SCOTT COMMUNITY COLLEGE-Principles of Soc. 100/Hip-Hop/Spr98
Alan L. Joplin, Instructor
Book: Society the Basic-Fourth Edition. John Macionis-Prentice Hall
Sat. 1:00 pm. to 4:00 pm./Room 1400
COURSE DESCRIPTION: An introduction to the principles of sociological analysis, the dynamics of the community, culture and society will be studied using the Hip-Hop Nation and Rap Music as its source. Emphasis is placed upon norms, status's, organizations, roles and their relationships in institutions and the society at large. Sociological and interdisciplinary approaches will be employed to consider debates over the nature of "Hip-Hop Culture," and the nature of cultural hierarchy, the relationship between culture and commodities, "Americanization" and the way in which popular cultural forms are tranformed in the movement from local to global markets.
COURSE GOALS: Students will acquire a familiarity with the basic sociological theories and research methods and be able to apply them to concrete problem settings in the case of this class the social world of the Hip-Hop Nation.
COURSE OUTLINE:
Week 1/January 17
Review of syllabus
Group Preparation for Final Class Activity " The 2nd Great Hip-Hop Debate. The class be broken up into two groups. Group1-Pro Hip-Hop. This group will defend the virtues of hip-hop and its place in our modern day society and will answer the cultural question "yes this is a culture". Group 2-Againest Hip-Hop. No it is not a culture and it does more harm to the society then good.
Background and Historical Perspective of Rap Music from 1850 to 1970
Topics: The Sociological Perspective, Investigations, Culture, Society, and Socialization. Rap Music and Hip-Hop Culture in Contemporary America.
Week 2/January 24
Week 3/January 31
Background and Historical Perspective of Rap Music from 1970 to present
Topics continues: The Sociological Perspective, Investigations, Culture, Society, and Socialization. Rap Music and Hip-Hop Culture in Contemporary America.
Development of Debate Questions. (see Week 6/Feb.21)
Week 4/February 7
Topic: Groups and Organizations: The Production of Culture in the Music Industry.
Topic: Deviance: Gangsta Rap and Visions of Black Violence
Hip-Hop black culture-http://www.daveyd.com/blckculture.html
rich cultural history-http://www.wmich.edu/herald/1995/nov/7th/4870.html
Cultural info. hip-hop-http://library.uncc.edu/people/chris/black.html
Hip-Hop Culture and the Internet-http://www.mrblunt.com
February 6, 1998/Speaker, Micheal Eric Dyson-Palmer College
Lyrics archive-http://library.uncc.edu/people/chris/lyrics/
Graphics intense (UK)-http://www.brad.ac.uk/~ctttaylo/lyrics.html
Hip-Hop sound files (ftp-sites)-ftp.uwp.edu /pub/music/lyrics
Hip-Hop sound files (ftp-sites)-ftp.sunet.se /pub/music/lyricsetext.archive.umich.edu
Index of /FAQ/music/hip-hop-http://www.crpht.lu/FAQ/music/hip-hop/
Favorite Music-http://pirate.shu.edu/~mottasco/fmu.htm
Dance Music-http://dancemusic.miningco.com/mbody.htm
MusicWerks' Hip-Hop Page-http://www.musicwerks.com/nalinks/hiphop.htm
Evripides' Music Page-http://home.sol.no/jeiken/music.htm
usic-http://http2.brunel.ac.uk:8080/~cs95een/music.htm
You Can't Beat Da Jungle Beat!-http://www.mds.mdh.se/~imf94han/jungle.htm
Week 6/February 21 Topic: Global Stratification: African Rap to Global Hip-Hop
Final Draft of Debate Questions Due.
Week 7/February 28 Topic: Sex, Gender, Aging and the Elderly.
Week 8/March 7 Topic: Sex, Gender, Aging and the Elderly. Guest Speaker to be named
Spring Brake March 9-14/ No Class-Debate Preparation Day
Week 9/March 21 Topic: Economy, Work, Politics and Government: Hip-Hop Music, politics, policies and institutions. Guest Speaker to be named
Week 10/March 28 Topic: Family and Education. Guest Speaker to be named.
Week 11/April 4 Topic: Religion: Sacred Music in the Secular City
April 14/Test 2-Using sociological concepts analize a select artical on rap music or the Hip-Hop Nation. You must use backup material for the chapters to support your position.
periodicals-http://www.gatech.edu/bgsa/blackpages.html
"Universal Blackpages"
Vibe On-line-http://www.vibe.com
Week 13/April 18 Topic: Collective Behavior and Social Movement: Hip Hop
culture as an agent of social change
Week 14/April 25 Topic: Social Change: Hip-Hop and the Politics of Post modernism
Week 15/May 2 Topic: Open
Week 16/May 9 Final Exam-The final will take the form of a student debate. You will have the whole semester to prepare for this activity. The debate will be held in the student activity center and out side judges will be called upon to assist in this process. You will be graded on how well you use sociological concepts to explain you position. Questions will be developed prior to mid-terms which will give each group ample time to prepare.
Reid Biography-http://www.sonicnet.com/sonicore/chat/bios/biovernonreid.html
Hip Hop Browser-http://www.elee.calpoly.edu/~aherana/hiphop.html
Stilt's Hip-Hop Links-http://www.ics.uci.edu/~roliva/rap.html
Related Links-http://web.syr.edu/~mdellado/wrt205/web_link.html
Links for Teachers-http://www.iworld.net/~perryr/links.htm
PLAY's Hot Linx-http://www.sirius.com/~playprod/Links.html
Eetu Martola's Bookmarks-http://www.hut.fi/~emartola/bookmarks.html
Pegasus' Links-http://www.wanderers.com/pegasus/peg2.html
HRap related shit...-http://www.kauhajoki.fi/~vimajava/misc_rap_stuff.html
Hip Hop Links-http://home.dti.net/echavez/hiphop.html
Class Work: Assigned reading in the text book, papers and debate are required. Test:Test must be turned in on the assigned dates.
Grading Procedures: Your grade for the semester will come from the four areas listed below: Attendance/Letter grade given(There are 16 class sessions. You can not be penalized for not coming but, I can reward those who do come.) Class Participation/Letter grade given (Participation is important to this class and to me. If you are not here you can not participate and will graded accordingly)
Paper/Letter grade given
Debate: Group Grade/Letter grade given
Particapation/Letter grade given
Tests/Letter grade given
I do not keep office hours at Scott but, special appointments are certainly possible. However, if you need to speak with me for any reason , I can be reached at 336-5210.If you would like to leave a message for me, please call 441-4200 an operator will ask for my extension 5210 enter it. Leave your message and hang up.
E-mail: ajoplin@eiccd.cc.ia.us or vtribe@usa.net
Web Site Resources:
Dress Code Mess (Ghostwriter). Sara St. Antoine, Dave
Henderson (Illustrator). 1992
Droppin' Science: Critical Essays on Rap Music and
Droppin' Science : Critical Essays on Rap Music and
Hip Hop Culture (Critical Perspectives on the Past).
William Eric Perkins (Editor). 1996
Fiona Raps It Up. Frank Remkiewicz. 1995
Gangsta: Merchandizing the Rhymes of Violence. Ronin
Ro, Ro Ronin. 1996
Marky Mark and the Funky Bunch. Randi Reisfeld. 1992
Unplugged. Ed Lover, et al. 1996
National Rap Directory. Barbara Taylor (Editor), et
al. 1995
The New Beats : Exploring the Music, Culture and Attitudes
of Hip-Hop. S.H. Fernando, S. H. Fernando Jr. 1994
Rap: The Lyrics/the Words to Rap's Greatest Hits. Lawrence
A. Stanley (Editor). 1992
Rap Attack 2: African Rap to Global Hip Hop. David
Toop. 1992
The Rap Factor. Delacorta, Catherine Texier (Translator).1996
The Rap on Gangsta Rap: Who Run It? Gangsta Rap and
Visions of Black Violence. Bakari Kitwana. 1994
Rap to Live by. Don Roberts. 1993
Rap Whoz Who: The World of Rap Music. Steven Stancell.
1996
Rap; Portraits and Lyrics of a Generation of Black. Rockers. B. Adler. 1991
Rock She Wrote: Women Write About Rock, Pop and Rap. Evelyn McDonnell, Ann Powers. 1995
Say It Loud: The Story of Rap Music. K. Maurice Jones.
1994
Signifying Rappers: Rap and Race in the Urban Present.
Mark Costello, David Foster Wallace. 1997
Spectacular Vernaculars: Hip-Hop and the Politics of Postmodernism (Suny Series in Postmodern Culture). Russell A. Potter. 1995
African American Music in Minnesota from Spirituals
to Rap. Judy Henderson. 1994
Badu Teaches Reading and Math With Rap Music: Vowels.
(Rap 1491C) 1992
Bring the Noise: A Guide to Rap Music and Hip-Hop Culture.
Havelock, Nelson and Michael Gonzales. 1991
Chosen by Fate: Life and Death Inside Death Row Records. McKinley Lee, et al. 1997
East 17: Talk Back. Carl Jenkins. 1995
Fight the Power: Rap, Race and Reality. Chuck D., et al. 1997
I Make My Own Rules. L. L. Cool J, et al. 1997
It's Not About a Salary... Rap, Race and Resistance in Los Angeles. Brian Cross. 1993
Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania. Tony Mitchell. 1996
Rap. Keith Elliot Greenberg. 1989
Rap: This Game of Exposure : Promoting Your Rap Record - Artist. Walt Goodridge. 1992
The Rap Factor Delacorta. Catherine Texier (Translator). 1993
Rap Music in the 1980s: A Reference Guide. Judy McCoy. 1992
Rap on Rap; Straight-Up Talk on Hip-Hop Culture. Adam Sexton. 1995
Rebel for the Hell of It: The Life of Tupac Shakur. Armond White. 1997
Squeezed. Linda England, Dena Schutzer (Illustrator). 1996
Tupac Shakur. The Editors of Vibe Magazine (Editor). Quincy Jones. 1997
United States Vs Hip Hop the Historical and Political Significance of Rap Music. Julian Shabazz. 1992
All You Need to Know About Rappin'! from Grandmaster
Blaster. Blaster Grandmaster. 1984
Brush Them Bright/Book and Toothbrush. Patricia Quinlan,
Eugenie Fernandes (Illustrator). 1992
Don't Do Drugs! : A Rap Song (Teenage Mutant Ninja Turtles).
Bobbi Katz, Isidre Mones (Illustrator). 1991
The Emergency of Black and the Emergence of Rap (A Special
Issue of Black Scared Music : A Journal of Theomusicology,
Vol. 5, No. 1, Spring, 1991). Jon Michael Spencer (Editor).
1991
From the underground: hip hop culture as an agent of
social change. Hashim A. Shomari.
Hip Hop: The Illustrated History of Break Dancing, Rap Music, and Graffiti. Steven Hager. 1984
Ice by Ice: The Vanilla Ice Story in His Own Words.
Vanilla Ice. 1991
Music lyrics and commerce : hearings before the Subcommittee
on Commerce, Comsumer Protection, and Competitiveness
of the Committee on Energy and Commerce, House of Representatives,
One Hundred Third Congress, second session. February
11 and May 5, 1994
Nation Conscious Rap (Afro-Americanization of Knowledge
Series, 3). Joseph D. Eure, James G. Spady (Editor)
1991
The Party (18 Pine St No. 2). Walter Dean Myers. 1992
Public Enemy. Chuck D. 1994
The Rap Attack: African Jive to New York Hip Hop. David Toop. 1985
Rap Book. Jeffrey Knuckles. 1988
Rock, Rap, and Rad: How to Be a Rock or Rap Star (An Avon Flare Book). Fran Lantz. 1992
The Rough Gruff Goat Brothers Rap (Rap Tales). Jon Chardiet, et al. 1993
Sacred Music in the Secular City from Blues to Rap.
Spencer. 1991
Signifying Rappers: Rap and Race in the Urban Present.
Mark Costello, David Foster Wallace. 1990
Stop the Violence: Overcoming Self Destruction. Nelson
George. 1990
Original file name: hhspr98 - Updated January 10, 1998