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Goblin

 

 

Hits, Rare Tracks, & Outtakes Collection, 1975-1989

Release date – April 18, 1995

DRG

 

Lineup:

Massimo Morante – guitars, bass, mandolin

Claudio Simonetti – electric keyboards, synthesizers, organ, violin

Fabio Pignatelli – bass, acoustic guitar

Agostino Marrangolo – percussion, piano

 

Remember those great old horror and suspense movies like Dawn of the Dead, Deep Red, Susperia, and so many others? Most likely you have heard of maybe one or two of those, and most likely you never cared about who did the musical score for the movie, but now you’re dealing with a huge dork. While I’m not a huge horror geek or anything, and while I do enjoy a good suspense movie, I’ll take a comedy any day, but I do have to say, those movies mentioned above, and a lot of movies that are listed in the track listing have some of the best musical scores to them. They’re so good that I actually went out and bought a CD full of songs from their scores, and that is what’s being reviewed right here. Goblin’s basically an electronic synth type of band from Italy that made themselves known by doing scores like these, and they still have a following, although they don’t work nearly as much as they once did, but they have done some good recent work, such as the score of “Shaun of the Dead”, which was also a pretty funny movie. Their sound is very distinct, as it comes off as very clean, but very suspenseful. Most of their work was on films that the legendary Dario Argento had his hand in, like Susperia, Dawn of the Dead (George Romero film that was presented by Argento), and Deep Red (wait, didn’t I just mention those three?). Anyway, this is just what I expected from them, if not better. The sound you get is very dark and at times just plain disturbing, for instance, “Susperia”, the main theme is nothing short of evil, and it gets really awesome when you get all the crazy electronics in there, giving a complete mindfuck. There’s other songs that don’t sound quite as evil, like the opening track, the main theme in “Profondo Rosso” (aka Deep Red), which is a little bit dark, but nothing quite as crazy as “Susperia”. “Phenomena” is another great dark track featuring some opera vocals in there as well (hey, Opera, another great Argento movie!), and I’ve always been a sucker for “Tenebre” (both the movie and the song). All in all you get some really cool movie scores here with a lot of ambience and just some killer electronic effects that, for the time, were very cutting edge. Goblin really were as good at scores as almost anyone out there (Ennio Morricone still stands alone though, but with a completely different style).

 

The sound quality on this, of course, is perfect.

 

Goblin made their name with their great movie scores for so many great movies, mostly suspense movies. Their cutting edge electronic style really separated them from the rest of their peers in the movie score industry (if it really exists completely), and their stuff is actually fun to listen to even without the movies. Out of 100 I give this a 90.

 

Track listing

 

Profondo Rosso

 

1.    Profondo Rosso (Main Title)

2.    Death Dies – M 32 (original film version)

3.    Profondo Rosso – M 15

4.    Profondo Rosso – M31

 

Wampyr

 

5.    Wampyr (finale)

 

Chi?

 

6.    Chi? – Part 1

7.    Chi? Part 2

 

Patrick

 

8.    Patrick – M 32 bis

9.    Patrick – M 1

10. Patrick – M 34/34 Bis/35

 

Suspiria

 

11. Suspiria (main title)

 

La Via Della Droga

 

12. La via Della Droga – M 1 IV

13. La via Della Droga – M 2

14. La via Della Droga – M 6

15. La via Della Droga – 31

 

Zombi

 

16. L’Alba dei Morti Viventi

 

Buio Omega

 

17. Buio Omega – M6

18. Buio Omega – M25

19. Buio Omega (main title)

 

St. Helen

 

20. St. Helen (Love Theme)

 

Contamination

 

21. Contamination – M 3

22. Contamination – M 8

 

Tenebre

 

23. Tenebre (Main Title)

 

Notturno

 

24. Bass theme

 

Phenomena

 

25. Phenomena – M 12

26. Phenomena – M 15

 

La Chiesa

 

27. La Chiesa