Music and its Rhythm
How do we describe and classify music? What is its importance in our day to day lives? Music is part of our lives and day to day activities, without music life is no sense and will be very moistureless or dull. We live in music and we make our stories thru music, it takes you back in time, reminds you with different people that comes and goes in our live, our love stories and heartaches, our journey, places that you’ve visited and many others. It makes you sad or happy, inspires or dishearten. in different parts of the world tend to listen varieties of music that they love which includes; instrumental music, pop music, slow rock, hard rock, classic, country music, jazz and many others. But one thing is for sure is that we have different ways and unique in its ways, we learn and experience things distinctively and that’s what music have variations in our life as well. But when it talks about instrumental music there are many forms that we can choose from and these are: ·Chamber music ambience
- Wherein this instrument means music written and plays for groups in 2 or 8 persons using stringed instruments so as piano plays the key instrument.
Electronic music ambience
- This is also called “live electronic music”, this kind of music is played through loudspeakers wherein you can either play it solo or combined with other common or typical music instruments.
Popular music ambience
- A kind of music that is performed without a need of vocalist in many varied genres specifically the prevailing rock in roll music during 1950’s and till 1960’s. These are rock-and roll, dance music , and so as rhythm and blues instrumentals which began on the pop industry in mid-1950’s. Then followed by Sonata which is composed and played on instruments which is also known as cantata. Or “sung” and its first applied in 1961 . And lastly is the Symphony and one of its finest example is the sacra symphoniae which composed by Giovanni Gabrieli (1957 and 1615), its collections is classified by vocal and instrumental music, used by multiple choirs and symphoniae sacrae of Heinrich Schütz, his so called German pupil, (1629, 1647, 1650).