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Theatre of ancient Greece

The Greek theatre' (AE
theater) or Greek drama is a theatrical
tradition that flourished in ancient
Greece between c. 550 and c. 220 BC. Athens,
the political and military power in Greece during this era, was the
centre of ancient Greek theatre. Tragedy
(late 6th century BC), comedy
(~486 BC), and satyr
plays were some of the theatrical forms to emerge in the world.
Greek theatre and plays have had a lasting impact on Western
drama and culture.
The origin
of western theatre is to be found in ancient
Greece. It developed from a state festival
in Athens,
honoring
the god Dionysus.
The Athenian city-state
exported the festival to its numerous allies in order to promote a
common identity.
The drama performances were important to the Athenians - this is made
clear by the creation of a tragedy competition and festival in City Dionysia.
This was organized possibly to foster loyalty among the tribes of Attica
(recently created by Cleisthenes).
The festival was created roughly around 508 B.C.
After the Great Destruction by the Persians in 480
BC, the town and acropolis were rebuilt, and theatre became formalized
and an even more major part of Athenian culture and civic pride. This
century is normally regarded as the Golden Age of Greek drama. The
centrepiece of the annual Dionysia, which took place once in winter and
once in spring, was a competition between three tragic playwrights at the Theatre
of Dionysus. Each submitted three tragedies, plus a satyr play (a
comic, burlesque
version of a mythological subject). Beginning in a first competition in 486
BC, each playwright also submitted a comedy.
Aristotle claimed that Aeschylus added the second actor, and that
Sophocles added the third actor. Apparently the Greek playwrights never
put more than three actors on stage, except in very small roles (such as
Pylades in Electra). No women appeared on stage; female roles were
played by men. Violence was also never shown on stage. When somebody was
about to die, they would take that person to the back to "kill"
them and bring them back "dead." The other people near the stage
were the chorus which consisted of about 4-8 people.
Although there were many playwrights in this era, only the work of four
playwrights has survived in the form of complete plays. All are from
Athens. These playwrights are the tragedians Aeschylus,
Sophocles,
and Euripides,
and the comic writer Aristophanes.
Their plays, along with some literary sources such as Aristotle, are the basis of what is known about Greek
theatre. Because of this, there is much that remains unknown about the
theatre in other Greek City-States.
There were several scenic elements commonly used in Greek theatre:
- machina, a crane
that gave the impression of a flying actor (thus, deus
ex machina).
- ekkyklema, a wheeled wagon used to bring dead characters into
view for the audience
- trap doors, or similar openings in the ground to lift people onto
the stage
- Phallic
props were used for satyr
plays, symbolizing fertility
in honor of Dionysus.
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