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                                                                  A Longtime Creeping



 

                                            THE POETRY OF JONATHAN KEITH (1949- )

 

 




 ----------------------------------------------------











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      FOR  A  LONGTIME  CREEPIN'




   The Caterpillar


   admired; exposited;


   emulated.



   Exegete the parameters of


   reality of:


   worshipped and believed in:


   Butterflies

 





 ----------------------------------

 


      A  PHOTOGRAPH  FROM  AUSTRALIA

 


  i Among a conversation of lovers,


a windswept child loosed by an artmonger's craft


Innocence, out of place in smoky rooms:


Grandfather's taxi, in a photograph of Devil's Blowhole,


caught the sunlight from the street


friendly to winter-dressed boys playing


the wrought-iron bars of the graystone library.

 


 ii. We were all standing there,


though the edges are worn now,


Somewhere between the dark foaming


and the page


fixed by seen spent light


on a round wooden table


smelling of old varnish


in an empty house


on a hill overlooking the town.

 


 iii. Down all the days of sunlit streets,


marbles and bagpipers in the Sunday schoolyard,



a Feeling of never knowing self


pushed the years


toward the direction of away,


leaving winter days unnaturally longer


in the Cycle of seekers and young vagabonds;



much later, the days became lyrics,


but curiously unresolved - like sparks of static


within the small awakening of spring.

 


 iv. Even now, wrung out dried out set upright,


the desire is to get back into Fairyland;


mornings of deserted railway stations,


light rain clouds hanging dull over lines


endless by wooden waiting walls


chiselled like distant country songs


on the still wind of country roads;


light brown girls, fair and golden hair


and the long black, rips the heart out of a man


following the rails to Nowhere.

 


 v. Have you heard the bleeding hearts


of young bold men


unknown in bright towns


along the highways


of this aching empty land


of small places in big deserts?



A certain smell of soap and talcum


soft motherness,


leaves intangibles


to taunt graveseekers

 

and vague bondmen,


all their days.





 


----------------------



  A Small Painting



Exploding words



Encrusted hymns left sung


in the garden


prayers ripped out


by neat fleeting lovers


walking in the older parts


night's blanket


searching for gaps


in the fabric of anguish


gaps letting in the sea blasts


from the cold horizon


houses pale by carlight


are many evocative to the mind


but full of mundane bags it has been said


it has been said


chains surrounding



chains rooted to deep trees


longtime trained chains


on the calling skies


in corners of the night


Churches devil their chains


like wild bells


near to the edge of the rigid square frame



a mark is gouged into the paint

 


Sing a yellow story


captures the freckled shade with wind,


the wind leaves & evening


lingers rustling secrets in soft colours


you have remained in this quiet place


with summer's passing


for I walk through the colours of your hair

 




---------------------------------




  Autumn Memories



   the leaves

 


 





------------------------------------



      AUTUMN  SCUFFLING  BOY



 Sun swung in his pocket


 (sly as a flowered marble


 among stilted sermons


 spun with pulpits & quaking gowns


 or the witching hour in spider's eyes)


 before the years had grown


 from eager legs & cricket socks


 toward a knotted glimpse


 of forested ambitions


 & scoldings


urging lean uncharted homespun halfmast years


from seeking wings among dimensions


not yet foraged into patterns


Autumn scuffling boy

 


linger between springing grass


iridescent greens & bitumen


Scuffling autumn Sunday mornings



 . . . 99, 100!


coming in a rush of pinchy shoes


ready or knotty sling shots slung careless


& bravado seeking abandoned snail shells


& ladybirds


Autumn scuffling boy



 . . . 99, 100!



come find a wintered shell among these leaves,


an empty shell,


a shuffling onetime scuffling


Autumn scuffling boy.






 ----------------------------


 


     I T   I S   E N O U G H



It is enough


to bound with dog below the morning skies


& smashing webs


hung low & high



it is enough


surfeit mind


appetite with wheeling flight


& splashing wings


of red & green



it is enough


or one in conversation


mid the ferns that bow & pray


as if in awe



It is enough


to be yet alive


at night's-long end,


it is enough

 





----------------------------



   Dead Books



The days of five sharps


Musty manuscript books


& smelly violins


died shortly after


I forget his name now


but I remember Sue


the only person I recall


who has ever run to catch up with me


most others will call out


and expect you to stop


we hung the intervals for a while


it's hard to dust off dead books

 





------------------------




   I   C A N N O T   D E S C R I B E   T H E   R E A L  W O R L D




I cannot describe the real world,


to try would be as a man


filled with sunlight


going out to a dull room,


but from time to time unforgettably,


there is a nexus; as a babe might coo


at his mother's voice,


as a pilot uncertain in the night


might sight at last his place to land,


as when the morning sun


breaks through the clouds


and all upon this grass is seen clearly;


such that a child might say:


"Come! I'll kick it to you to climb your hill!"

 





-----------------------------




  W O R M S



Some of the best friends I know in the Word like me:


worms undone & squashable worms


yet in that their low estate


boldly coming & going


in the presence of God.

 





--------------------------------

  


    Their DIES IRAE at Dingo Rock was the Ghost of Glacier View!

 


There's a Dingo Camp in Cooranbong, up the Hunter Valley way,

But two-legged sheep is what you'll find - an outpost of the USA,

Two-faced it could be said, but it's not Christian to be cruel,

Why, even the Jury at Darwin ate the Dingo "weetbix" gruel,

So proved that all of us have got bowels, bad taste, or worse:

Look! Even the ancient prophets wrote their words of God in verse!



Dingo is the word for it, 'cos that Camp is far from Eden,

There's a College there called Avondale, by Dora Creek a-grieving,

By the waters of fair Babylon they sit down and wait for Christ,

Don't get it wrong - he just might come, if they got up off their Arse!

'Cos chamberlains, and chamberpots, and thrones, and things of God,

Like Plato said: are shadows of our dreaming 'til we're laid beneath the sod.



But in mice and men there is no truth 'cos God is hard to find,

Computers are our prophets now, and TV's heaven for the blind,


The Three Wise Men have gone to dust where Dingos chew their bones

 In scholarly contention, like some clutch of Satan's clones,


While the common folk are damned to hell if they smoke or drink or swear,

And no-one's righteous, no not one, 'cept the Dingos at Avondale there!

 


The world must wear a simple face for them that's got the cake,

But those of us on pies 'n' sauce have found each slice a fake,


'Cos there's nothing here can save us from the politics of men,

Rumours are that CHRIST! Comeback? got busted, stoned and beaten,



But enough now of frivolity in the face of human woe, and

Come! On the empty echoes, of the Dingo chamber show....


Dingos are the well-groomed lot, fierce Zealots to the core,

Mortgaged hospitals, schools and churches,

filled with good works to a bore!

 


At Loma Linda, California, they've perfected medical art,

Replacing Human with Baboon, in transplant Surgery of the Heart!

And there's no doubt it's efficacious to be clinically: "Born Again,"

'Cos them that get new hearts like that, are monkey-tricked for HEAVEN!

 


Since born in Eighteen-Forty-Four, they've worked up a tremendous sweat,

Bulldozing schisms and dissensions, trampling all their heretics flat!


George Orwell's Nineteen-Eighty-Four's got nothing they need learn

'Cos Dingos know they go to Glory, just as others surely burn!


And so, there is a truth that's evident to the sorrowfully wise:

Dingos "hoist with their own petard" are Devils in disguise!

 


Come the dawning of the Eighties, Dingos torn by rabid strife

From lair to lair across the world, cringed in terror for their life;


For Desmond Ford, a man of God, if ever such there be,

Raised from the dust dry bones against them, to set their captives free.


Now you might judge such matters trite, unworthy of recall,

But those bones like whited sepulchres reach out still to taunt them all!



Brave and true stood he before them, on ground firmer than Ayers Rock,

A child yet man of wisdom, fearless Champion of the Flock!


Dingos gnashed their snarling fangs in bloodlust's empty prayers,

Howling curses at the Shepherd, and the flock held in His care.


O dark the night Azaria was taken!

Dingos locked in dire preoccupation


At Glacier View, in the USA, worked their most foul abomination!

From the Dingo camp in Cooranbong, like Judas in the night,

They took that man of God to Glacier View to bait a savage fight.



From the vicious jaws of Fate and Chance, coincident in Time

A chilling unseen spectral hand reached to Ayers Rock's torrid clime.


Rampant chaos overturned the carnage from the Dingos' cup of slaughter

As the blooded robes of the "Bride Of Christ" revealed the "Devil's daughter!"



Posed as self-appointed "Michael"s : "archangel Chamberlains" of the Lord,

Dingos purged the Shepherd's flock with fanatic guilt-edged sword,


And the Throne of God - their chamberpot for dry bones of pious gore,

Casting out that man of God with all his kind - the bane of Dingo lore!



O dark the night Azaria was taken!

Dingos raged such unholy desecration

That no-one was safe, no-one saved,

from Dingo tooth and claw!

 


You'll find Azaria's Dingo chamber lain in metaphor beyond Ayers Rock

At a conference room at Glacier View, where the laws of Love were mocked.


Echoes dread of events remembered from an elsewhere place and time,

Yet unseen worlds between them, unseen reason, unseen rhyme,


That no human court upon this earth could prove it to be true:

Their Dies Irae at Dingo Rock WAS the Ghost of Glacier View!

 





 ------------------------------




   DRIFTWOOD




Upon my suit of time


this clocksprung armour


cherished above fellowship,


no music nor patience


nor feeling for dust to settle is,


but the wind in my shoes


& morning calling


the glory of echoes


resounding always


on pinnacles of distances

 





-----------------------------------



   FIVE  PSALMS  FOR  THE  SEASON  OF  LENT



Alpha:



In the boxes of the damned


the orbital foramen of Golgotha multiplies



the eunuch Cyclopes


into the quiet carpet corners


mesmeric cenotaphs


turning on the lusts of the fathers


to the children


of the children to the fathers.



Tau: ". . . and I, if I be lifted up . . ."


a million holy crosses


on the boxes of the damned



Omicron: a stagnant procession


Palmer worm Sunday


greasing the borrowed streets up


for another week


doughnut & Coke


comforts


on the park grass


uniting aliens


like chunks on a skewer.



Psi: It is written


there is no lover


 here.



Omega:


unknown,


nobody likes to ask


now it's all changed,


the cities are thick with body ash,


wait.






 

-------------------------



Guitar Baroque



Guitar baroque


elaborate ornate hand carved rosette


inlaid fine spruce



Sing, gently sing


mellowed notes of nightingale


sing evening rosewood tones


in fading manuscripts


engraving moon stillness & arabesque chords


in well grained mahogany


alabaster statuesque


sculptured appoggiatura


falling from a subtle hand,


pastelled pastiche


reminiscent of mosaic gothic tapestry,


Sing!

 






---------------------------------




   I N   R E P L Y   T O   H A R D Y ' S



     " WH E N E V E R


            E X P E C T E D


                  M U C H "




by chance perhaps I have ached each year thus far


with high expectation that life would all be fair,


determined as a child to lie upon this grass


and hear the sky was not enough,


but to stand and reach and grasp


as one might capture the sun,


that if this life refused to yield


all truth and meaning


just neutral-tinted happenstance was not enough,


with contempt would I return the gift.


a fool perhaps to ache each year thus far,


but you said to minds like mine


 - and to you the blame -


 in that mysterious voice


one word in which I thrust and surge:



"Wait!"

 





----------------------------




   A   J I N G L E   F O R   A   J A G G E D   M A N




The three legged man


with a face so sad


clutched at his sticks


for his sticks were mad



the high sun froze


and we all didn't see


the crazy stick man


going for a wee


he jerked up quick


and kicked the chair


the crazy stick man


with his face all bare


our fronts were like backs


as he crutch kicked past


the crazy stick man he's gone at last







--------------------------

 



   T H E   L I G H T H O U S E   C O N N E C T I O N




Sitting in the courtyard here


of the university letting


The Lighthouse melt and shift,


shadowed by the sun light


behind the wooden seat,


someone somewhere


in a moment privilegie



put a needle in a groove,


from remote corners of the captured light


des haut-parleurs -


songs of womanhood,


in her banshee voice


above the virile thrust


of steel and drum


I saw the warrior put his armour off



and do homage to the beauty of the world,


and his son erect and stiff


between his mother's legs


hating him because he had done it first.

 






-------------------------------------------



   ME



If I wasn't me


it would be easier


to be me


the me I want to be



the me I ought to be


the me I could be



the me that certainly I would be


if only I wasn't me.




 


-----------------------------




   L I T T L E   R O O M




I have spent my life


alone in a little room



and though this little room grows


larger inside than outside


and is a better little room



for that it is still my life


alone in a little room.

 





-----------------------------



   T W O   I N S T I T U T I O N S   F O R   T H E   M I N D



What is the difference


between this place and that?


trees same - narrowly huddled distant together:


rooms same - sitting eating,


none hot soft free for sex


except solitaire lavatories,


laboratories for rats:


private places must not be exposed


in this place or that.


because of it:


faces same - shells on eggs


nobody likes identity attacked:


yet there must be seepages through cracks


and no-one must ask:


which came first this place or that?








----------------------------------

 



   W A R Z O N E




Commandos


Clenching cigarettes in jungle heat



coldkill glance


clean-cuts the fun-nest's


soft brown cleft



city troops clashing


in the train's gutsy strife



there is a man studying


a plan of Page 3 tits








----------------------------------




   T O   J U N E   S T E L L A




And has the time far gone


we braved & bathed our childish days


together under the sun?



And are we grown so wise


our scuffling plans


(to thrive when old in some great house


with dogs & things we ever loved,


just you & me)


are done?




And are you grown with children now


that I am left behind?



To catch for you the suns of all


those fairy lands we dreamed,



sailing sheets in unknown nights


as happy wanderers.



I still see you, as a mermaid


in some magic time,


a tinkerbell, as through the looking-glass


at you & me.



And has the time far gone?


Are we grown so wise?




Did we not sip a sweet disguise?



None other two was one as you & me.



And when at last, the last life's kissed,


love's circle's joined & free;



One grown, returns to the child


to find that all eternity's a dream


for you & me

 





----------------------------------





   W H E N   N O A H   T R A D E D   I N   H I S   BOAT



   FOR   A   D A R W I N - E I N S T I E N   B O M B

 




Dinosaurs laid down and died


Obligingly in ranks in rock and clay,


Miscellaneous Neanderthals hacked


The boat to shreds and hid it all away,




Pterodactyl Pan with volcanic diarrhoea


Sang ditties fluted in reeds,


'til Noon-day sang the songs away.



Homo came with bright banners


And flags with songs of war,


'Til skin and drums were broken,



Dancers leapt all day a-gay


With manna nibbled in step,


'til Noon-day sang their souls away.


Meanwhile back at high noon,


Someone thought to make a world


With everything in place,


But never finished,


when Dooms-day blew it all away.






-----------------------------




   P S A L M   F O R   A   M I N O R   S E C T




Sinbins & Megathumpers


UNITE!!!



Blast ye down the breasty curves of all the world!


Ironmongers' fire & blood


streakers ripping up the bitch you men like.


scarlet & garfunkel fading in

 


The weeping sunsets for all the bleeding teens


twenties hundreds thousands


thumping cubic sins with leathered thighs.




TAILS OF BRIMSTONE!


PIPES OF FIRE!


FUMES OF FLOODED PLANETS!


JUICE OF GOLDEN DEATH!



Fingers scraping on uncaught velocities


hurtling into the Sun.



SING!


SINBINS & MEGATHUMPERS


BLAST YE DOWN THE BREASTY CURVES


OF ALL THE WORLD,


UNITE!!!







------------------------------




   S H R A P N E L   ECHOES



   The private war field of the mind


   can never be ploughed with lips


   nakedly ashamed exposing


   the cutting edge of neat white teeth



   The private war field of the mind


   can never be raked


   with manicured nails


    can never be raped



   can never be never be . . .



    The private war field . . .


    the private war field . . .



     the mind . . .


     the mind . . .


     the mind . . .



     mind . . .


     mind . . .



   shrapnel echoes


   in eaten out skull





 

--------------------------




   SILENCE




Sometimes the pain of silence


sometimes is I louder think than I softly may spoken starve words in


of the hunger


silence of our conversations


can you not hear the unspoken words


that I have placed before your half open door


or is the implication of your goodbyes enough

 

to leave unsaid what we might have tried to say ?







---------------------------------

 


   F O R   T H A T   E N D U R I N G   S K E P T I C



Deep in conversation, two friends


As trees walking, I see:


God and Hardy arm in arm,


One speaking, one weeping


Having questioned history.


Deep in conversation, two friends


As trees walking, I see:


God and Thomas arm in arm,


One surprised, one fiercely


Questioning eternity.



Deep in conversation, two friends


As trees walking, I see:


God, His Calliopist, arm in arm,


One composing, one in dancing

 

Chords of mystery.

 






------------------------------------



   W H E N   A   B U B B L E   S N A P S



When a bubble snaps and is gone


where do the colours go?


The captured rainbow enveloping dreams


is never really lost.


somehow into the eyes of the one who at heart


Is always childlike

 

 

a dreamer the pain of something burst is remembered always.


after all these years grown from the moment when as a child


"forever blowing bubbles" sang out before the dawn



nothing inside has changed much


except for now possessing a small crystal stamped me


and being fully known


by the one in whom I am not changed


but put together pieces of bubbles rearranged


into rainbows after the rain.



Who can describe the sky?





 

---------------------------



   I   H A V E   M E T   T H E   S O R R O W   I N   Y O U R   E Y E S



I have met the sorrow in your eyes


and turned back to the shadows,


For they have been my friends


more than something one might touch


or someone touched by.



Nor have your tears grown upon me,


or the mornings of your boldness ever deceived me,



For I know your arts, did you not learn them from me?



And so, in solitary places far removed from each other


we sit and contemplate the past,



At the end of the day


we desire no tomorrows.


It is true I was once a dreamer,


and you?, only you can know,



We never knew each other,


it was foolish to expect your nakedness


could ever cover mine

 






------------------------------------




   THE  RICH  MAN  AND  LAZARUS




Have you heard


those homeless overcoats


of anonymous afternoons


shuffling down jerky streets


in straight face gray?




Have you seen reflections in the gutters


hubcaps by a narrow way


conjuring a silvery glimpse of dusty giants?




your questions are voiced upon


the silent hours of morning


your sorrow echoes


between the holes in my shoes



would you ask the sun to rise at midnight


or see the patient hills shed tears?




Would gold give his riches to another


or ask a stone to share?




your questions are felt like


the silent arrows of morning


your wisdom touches


the wandering of my soul,




Yet I remember leaving something


somewhere behind


a half forgotten scene,


a question greater

 

than water changing to wine





 --------------------------------




   W A S   A   T I M E




Was a time the sunrise


overtook the clock in the long bones,



Was a time the grab of morning


was felt in the pulsing heart



Even before the passing,


Was a time, was a time of love.



Down in the winter harvest


of wine and smoky days,



Was a time the ways of leaving


were ventures of deep conquest,



And the coming and the goings


Was a time, was a time of hope.




Was a time the reasons


all were taken before they came,




Was a time the fabric breath


breathed with simpler friends,




Even before the passing, was a time,


was a time of faith.

 





-----------------------------------




   W H A T   H A P P E N S


      W H E N   T H E


         M O R N I N G   C O M E S ?



This is the moment you've been waiting for, isn't it?



YES, I'VE THOUGHT ABOUT IT


FOR A LONG TIME.



 It's cold outside


and the night is long and black


like my hair


and there's an old song on the wind...



YES, I'VE HEARD THAT SONG...



We can make it last...


THE MORNING ALWAYS COMES...



We can sing the words while the fire burns...


IT'S WARM HERE BESIDE YOU...



I am warm for you


and the elixir of my perfume


can soothe your mind.



WHAT HAPPENS WHEN THE MORNING COMES?



Long and black, an old song on the wind...



WHAT HAPPENS WHEN THE MORNING COMES?


MUST IT ALWAYS BE 9 TO 5 DAY AND NIGHT?




The wine is warm,


now hold it to your lips and close your eyes...




BUT I AM FULL OF WINE, AND GOD,


THERE HAVE BEEN SO MANY GIRLS,


MOUTHFULS OF SOFT WARM FLESH;


I HAVE LOST MY HANDS IN LONG THICK HAIR,


BUT I HAVEN'T LOST MY MIND...


WHAT HAPPENS WHEN THE MORNING COMES?

 





-----------------------------------



   When A Bubble Snaps



When a bubble snaps and is gone


where do the colours go?


the captured rainbow enveloping dreams


is never really lost.


somehow into the eyes of the one


who at heart is always childlike


a dreamer


the pain of something burst


is remembered always.



after all these years grown from the moment


when as a child "forever blowing bubbles"


sang out before the dawn


nothing inside has changed much


except for now possessing


a small crystal stamped me and


being fully known by the one


in whom I am not changed


but put together pieces of bubbles


rearranged into rainbows after the rain.



Who can describe the sky?





 


--------------------------------




   O U T   O F   T H E   W I Z A R D



    I N T O   T H E   S P I R E

 



Out of the wizard into the spire


Caught in a smug sect


watching the sky,


And the long climb down


Up to the fire:



After the dying


the chaos is past,


The flight no longer spoken,



And paths to the grave


Seen going from the place of death.


Still small voices of the still point,



Amidst Iscariot and shylock angels,


Out of the crucifix into the blood



A man with scribings on his thigh unseen


Bleeds from the mall and city thickets



For steeples and synagogues


For the ears of the sheaves


That have no hearing.



And the tea-cups clatter


The thunder,


"I said to her, I said, I said,"


the heralds of the corners


Of the streets cry out,


They buy, they eat,


they are fed.



Out of the wizard into the spire


Down through the tube and the long night maul,



The sayings of the shod are etched,


On decalogues of glass,


on marble and stone,



When death shall have her dominion.






-----------------------------------

 



   E T C H I N G S




words can never do it.


and in the most minutest failing


to be it - so very ugly.


shall we dine tonight?


the menu


I will thrust a fork down your neck.



come let us be lovers,



I will make a hole in your photograph.



If we read the ancient manuscripts


we can be god


And worship is better than words.



It is written:


men will exorbitantly unite


to fight death to the death.


Earth grows meet for the task.







----------------------------------




 


                                                                            [ More Poems to be done - Under Construction ]














 

 

 







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  THE POETRY OF JONATHAN KEITH