Site hosted by Angelfire.com: Build your free website today!
Marple Newtown Senior High School
Modern European History
 The  Agony  and  the  Ecstasy
A study in Renaissance culture - the arts and politics

Written by  Irving Stone

Starring
Charlton Heston as Michelangelo
Rex Harrison as Julius II
Diane Cilento as the Contessina de Medici
Harry Andrews as Donato Bramante
Tomas Milian as Raphael Santi
Adolfo Celi as Giovanni de Medici
Alberto Lupo as the Duke of Urbino


Michelangelo
(1475-1564)
Creation of Adam (Sistine Chapel)
(1508-1512)
Julius II
(1443-1513)

Intertwining of two great Renaissance figures' lives and conflict (between Pope Julius II
and the artist-sculptor, Michelangelo) leads to the painting of the Sistine chapel in Rome
in this huge spectacle, a meticulous production, loosely based on the Irving Stone novel.

Nominated for 5 Academy Awards
including
Best Color Cinematography

The Agony and the Ecstasy  by Irving Stone

           This film presents a reasonably accurate portrayal of the intricate and often
      violent politicsof Renaissance Italy.  Pope Julius was often considered a better
      warrior than religious leader.  The movie shows the pope's role as secular leader
      of the Papal States as well as for the Christian Church in Western Europe.  In
      the film, one of the cardinals justifies Julius's role as a warrior by stating that
      the pope must fight his secular enemies to maintain an independent Church free
      fromthe control of European princes.  This is and has been a subject for debate.

           When you view and discuss this film, keep in mind the role of the papacy in
      medieval and Renaissance Europe and the growing protests against the political
      aims and the materialistic ambitions of the popes.

           The movie accurately portrays how Michelangelo worked on the ceiling.
      Fresco is theprocess of painting on damp, freshly laid plaster so that the paint
      is bonded to the wall.  For many years, it was felt that Michelangelo used muted
      colors for his design.  A recent cleaning and restoration project on the Sistine
      Chapel ceiling has shown the colors to be bright and rich.  The film shows fresco
      colors as they were revealed recently, which is interesting, since the film was
      made 20 years before the restoration project.

           Note the scene between Michelangelo and Raphael when they discuss the
      role of the artist and his patron.  The necessity of patronage and securing
      commissions from wealthy clients began during this time period.  It has
      continued to plague the artist, to a certain extent, up until the present.

     Identifications and Vocabulary: Define these terms from our pre-film discussion
      they they will give you a better understanding of the film.  The WEB sites at the end of
      this page will help you to complete this part of the film activity.

      Michelangelo Buonarroti:

      Julius II:

      Donato Bramante:

      Raphael de Santi:

      de `Medici (family):

      Fresco:

      Cardinal:

      Papal States:

      St. Peter's Basilica:

      Simony:

      Indulgences:
 

 1) Why didn't Michelangelo want to paint the Sistine Chapel?
 
 

 2) What was Michelangelo’s reaction to the commission, the request by Julius, to
      paint the ceiling of the chapel?
 
 

 3) a. Why does Michelangelo destroy his early work on the painting and run off to the
         stone quarry at Carrara?
 

      b. What does this tell you about characteristics of a Renaissance artist?
 
 

 4)  a. What criticisms does Michelangelo hear when Julius' Cardinal aides respond to
          the partially finished work?
 

      b. How does Michelangelo respond to them?
 
 

      c. Why does Julius later tell Michelangelo "you make a better priest than I do"?
          How can this be?
 
 

 5) a. How were the Renaissance artists restricted by their need for a patron and
         funding?
 
 

      b. What reminder does Raphael  Santi give to Michelangelo about artists and
          their relationship with their patrons?
 

6)  How did Julius raise money for his wars and for the completion of the Sistine
     Chapel?  How would this practice contribute to the decline of the prestige of
     the papacy?
 
 

7)  Julius II commissioned Michelangelo to paint the ceiling of the Sistine Chapel.
     Michelangelo went way over schedule and budget.  What were the problems?

     a. Did Michelangelo simply underestimate the time required?
 

     b. Did he underestimate the cost or availability of the supplies he needed?
 

     c. Did he think the effort through, not considering logistical complexities?
 

     d. Did he underestimate the labor he would need to assist him?
 
 

     e. Did Julius II ask for many revisions (e.g., Noah’s nakedness already covered,
         about to be covered, almost uncovered. . .)?
 
 

 8) Describe 3 challenges that faced Michelangelo as he painted the Sistine Chapel.

     a.

     b.

     c.

 9)  How did the people react to the painting when it was first unveiled?
 
 

WEB Sites pertinent to the characters in and story of the film
The Agony and the Ecstasy

Michelangelo: His Life and His Art A biographical study (with works) of the life of
Michelangelo

Michelangelo 02 A strong biographical study of Michelangelo

Michelangelo 03 From the EuroWeb Gallery, a biographical study (with works) of
Michelangelo

Julius II 01 From the Catholic Encyclopedia's popes

Julius II 02 From InfoPlease.com, a biographical study of Julius II

Julius II 03 A paper done on the life and importance of Julius II as a pope

Donato Bramante 01 Renaissance study of Bramante's architectural works

Donato Bramante 02 From Giorgio Vasari, a study of Bramante

Donato Bramante 03 From InfoPlease.com, a biographical study of Bramante

Raffaello Sanzio (Raphael) 01 A biographical and artistic study of Raphael

Rafaello Sanzio (Raphael) 02 Uffizi collection and survey of Raphael's works

Rafaello Sanzio (Raphael) 03 Biography and works of Raphael

Sistine Chapel -- The Ceiling Cleaned A new look at the Cleaned-up Sistine Chapel and what
it has revealed to the art world; includes a study on how the clean-up was done.

Fresco 01 What is a Fresco?

Fresco 02 Understanding the Fresco style of painting, and examples from the Renaissance

St. Peter's Basilica The construction and history of St. Peter's, the center of the Roman
Catholic world.


 
 
 
Return
to Home
To Film Index