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The Spot
Born with a dime-sized,
mostly invisible
dot
in the middle
of my eyebrows, only those
who know me well will see the birthmark
darken; like those
painted spots on curling irons
to let you know the metal's hot, this cubic inch of
thermometer-derma
signals when I'm angry, molten
in ovulation or just at the
point where the feet become quite clonic with the
hard curl of cumming. This magic,
glowing
third eye turning red, this
chakkra
daubed by the thumb of God as He tossed me out
and into here.
I am
a
signed piece; I'm His
anger
and His reaching out
to first touch Adam, up and
breathing electrical smoke
and
I'm His tongue of fire.
Roots
Mouth of blood
filled
space, my face
feels softer than suede
and strange as though it's
someone else I touch.
These old
enemies, the molar
wars
molding silver to the pain
is done, and what I'm left with simply
is a
victory
part of me
left behind
on a tray. I furtively
finger each, the twisted
roots; the tooth
with three, that's not supposed
to be
but was a stunning discovery under gum.
I ask the nurse if I can take them, forensic evidence
of suffering;
the years
I chewed through weddings, deaths, the Christmas meals
are there in that yellowed enamel with the
horned ends
of what I am
beneath. A
formidable
hanger
on.
Consequences
Some days, the sun can blind
you, whitelight joy: you feel
you'll never have a problem
in your life
then there are
other
days, the sink
pees on the floor
from under the cabinet,
the pipes, corroded, patched and
letting go at last-
the toilet runs, the tank
won't drain
because in a kind of brainstorm, you had
stuffed a
ball in the tankhole
tried to stop the hiss of
running, running, but all
it did was overflow its edges
soak the rug, the floor
and bring the
ceiling down.
That's when you
shake and know
decisions can be
faulty; sometimes the quick
solution brings down plaster
and you wonder
how many, small
stopgaps
will mass into disaster
like an army marching toward you.
Separated
The good thing about a
head cold is the way
the world goes gooey, hazy-
nothing
really matters, nothing
can touch me
in my house of cloud
cover- maybe God, if He
knocks and shoves His face right up to the
peephole, and if I don't mistake Him
for some
durned
Jehovah Witness
come to wrangle faith
like a snake
right on the stoop
in broad
daylight.
Breaking The Eighth
I lie because the sky
is blue; I lie because
my eyes are brown,
I lie because the market's
down,
or Tuesday
we had turnips. I lie because it
feels so good,
I lie when in
the neighborhood- and when the need for lying's
through, I'll lie
then, too-
and no,
it's not a defect
-it's a preference- more colors
in my crayon box: I take
the truth
and shake it,
pour- and see what
spills.
Stretch it at the
corners,
fold it inside out; wear it that way
for a while, wear it
cheek by jowl. I lie because
I'm really good
at knowing how.
Down Time
What is a Saturday night
but a prelude to Sunday-
the orchestra pit
already tuning
some false, bright sounds
of God's own day and never mine
never mine, never once was a Sunday
anything
but the sweaty palm hours
before the lunacy starts
again.
There's this box
with people in it
I'm talking to- maybe,
and a head full of thoughts
as I talk to myself, talking me down
from the ledge that is just
one more
Saturday night.
Windows And Doors
Doors close and open;
must be careful
not to get caught in between,
but when the knife of light is there,
slice through
or the ghost of unquiet memory
who rides the ragged edges-
who loves nothing more than fraying
hope's fetal cord, will bar the way.
Feel
this newest planet's subtle
shift and sway
into another
orbit.
Thoughts That Rock This Cradle
I wonder if I am alive
and the rest,
cardboard
collected
around me?
The people and their houses,
trees like flames and
birds like bits of ribbon
clinging to them, moving-
are they mockups
to make me believe?
I wonder if I am dead
and haunt my own
consciousness
left here,
after.
If I extend
just one
finger,
will it find flesh
or fog
or God
who is here
also,
wondering:
a shivery passing
through my skin that is
His shudder. Most of all
I cannot tell if tears or laughter
shake Him. If I look into a mirror
right this moment
will I see splendor,
whitelight dancing
all about my nimbused head?
And if I do, will every
other
eye
look out from mine?
a fly's eye, multi-lensed,
a history of all the earth
inside it?
Too much here
and not
enough.
I think I'll go upstairs
and go to sleep in a
cradle of doubt,
in a sky of stars
with residual godliness
caught in my hair
as I sing
lullay, lullay
little child of the dirt
and the dreams of the dead
all around that need
such comforting;
let these thoughts
rock me.
Hands Like Iron
It doesn't take long
before these hands
feel too big to do the small,
important,
delicate
things
like touching just
the eyelash of the eye.
Fragile we are-
breakable,
fine
china
close enough
to break
these lines here
these, too fracture
no telling
what they mean,
who's ear they disappear
into, be careful. Carry
softly, never
hammer,
hurt these hands-
these words
are iron
things.
Opportunity
Elizabeth
Bathory
had a kingdom full of rooms
and every room
was wet with blood
she used for bathing. She needed it
to keep her lov
liness. A tub stood
on a golden base.
With every vein she drained,
she smiled and smiled
and gave her truest pet-
her monkey,
her familiar-
a little tug of his chain
so everyone would admire smooth ability
to make him
tip his newest hat. Elizabeth laughed
and gauged how loud the crowd grew
when the monkey climbed
her parapet.
Glittery-eyed with greed
to bleed the best of flesh,
she gave her raven locks a toss
when a single lady
stared, dead-on and dark-eyed
back at her; she wouldn't come across
as all the others
had. The queen of murder
waited.
Whenever the onyx-eyed lady
had a mishap, Elizabeth
was simply 'there'
hoping to catch her with a wound
that wouldn't clot or heal.
The only moral?- happily
Elizabeth
Bathory
died hard.
On To Page 17
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