The First Practical
Slap Bass Guitar Matrix System
Ever!
Hello Slap Bass Guitar Players,
Now you can unlock new practical and systematic slap bass ideas in any key!
Finally, a practical approach for you to create killer slap bass sounds endlessly.
In every key, all across the neck, you will be as old as the tempo on your drum machine
before you run out of ideas.
You've probably already bought 1 or more bass guitar videos that:
You see, when you hear someone playing in this style there is an illusion created that they are playing one massive slap bass guitar line. Nothing could be further from the truth. If you break all the info that is coming at you down, you will quickly see that it is a series of very small ideas played back to back.
This is what creates the intensity and overwhelming effect.
By using the method for practicing these short ideas outlined in the video, you will notice:
A major difference in your slap bass guitar soloing and groove creation.
Consider these 2 scenarios:
Scenario 1: You are playing a gig. The tune is coming up to the end of the second chorus. You know that there is an 8 bar break. You are expected to fill it in with a killer slap bass guitar solo from hell. Last bar before the bass guitar solo. 4-3-2-1. Everyone turns to look at you. The audience, the rest of the band, the engineer, even the security at the door. What happens? You play every cliched, pre-rehearsed, worn out idea you know, all in the first 2 bars and completely run out of steam way too early.
Scenario 2: You are playing a gig. Everything is going fine but you can feel a slight twinge starting in your slapping hand. You keep playing and the twinge turns into definite pain. Pretty soon your hand has cramped up and you cannot continue.
Why would either of these 2 scenarios happen to you? Maybe at least 1 of them already has. So, what is the solution? Let me solve the first problem by using a car as an example:
In order for a car to gain motion or momentum you at least need:
Fuel in a petrol tank and ignition.
The fuel remains dormant in the petrol tank until there is some ignition. Once the key has been turned and as long as there is fuel in the tank, the car will make it to the gig.
Simple enough.
Now let's try this:
Substitute your INSTRUMENT for the CAR.
Substitute the SLAPPING MATRIX for the IGNITION.
Substitute the KILLER SOUNDS coming out of your speaker cabinet for the car's MOTION.
And last but not least, substitute your SUBCONCIOUS for the FUEL TANK.
There is only 1 thing missing: IDEAS
The ideas that are generated from the Slap Bass Guitar Matrix are stored in your subconscious like petrol in a fuel tank.
What you receive:
played at 40 BPM and then up to tempo in close up
