INSERT The till has five quarters inside. BACK TO SCENE. Ed gives the Junkie a quarter. The Junkie goes back to the phone with the exact same results. The quarter is summarily eaten. Junkie comes back to the counter. Ed has a quarter waiting for him. ED Y'know a coffee could help your nerves. JUNKIE Just gotta make one phone call. DISSOLVE TO: INSERT Till with one quarter inside. BACK TO SCENE. Ed gives him the last quarter. ED You know I could dial the number for you if you want. The Junkie straightens up. JUNKIE If you're gonna be a pissface. ED What? JUNKIE Last time I come here to get coffee. ED You didn't get a coffee. JUNKIE Pig Facist! The Junkie staggers out. MONTAGE A rap beat pulses through. NARRATOR Gotta stay awake. - Muscle man getting a coffee - Two teens on a date getting coffee NARRATOR (CONT'D) Don't think of the bed. Just focus. - Ed making more coffee - Very old man getting coffee NARRATOR (CONT'D) Don't think of Natalie's making her monkey face when she about to come. - Ed washing a table - Natalie getting coffee and laughing - Single mother with baby getting coffee - Vinnie talking incessantly - Ed staring off into space BACK TO SCENE. A JUNKIE WOMAN puts honey into her coffee and starts off. ED Hey, excuse me. JUNKIE WOMAN Yeah? She approaches the counter challengingly ED I know this is none of my business but I know you may need your morning fix. Our spoons have been drilled. Junkie Woman takes the spoon that she just stole out of her pocket and takes a look. She places it carefully on the counter. ED (CONT'D) I'm sorry I just didn't want you to lose your stuff first thing in the morning. Junkie Woman gives him a long look. JUNKIE WOMAN Thanks. Can I give you a piece of advice now? ED Sure. JUNKIE WOMAN That girl, over there, that you keep making eyes at. ED Which one? JUNKIE WOMAN You know which one. ED What about her. JUNKIE WOMAN She's not the one for you. ED Why do you say that? JUNKIE WOMAN Too young. She doesn't know what she wants. The Junkie Woman turns and walks. She stops momentarily at the trash can and pulls out a piece of tinfoil. She leaves. TITLE CARD 7:59 AM INT. JAVA JOINT - MORNING Ed is looking at the clock on the wall. ED I made it. The coffee shop is empty except for Natalie. NATALIE Are you off now? ED I'd have to work here to be off. I made the night staff quit. Actually I made him cry, by accident. NATALIE Well I have to get going. ED Maybe we could get breakfast? NATALIE I can't I have to be somewhere in half an hour. ED Look, this is the longest I've spent with a woman. NATALIE Really? ED No but I thought that would impress you in a pathetic, up too late, kinda way. NATALIE Breakfast, if we hurry. Natalie is watching the clock now too. The clock winds slowly. The minute hand flicks straight up. eight AM. Ed and Natalie stare at the clock. An uncomfortable silence. ED HeÕs not showing up is he? NATALIE I doubt it. ED How long will you wait? NATALIE Now I really want breakfast. TITLE CARD 8:52 AM INT. JAVA JOINT - NIGHT Ed is cradling his head in his palm and his eyes are half open and fixed. NARRATOR (singsongy like meowmix jingle) Fuck Fuck Fuck Fuck Fuck Fuck The bell rings. Bug comes in looking miserable. Ed stiffens and stretches. BUG Good morning sunshine. The scene freezes on Bug. NARRATOR Only in Surrey can you show up eight hours late for a shift and not care. ED Where have you been? Did you know I covered your shift? BUG I went home. ED Asshole. Ed grabs his jacket and starts to leave. BUG I'm an asshole?! Ed stops. BUG (CONT'D) Well I guess I'll go home again. ED No! BUG Next time don't bitch about my coffee brewing! Ed covers his eyes and sighs loudly. ED It's just- BUG You don't get it do you? I don't pick the coffee beans or grind your coffee. They're in a little pile in their filters which are stacked in more little piles... You made me cry about Irish Creme? (screams) Irish Creme! Bug starts to look teary eyed. BUG (CONT'D) I hate coffee! Do you know what I did on my last shift? I babysat. Bug wipes a tear off while Ed waits. BUG (CONT'D) A little girl. I didn't know her name. Her mom was going to the washroom and she didn't come out... She fucking OD'd in our washroom. ED Hey man I'm really- Ed is walking towards the broken Bug. Bug suddenly flips emotion. BUG Hey! Whose bag? Bug picks up Natalie's bag. ED Oh shit. BUG If it's not yours I got dibs. ED She just left. Bug has opened the bag and is already rummaging through it. ED (CONT'D) Don't be an asshole. Bug spills it on the counter. Immediately picks up a pill container. BUG (CONT'D) What do we have here? ED Don't go through her- BUG Ritalin. Sweet. Ed picks up a science text book for grade nine. A note falls out and Bug picks it up. BUG (CONT'D) Listen to this. (in a girl voice half laughing) OH my God this class is sooooo boring! Tonight I'm going to a all night coffee shop and hang out. Maybe a dirty old man will invite me to breakfast- Ed snatches the note and reads it before crumpling it. ED You know what Bug or whatever your fucking name is; don't tell me cause I don't give a shit. I'm going to bed and I'm going to dream you never rifled through this FUCKING TEENAGER'S things. EXT. JAVAJOINT - MORNING Ed stretches and pops a cigarette in his mouth. He lights it and takes a big drag. NARRATOR That's the story of the Java Joint. It's closed now but that's not the saddest part. The saddest part of this story is the fact that it's mostly real and not fiction. Ed walks away. NARRATOR (CONT'D) So when your tour agent books you to come to Surrey, take an extra day or two and search for all the crazies from this story. Start at Surrey Place and head down King George. Happy hunting. FADE TO BLACK.