Being a turntablist is all about the art of music. This is especially true in the case of competition mixing where most of the work is created and displayed through this process. Therefore, it only follows that any competent DJ have at least a basic understanding of music and its components. This includes the concept of rhythm and music structure (that is, the breakdown of the music into beat segments, bars, counts, understanding breaks, etc.). Although the use of an old format such as vinyl rather than a more "modern" one (such as digital) in hi-tech mixing may seem curious, the beginner must understand that vinyl itself is a much more flexible medium to work with, especially in a style such as the one discussed here. What this beginner's guide covers is intended to be comprehensive. However, this art cannot be learned without the practice. It is the dedication and the exercising of this artistry which makes up nintey-nine percent of the instruction. This guide teaches the beginner the other one percent. For those who are new to the concept of turntablism, it is recommended that this guide be followed with a DJ battle video which demonstrates the ideas presented here.

For those unfamiliar with this unique form of turntable artistry, there are certain ideas to understand before becoming a part of this culture. This is a section in the Hip-hop spectrum that is not fully understood in the popular mainstream world, due to limited exposure of this unique art. There are no fancy digital samplers, keyboards, MIDI equipment, CD players, or other miscellaneous hi-tech hardware. Scratch-mixing involves only the basics: two turntables, a mixer, needles, records, headphones, playback system (possibly optional) and the DJ. From the mainstream perspective, this style of mixing will seem extreme since it utilizes techniques that are extremely unconventional. At the same time however, it can be appreciated that there is a great deal of originality and creativity involved in this mixing process. Only individuals who are totally dedicated and patient can master these skills. This art is analogous to a blank palette; there are generally no rules, guidelines, or requirements. Unlike the popular perspective, there are no racial, gender, class, or other biases to limit the individual from partaking in this culture. The other important thing to remember is that one must listen to the music, not just hear it. Many people do not listen to music, but rather simply bob their heads in sync with the rhythm, and therefore do not understand what is taking place on stage. To comprehend the skills and tricks that are employed, the spectator must be part of the musical depth that is emanated from the performer. Once these techniques are employed in a musical fashion, the performer no longer holds the title of "DJ," but of "Turntablist."

What it all breaks down to in the end is the performance. This is what the battle DJ strives for: the ability to showcase his/her talents and skills and receive the feedback as to the nature of their creation. A battle is not merely a competition, but it is also the cooperative method in which DJ's around the world attempt to push the limits of the artform to a higher level. A typical competition is made up of an elimination round and then one to three final rounds. The time limit of a routine is generally restricted anywhere from two minutes to five minutes, depending on the battle. Therefore, DJ's will produce sets that match this restriction so they can make use of their allowed time limit. The judges usually base their recognition on five critieria: creativity, accuracy, originality, stage presence (personality and style), and crowd response. It is essential that the performer be versatile in all these areas in order to accomplish a winning title.

The important thing to recognize is that this is not merely about playing records for a crowd - this is about making music. Just as perceptions and culture changes, music also and always will have a dynamic quality. Turntablism is an ever-evolving discipline that bases its judgement on originality, creativity, style, and presence. The Battle is what brings this musical sport to life and is the essence which feeds itself into a higher level. This is demonstrated year after year where new techniques become much more difficult to master. No matter what equipment is used, what it all boils down to is what comes from within the performer. That is where the real music exists...