottin |
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| key makeup artist | Julie Pearce |
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| makeup artists | Randy S. Westgate, Margaret Prentier |
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| Mr Pitt's makeup artist | Jean A. Black |
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| illustrators/sculptors | Taishiro Kiya, Motoyoshi Hata, Glen Hanz |
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| mold maker | Arthur Pimentel |
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| prosthetic technician | Greg Sotomon |
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| key hair stylist | Frida Aradottir |
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| hair stylist | Patty Miller |
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| Mr Pitt's hair consulatant | Rebecca Deleo |
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| special dental effects | Rick Glassman, DRS |
| camera operator | Conrad W. Hamm |
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| first assistant camera | John Connor |
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| second assistant camera | Lisa "coconut" Guerillo |
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| steadicam oparetor | Chris Haarhoff |
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| camera leader | Gary Kanner |
| cinematographer | Jeff Cronenweth |
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| still photographer | Merrick Morton |
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| producer | ||
| producer excutive | ||
| assistant producer | John S. Dorsay |
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| production supervisor | Julie M. Anderson |
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| production coordinator | Rob Earnest |
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| assistant production coordinator | David McKinnie |
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| production accountant | Jim C. Davidson |
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| first assistant accountant | Joe Hartwick Jr; |
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| second assistants accountant | Julie Ann Show, Eileen M. Dennis |
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| construction accountant | Carrie Best |
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| payroll accountant | Cindy Nevins |
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| set production assistants | Buz Presock, Michael Herson, Maria Mantia |
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| production assistants | Jeffrey Roderick Woods, Patrick Thornhill
Kieron Estrada, Brandon M. Cox |
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| post production supervisor | Peter Mavronmantes |
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| post production accountant | Karen Chalk Wheeler |
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| location managers | Rick Schuler, Flint Maloney |
| casting | Lara Mayfield |
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| casting assistant | Karen Miesels |
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| casting assistant | Christie Cean George |
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| extra casting | Bill Dance casting |
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| video assistant | Wayne R. Tidwell |
| stunt coordinator | Michael Runyard |
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| stunt double for Mr Norton | Damon Caro |
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| stunt double for Mr Pitt | David Leitch |
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| stunts | Jeff Imada, Jimmy Nickerson |
| film editor | James Haygood |
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| first assistant editor | Alex Olivares, Michael Matzdorfe |
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| second assistants editor | Michelle Mendenhall, Babete Dickerson, Martha Ann Francis |
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| editorial consultant | Angus Wall |
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| apprenctice editor | Robert Longstreet Wheeler |
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| negative cutter | Konna Kuttung |
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| color timer | David Orr |
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| main tittle design | Makela |
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| end credits | Scarlet Letters, Costum film effects |
| sound designer | Ren Klyce |
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| post production sound services provided by Skywalker Sound, a division of Lucas Digital Ldt, Marin County, California | ||
| sound supervisor | Richard Hymns |
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| sound mixer | Jeff Wexler |
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| boom operator | Dan Confal |
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| sound technician | Mark C. Brech |
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| re-recording mixers | David Parker, Michael Semanick, Todd Beekelheide |
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| additional mixing | David Gleeson |
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| supervising foley editors | David C. Hughes, Steve Boeddeker |
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| dialogues editors | Ewa Sztompke-Datfield, Rich Quinn |
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| ADR supervisor | Gwendolyn Yates Whittle |
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| ADR editor | Tom Belfort |
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| conforming sound editors | Larry Laurent, Linda Kay, Brown, Kristen Comoglio |
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| assistant supervising sound editor | Lisa Chino |
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| assistant sound designer | Misa Kageyama |
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| assistant sound editors | Jessica Bellfort, Sarah Hegart, André Fenley, Larry Schalit |
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| sound apprentice | Doug Winnigham |
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| mix technicians | Jurgen Scharp, Brandon Practor |
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| foley artists | John Roesch, Hilda Hodges |
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| foley mixer | Maryjo Lang |
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| foley recordist | Carolyn Tapp |
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| ADR mixers | Doc Kane, Charleen Richards, David Boulton |
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| music editor | Brian Richards |
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| score arranged, recorded and mixed by the Dust Brothers (Michael Simpson and John King) | ||
| score co-produced by the Other Brothers (Art Hodge and Charles Goodan)
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| sound recorded and mixed at P.C.P. LABS-L.A. | ||
| visual effects supervisor | Kevin Todd Haug |
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| visual effects producer | Robin D'Arcy |
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| visual effects post producer | Barry Len Smith |
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| visual effects assistant | Leslie Minn |
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| visual effects still photographer | Michael Douglas Middltown |
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| medical artist | Katrine Jones |
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| translite photography | Richard Lund |
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| translite matte painter | Suzanne Mitus |
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| special visual effects and Digital animation by Blue Sky Studio | ||
| animation supervisor | Carlos Saldanhka |
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| senior lightind and effect artist | Dave Walvoord |
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| senior digital effects producer | Christopher Scholard |
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| digital effects coordinator | Irka B. Seng |
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| senior digital artist | John Siczewicz |
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| modeler | Alexender Levenson |
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| animators | Jaime Andres Castañeda, Mike Thurmier |
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| rotoscoper | Christopher M. Burrows |
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| digital effects editor | Fritz Archer |
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| special visual effects and Digital Animation by BUF Inc. | ||
| CG supervisors | Geoffrey Niquet, Christophe-Olivier Dupuis
Yann Blondel ; Stéphane Naze ; David Verbeke |
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| digital artists | Eric Dettour, Olivier Cauwet, François Boudaille, Patrick Lachaux
Pénélope Vandecave, Séverine Garnier |
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| software developement | Xavier Be, Laurent Soudrie, Isabelle Haulin |
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| production | Patricia Boulogne, Francsco Grisi, Patrick Shearb |
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| digital visual effects and digital film scanning by Command post Toybox, Toronto | ||
| visual effects supervisor | Dennis Bererdi |
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| digital effects composer | Jeff Campbell |
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| digital film supervisor | Mike Ellis |
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| 3D animator | Jim Rutherford |
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| special visual effects and digital animation by DIgital Domain | ||
| visual effects supervisor | Kevin Mack |
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| visual effects producer | Eileen Moran |
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| CG supervisor | Matthew Butter |
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| digital composing | Carey Villegas |
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| opening sequence team leads | David W. Prescott, Judith Crow |
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| digital compositors | Darren M. Poe, Rachel Dunn, David Stern |
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| visual effects coordinator | Lauren Littleton |
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| digital artists | Daniel Lemmon, Sean Andrew Faden, Vernon R. Wilbert Jr.
Brad Parker, Michael Eldard, Zachary Tucker, Chris Y. Yang |
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| digital paint artists | Paolo Jr. deGuzman ; Martha Snow Mack |
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| software engineers | Darin K. Grant ; Lucido I. Flores |
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| film imaging supervisor | Michael D. Kanfer |
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| scanning and recording by EFilm | ||
| special visual effects by Gray Matter FX | ||
| visual supervisor/lead compositor | Gray Marshall |
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| visual effects producer | Margaux MacKay |
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| compositor/roto artist | Dave Lockwood |
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| matte painter | David Bailey |
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| special visual effects and Digital animation by Image Savant | ||
| digital animation supervisor/producer | Richard "Dr" Bailey |
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| custom software | Josh Aller |
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| digital animation assistant | Mark Joiner |
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| pervisualization by Pixel Liberation Front | ||
| previsualization supervisor | Ron Frankel |
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| shot designers | Colin Green, James Battersby |
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| digital compositing | Nicholas Brooks |
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| miniature pyrotechnicts by Stirker Visual Network, Inc. | ||
| supervisor | John K. Striker |
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| model formen | Richard lea, Jeff S. Pyle |
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| electrical | Steve Humphrey |
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| pyro forman | Ron Downey |
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| assistants to Mr Milchan | Shaunba Beal, Haisna Deary |
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| Mr Linson' associate | Patti Roberts Nelson |
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| assistant to Mr Norton | Julia P. Pitt |
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| assistant to Mr Pitt | Rich Malcher |
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| dialect coach | France Brown |
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| key grip | Michael J. Cad |
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| best boy grip | Craig Kohtala |
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| fox best boy grip | Rhett Wooden |
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| dolly grip | Michael Brenan |
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| rigging key grip | Larry Aube |
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| rigging best boy grips | Michael Santorop, Robert J. Reilly |
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| company grips | Nico Bally, Jonh P. Cleveland, Ken Cottengim Jr |
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| gaffer | Claudio Miranda |
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| best boy electric | Eddie Maloney |
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| fox best boy electric | Mike Arvantis |
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| rigging gaffer | Marty Bosworth |
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| rigging best boy electric | Dave Diamond |
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| company electricians | Anthony VanDyke, Clive Richards,
Harold J. Skinner, Tom Sugg, James Noble |
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| construction coordinator | Jeff Pasanate |
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| construction foreman | Tim Lafferty |
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| head paint forman | Tom Brown |
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| standby painter | Bill "Kauhan" Hoyt |
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| propmater formen | David Brenner, CLint Taylor,
Neil Gahm, Timothy Vierra, 'Butch' Montgomery, George W. Stokes Jr.
Stephen Roll |
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| paint foremen | Larry Laurent, Andy Scudier,
Paul Milton Rohrbaugh III, Bruce G. Smith |
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| labor foremen | Jonh Leone, Sam Aguilar, Manny Valenzuela |
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| transportation coordinator | Dave Roblin |
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| transportation captains | Thomas F. Marshall, Frank Roughan, Jim Alfonso |
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| transportation office assistant | Marilyn Tasso |
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