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M E A N D E
R I N G S
An Introduction
By Josh M. Shepherd
Various aspects of J.R.R. Tolkien's The Lord of the Rings trilogy
will be examined in this series of essays, Meanderings.
What follows is a disclaimer to all writings in the series. To those
more 'serious' Tolkien fans, I admit to simplifying some of the
great Oxford writer's work. It is the only way a non-academic like
myself can understand it.
Fantasy is for strange folk. Used correctly, the style takes an
actual thing (say a ring) and gives it some peculiar power that
it never could never realistically have. Or perhaps the writer makes
up, with much intricacy, millennia of olden times that seem to culminate
in a single moment.
One might indignantly say fantasy is "a load of 'what ifs' on the
same level with Mary Poppins!" Yes, and no. Tolkien's work
does depend on bending reality, using his mind for sheer enjoyment.
Brilliance shines, however, in the way the professor's beliefs play
out in the story (something P.L. Travers and Walt Disney can't say
about Ms. Supercalifragilisticexpialidocious).
Questions are raised in the subplots and asides. Suddenly one finds
oneself considering the present state of mind and spirit-as in,
"How do I respond to temptation?" or "Is my destiny far from me?"
to reiterate the examples of a ring and absurdly involved histories.
Muddle through the details of The Lord of the Rings and one will
see lofty ideas made flesh and bone-or at least enjoy the birthday
parties and sword fights.
Ponder "The Hobbit," endurance and God's will
This is second in a series of essays that will look at various aspects
of J.R.R. Tolkien's The Lord of the Rings fantasy trilogy.
It sounded like a mere change in the wind to those within the Mountain
fortress. Then, a loud crash. Were their eyes outside, the landing
of a red-golden winged creature would be visible, spouting flame
and approaching the Mountain's gate: a dragon. Inhabitants of the
fortress had no such foresight; a few were curious about the commotion.
Opening the gate, they unwittingly gave entrance to the dragon.
Thousands died by fire; yet some knew a secret way out and rushed
there. Five figures, singed and sooty, later emerged from a forest.
Two bearded elders and three children had made it out-all five stout
and stocky, resembling hobbits, only more burly and fierce. They
were Dwarves.
Our study of Middle-earth continues with this prologue to a momentous
Quest. Thorin Oakenshield, a dwarf, first recounted the tale above
to the wizard Gandalf during an unexpected meeting. Dark thoughts
had been on the wizard's mind, for whispers of a rising darkness
had reached his ears. Gandalf knew that Mount Mordor's Sauron and
this dragon in the Dwarves' Mountain were working in tandem; what
if both struck at once? Even the Elves in Rivendell would not withstand
the attack. It would be folly, the wizard knew, to muster an army
and take back the Dwarves' home by force. It must be done discreetly.
Dwarves and mountains rolled around in Gandalf's head until a revelation
hit. Was he not in the Shire to visit his old friend, a hobbit?
The portly Bilbo Baggins is quite exemplary of his race, reminding
one of everything comfortable and lazy they've ever seen. Somehow
the musing of the wizard disregarded all this as he appeared at
Bilbo's hobbit-hole door with the words, "I am looking for someone
to share in an adventure that I am arranging..." ("The Hobbit").
"There and Back Again," authored by Bilbo himself, tells what follows.
In arriving at its purpose, this essay will abridge that work. Swayed
by Gandalf's magic and the songs of 13 Dwarves (including Thorin)
who arrive at his hole, Bilbo and 14 cohorts (the dwarves plus the
wizard) set out to recover the Mountain. The company narrowly escapes
capture by ugly, giant trolls and a stay at Rivendell assuages their
long-felt hunger. Upon leaving, the Misty Mountains lie before them.
A cave gives the journeyers a night's shelter from the cold.
Come sunrise, goblins emerge from a crack in the cave that becomes
a passage. The rough adversaries soon bind the Dwarves and Bilbo.
They drag their prey to the Great Goblin, who rages to discover
their Quest. Suddenly, the light in the cavern goes out-courtesy
of a certain wizard-separating Mr. Baggins from the others. The
hopeless hobbit feels his way forward, picking up a ring that he
finds. He comes to an underground lake occupied by a sea monster.
An eccentric being under a disfiguring spell, Gollum engages the
protagonist in a game of riddles. Winning the competition, Bilbo
flees from his opponent, having the good fortune of putting on the
ring he happened upon (which makes the wearer invisible). Goblin
guards are confounded by the walking shadow, who exits at the other
side of the Misty Mountains.
The tale is not all told, but a remark or two is in order. Either
J.R.R. Tolkien doesn't know how to write anything but "chance" escapes
from insufferable situations, or else some meaning hides therein.
The latter must be assumed on token of the author's skilled diction.
Indeed, morals about discernment, domination, mutual defense and
the like could be uncovered with just the synopsis above.
Philippians 2:12b-13 best tells what aims we will investigate: "…work
out your own salvation with fear and trembling; for it is God who
works in you both to will and to do for His good pleasure." Already,
Bilbo has followed, withstood, served, fought and, on the whole,
endured more than in all his life before. So is the Christian life
no cakewalk either.
The hobbit would run many more miles before reaching the company's
destination. He fights his dread and descends into darkness-to claim
the Mountain from a dragon. On a bed of jewels the beast sleeps,
but awakes to battle Bilbo with fire and words. The little hobbit
comes near death multiple times, yet his gallantry is worn naturally,
with much of his former self's uneasiness lingering. In fury, the
dragon, the terror of the Mountain, abandons its fortress to feast
on nearby Lake-town. The arrow of a guarding sentry flies straight,
striking the ancient dragon, which meets death.
Men, goblins, and wargs (huge wolves) now vie for the unguarded
riches that the Dwarves claim as theirs; the historic Battle of
Five Armies ensues with a band of eagles and Gandalf eventually
interceding on the behalf of Good. Though Thorin, the Mountain's
heir, fell, his line is restored to their inheritance.
"But who wove the web? Did you plan all this then, Gandalf?" ("The
Quest of Erebor"). These questions were put to the wizard ages after
the Battle, and he pondered long before answering. "I do not know
the answer. [In those days], I used in my waking mind only such
means as were allowed to me, doing what lay to my hand according
to such reasons as I had" ("The Quest of Erebor"). Even sages like
Gandalf are not privy to everything that happens, nor how or why.
Indeed, some Lord-a caring One, intimately drawn to His creation-orchestrated
all the key dealings, starting with the very encounter of Thorin
and Gandalf. Yet this God didn't accomplish all single-handedly.
(What "good pleasure" is in that?) Only pain and ultimate sacrifice
can build character and ultimate joy. As our Father in Heaven cares
about even our littlest matters, so should we give ourselves fully
to the love and knowledge of Him.
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