Meeting the music genius from Tobago
In the
Shadow of Greatness
by Peter D Neptune
Port of Spain, Trinidad
Although many of his fans may believe he has been receiving
a raw deal from many promoters, the media and even "The Big
Yard Judges," musical pioneer Winston Bailey - "The
Shadow," is not a bitter man.
"As long as I have my music I am happy," he said. I
have given up on making music to please people who are not receptive
or play deaf when the message is being sang.
"Music is my life," he declares and he often sits for
hours with his guitar, "listening to the music" as it
comes to him.
Still cautious of revealing much of his past, the young Winston
Bailey spent his early childhood days in Tobago before running
away to Trinidad to seek a new life. Much of their hardships he
endured as a young lad is reflected in his music, including his
latest offering Little Boy Blue, Another Mistake and Way Way Out
on his Am I Sweet or What? album.
On his arrival to Trinidad, he initially lived in the rough neighbourhood
of Laventille, east of the capital Port of Spain before he heard
the call of the music. He performed small gigs in the nightclubs
around the city to make ends meet.
During this time, the true identity and uniqueness of his music
began to shine early in his career and he quickly gained a reputation
for creating hypnotizing rhythm lines for his recordings. He had
little success himself, though as a test, he would often write
songs for others, only to see them embraced by tent managers and
promoters. This has certainly been frustrating but he kept at
his music over the years.
He said his distinctive songs come from deep within him. They
are uniquely Shadow. Despite each of his songs having their own
rhythm and mood, you can always tell Shadow's music, even before
his voice is heard and as he starts to sing, he is taken over
by the music. His familiar chant and captivates you as the music
and rhythm begins to flow through your body.
Shadow is truly a warrior for the music and he has grown up the
music and it has grown with him. His latest offering, Am I Sweet
or What? contains twelve songs that are destined to become classics,
particularly his social commentary Little Boy Blue.
"This is a bad album," he declared. "The last time
I enjoyed making music like this was The Garden album." He
said local's take their own music for granted and the rest of
the Caribbean and indeed the world play our music year round while
it is a seasonal trip for Trinbagonians.
People, and even some artists do the music for Carnival, it is
for a period. Those who love it and like it like I do work on
it all year long. We need to have more of our music playing on
the airways, he said. Much about the way music is treated, distributed
and promoted in Trinidad and Tobago bothers him, and he has not
yet decided on the level of participation he will make in this
year's Carnival.
"Many youth activists are commenting about the young people's
obsession with dub and music with lyrics that glorify violence.
Obviously this is what is being played to them all year long.
They are not being offered the wide alternatives that is available
with our own music.
"We have to build our music in the local market, this is
the music of our country we have to be number one here. Hundreds
of records are released each year, yet many listeners complain
about the lack of choices, we are not getting the exposure at
home.
Apart from the leadership role of Shadow as Producer and Executive
Producer on the album, Am I Sweet or
What? features excellent arrangements by Frankie Mc
Intosh and Fitz Melo Thomas.
"As a project, this album brought me back to the way it
used to be. I even went back to Coral Studios to record and mix
the music after an absence of several years." Eric Machaud
as sound engineer did a terrific job of bringing out the subtle
tone of the drums in the background. "This did alot to set
the mood of the music."
"I didn't need inspiration for doing this album," explains
Shadow, life is all around me and I pick up the rhythms and vibes
from life itself." This album is a real treat for music lovers
and even more so for those who really appreciate Shadow's work.
He will not disappoint listeners with his unique but strong lyrical
content and captivating rhythms.
Playlist Magazine also has a printed version which is available free of charge for members of Yakuza Entertainment Club in Trinidad and Tobago. Call 674-2851 for membership and your free subscription.