A week ago I stacked recognition on the JBL Stage A170 tower speakers, however I likewise had the a lot littler Stage A130 bookshelf speakers available, so I aired out the case to perceive how the two JBLs look at. They share a similar 1-inch aluminum tweeter set into a waveguide that centers the high-recurrence scattering, however while the A170 has two 5.25-inch polycellulose woofers, the A130 has only one. The speaker stands 12.5 inches high, and its impedance is appraised at 6 ohms.
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The vinyl wrap is a nitty gritty essential dark, yet the general form quality is great. Pleasantly completed dark fabric grilles are incorporated, and the back puzzle has a flared bass port and strong speaker link connectors. JBL's Web website sells the A130 direct for $250 a couple, yet they're $200 on Amazon.
The JBL Stage lineup additionally includes three towers, the previously mentioned A170 ($250 each), A180 ($280 each) and A190 ($360 each), and a littler bookshelf, the A120 ($160 a couple). In case you're keen on a home-theater multichannel arrangement, include one of the Stage focus channel speakers, the A135C ($250 each) or A125C ($200 each), and a controlled sub, either the A120P ($450) or A100P ($350).
The A130 is a full-blooded JBL, so the sound isn't in any capacity light-weight; it took care of high-volume listening sessions with beauty and balance. Those are obstacles for any little speaker, yet the A130s weren't up to the principles set by the A170 towers; those sounded greater, with more full bass, and all the more dominant elements and punch.
The A130s stereo imaging profundity was simply normal, however they delivered an unmistakably characterized focus picture. On the off chance that you can twofold your spending limit and have space for bigger speakers, the A170s are certainly justified, despite all the trouble. With that off the beaten path, back to the A130: it truly is an exceptionally nice sounding little speaker for the cash.
During the main part of my listening time with the A130s, it was snared to a NAD C 316BEEV2 stereo incorporated speaker. Venturing up to a Schiit Ager control amp fundamentally improved the A130's sound - it had more weight and warmth, and the treble was better. There was greater multifaceted nature to the sound of cymbals, a greater amount of their shined brazen gleam. The A130 is equipped for showing the enhancements that better gadgets, computerized converters or turntables can convey. Which, thusly, makes it a spectacular "starter" speaker for youthful audiophiles who may before long be prepared to investigate redesign alternatives for better stable.
There's an amiability factor to the A130 that is difficult to disregard. Tragically I didn't have some other little speakers close by for direct examinations, however I'd in any case say the A130's sound has more haul to it than some other little bookshelf speakers I've surveyed as of late. I'm pondering the Klipsch R-51M or Q Acoustics 3020i, for instance.
Through the span of my tuning in, it was the A130's capacity to not point out itself as I played an