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Blue Rodeo: Outskirts (1987)





Cleave Anderson - Drums
Jim Cuddy - Guitars and Vocals
Bazil Donovan - Bass
Greg Keelor - Guitars and Vocals
Bobby Wiseman - Piano and Acetone
 Heart Like Mine Lead Vocals by Greg and Jim Don't you know that we're out of touch, Yeah, we fight too much, How'd we ever get so messed up? Everynight, we say the craziest things You know our words they once had wings. Now it's all covered up In double-talk and lies There's a stranger looking back When I look in your eyes. (repeat above) I just want to find a heart like mine I just want to find a heart like mine A heart like mine, a heart like mine. You call me a fool, 'cause I still feel the same. You say that your love has changed, Ah! Here we go again Close your eyes tell me what do you see Do you still remember me? Like some Mexican diplomat After the fact Air-brushed from history Swept under the mat. I just want to find a heart like mine I just want to find a heart like mine A heart like mine, a heart like mine. And as I walk out the door I step into a dream. The world's quiet and I feel free, But things are never what they seem But then I hear you call And warn myself - now don't go back But slow motion attacks Like some Mexican diplomat After the fact Air-brushed from history Swept under the mat. I just want to find a heart like mine I just want to find a heart like mine A heart like mine, a heart like mine.  Rose-Coloured Glasses (Day After Day) Lead Vocals by Greg She sees the world through rose-coloured glasses Painted skies and graceful romances I see a world that's tired and scared Of living on the edge too long Where does she get off telling me That love could save us all, save us all. She takes my hand and leads me to nowhere town. No matter where I stand it's always neutral ground, And in the cool of the evening blue I feel so tired and alone Where does she get off telling me That love could save us all, save us all. And it's day after day I keep hanging around can you tell me why Night after night, yeah I know I should leave But there's something in those eyes That keeps me hanging on, I'm hypnotized It breaks my heart and I don't know why SOLO Tell me why, tell me why She sees the world through rose-coloured glasses Painted skies and graceful romances I see a world that's tired and scared Of living on the edge too long Where does she get off telling me That love could save us all, save us all And it's day after day I keep hanging around, can you tell me why Night after night, yeah I know I should leave But there's something, yeah, yeah... Day after day after day after day And I don't know Day after day after day after day And I don't know why.  Rebel Lead Vocal by Jim Out on the streets every night Going out of my head. Caught in a midnight parade That I wish I wasn't in, I'm running away with nowhere to hide Caught in a world just four lanes wide Everyone thinks of themselves But I'm thinking of you. And it's all for a rebel And it's all for a rebel Spent last night falling in love With a girl in room five. People 'round here are different We lead desperate lives, No, the same moon rising over your head Is catching me wasted, worn-out and dead Everyone's watching themselves, But I'm watching you. And it's all for a rebel And it's all for a rebel, yeah Out on the streets every night Going out of my head. I'm caught in a midnight parade That I wish I wasn't in No, the sun that's rising over your head Is catching me wasted, worn-out and dead Everyone thinks of themselves, But I'm thinking of you And it's all for a rebel And it's all for a rebel rebel, rebel, yeah  Joker's Wild Lead Vocal by Greg You're feeling over the hill Chasin' powder and pills But you don't mind the taste Of the slow burnin' waste Until you feel like trash Ya might as well have a gas Until you feel like trash Ya might as well have a blast Deep down in your heart Well, you know you can't hide Still you know what you're runnin' from Better than I And when they ask you why You say the joker is wild And when they ask you why You say the joker is wild... When your skin starts to crawl And your fingers twitch And your veins are screaming For some kinda fix Well, they ask you why You say the joker's wild If there was only a way To make you understand That the game that you're playing Has gotten out of hand And when they ask you why You say the joker is wild And when they ask you why You say the joker is wild...  Piranha Pool Lead Vocal by Greg Leaning over the piranha pool You just wave your magic wand Dangling your fingertips Into the world of the just beyond. Sitting ever so quietly In your private dining room Guiding the waves of destiny Into the face of oblivion. So you'd rather been an opera star At the turn of the century. Well you never asked for this miracle trip A genius in the military You're sincerely surprised with your own success Hanging out with the judges and the corporate heads You never anticipate the final toll Still shining all your medals For the final curtain call. You're always talking 'bout the here and after But it don't make much sense to me Still for all the men that you condemn Well I hope there's some kind of heaven And there's got to be some kind of hell for you Leaning over the piranha pool You just wave your magic wand Dangling your fingertips Into the world of the just beyond. Sitting ever so quietly In your private dining room Guiding the waves of destiny Into the face of oblivion. You're always talking about the here and after But it don't make much sense to me Still for all the men that you condemn Well I hope there's some kind of heaven And there's got to be some kind of hell for you  Outskirts (Of Life) Lead Vocal by Greg Here on the outskirts of life Dreams seldom come true Flippin' thru photographs emotional holographs Cutouts of all the figures you might've been Reflections of a life that you once lived As the evening descends Your conscious of every breath And every moment is a crisis, I guess Starin' out the windows of your hotel room You lit one too many fires underneath that spoon Well I guess you deserve the chosen few Real life, just out of view Well that's just here, On the outskirts Yea, that's here, On the outskirts of your life And there's a picture we've all seen It was taken in the lobby of the L.A. Ambassador Hotel It's the silhouette of a man in another's arms So turn off your TVs, and let that train go home 'Cause everyone warned you that California Wasn't goin' to be the end California wasn't gonna be the end. And tell me where can you hide when the whole world is ugly and strange Yea tell me where you gonna turn when this whole world knows your name And these four walls are screamin' And all your friends were so deceiving Yea you forgot the lines of a part you rehearsed so well Lyin' awake in the Brazilian Court Hotel But that's just here, On the outskirts Yea, that's here On the outskirts, Of your life...  Underground Lead Vocal by Jim There's a way I've been told If we walk together Keeps us from this cold. On the sidewalks of these streets, Lie the broken dreams Scattered at our feet... Lead me on, I don't mind I'll come forward laughing everytime All my friends, they've gone underground Go underground. There's a shadow on this land A growing darkness Cruel and senseless hand. This block won't be the same Now the music's there, But somehow something's changed.. Lead me on, I don't mind I'll come forward laughing everytime. All my friends they've gone underground. I got burned, left too quick Got myself locked outside the heart of it All my friends they've gone Underground, go underground, go underground. SOLO There's a song that I've heard Rising up above the streets Of this crumbling world. 'Bout the sadness in every day How it leaves and takes A bit of your faith away... Lead me on I don't mind I'll come forward laughing everytime All my friends they've gone Underground. I got burned left too quick Got myself locked outside the heart of it All my friends they've gone undergound Go undergound, go underground.  5 Will Get You Six Lead Vocals by Greg and Jim Pointy two tones, echo down the street, The street, the street, the street, the street, Woaho. Shiny buckles, jangle to the beat, the Beat, the beat, the beat, the beat, Woaho. Hair just right, he knows he's lookin' Cool tonight. He hopes he finds her in the neon light... Insurrection acts just like a prayer. Bad intentions, collar turned against the wind. It's such a simple twist you just flik the switch. It's so easy to forget a life like this, a life like this. He doesn't care he's had a taste It's such a simple contortion No easy solution It's an act of faith. Still 5 will get you six, if you play the dice right. 5'll get you six if you play the dice right... 5'll get you six if you play the dice right... 5 will get you six boy SOLO Insurrection acts just like a prayer. Bad intentions, collar turned against the wind. It's such a simple twist you just flik the switch. It's so easy to forget a life like this, a life like this. He doesn't care he's had a taste It's such a simple contortion No easy solution It's an act of faith. Still 5 will get you six, if you play the dice right. 5'll get you six if you play the dice right... 5'll get you six if you play the dice right -- 5'll get you six boy 5'll get you six boy 5'll get you six boy 5'll get you six boy 5'll get you six boy 5'll get you six boy  Try Lead Vocal by Jim Don't tell me I'm wrong, 'Cause I've been watching every move that you make. Hearts you steal, when you're made-up and heels Trouble for the man that you take. Every time you walk in the room I couldn't ever be sure of a smile You were never the same way twice, I'm falling in love Oh, night after night - oh it's crazy...ooh So many people who said, ooh Girl you've got nothing but time Oh you are a shining star Don't you worry 'bout what you're leaving behind. Every time you walk in the room I couldn't ever be sure of a smile You were never the same way twice, I'm falling in love Oh, night after night - oh it's crazy... Oh you got to try, try, try. Ah don't you know you've got to try, Try, try. Oooh Oh baby you try, oh. SOLO Every time you walk in the room I couldn't ever be sure of a smile You were never the same way twice, I'm falling in love Oh, night after night - oh it's crazy... Oh you got to try, try, try. Ah don't you know you've got to try, Try, try. Oooh oh baby you try, oh woah woah try, oh woah woah I don't know if you've ever seen the movie Sunset Boulevard but at the beginning of this movie William Holden is floating-dead-in a pool and behind him all these flashes are going off of the police and news photogra- phers and then the voice of this guy who's floating in this pool comes over and starts telling us about this crazy arrangement he's been having with Gloria Swanson, some chaffeur named Von Stroheim and a Chim- panzee in a white satin coffin but what he's really talking about is how we're continually being confronted with the possibility of our own corruption and how if you're not care- ful you can be swallowed up whole by your own ambitions. Now in his own life, William was a bit of a drinker and one night sittin at home after having a couple too many, he falls down and hits his head on a coffee table...no big deal...so goes to the bath- room, gets a towel, puts it to his head and stumbles off to bed but he never woke up...he was so loaded that he ends up bleeding to death, lying there in a pool of his own blood... HMPH...this song is about that sort of feeling...that burnout kinda feeling of when a bad thing has been going on for too long and an act of sympathy makes as much sense as putting a towel to your head.  Floating Lead Vocal by Greg Well, these late night conversations Leave a strange taste, Like french cigarettes. And these coloured drinks that you keep on throwin' at me Just keep on reminding me I came to forget. So now every night You insist on reminding me Of my lost possibilities And the stains on the wall. Well, I don't mean to complain But it hurts just the same. And now both of us know The leaves will fall on their own. Just throw me a line That's all that I ask Well, it's sink or swim and I'm goin' fast I need love and it's you And I feel like William Holden floating in a pool. Yea, you tell me Life is for living It's best in the giving But it's so hard to be free. Still I do my best But you refuse my gift And now all that we share Is a collection of tears. Just throw me a line That's all that I ask Well, it's sink or swim and I'm going fast I need love and it's you And I feel like William Holden floating in a pool. Produced by Terry Brown All songs written by Keelor/Cuddy All songs published by Thunderhawk Music (SOCAN). Copyright 1986, 1987 Blue Rodeo Productions. All rights reserved. Used with Permission. BLUE RODEO Horseshoe This is Rodeo Village. One street runs through the town; one street washed in fog and rain. Neon signs push out of the gloom: SADDLE, TAVERN, LOVE, HORSE, FIRE, REBEL, BAR. Coming up the way is the other boy and that girl. I can't make out what they say, but they are happy. She's feeding the popcorn and him, well, his boot-heels spark on the tracks. Only one house too, siatted red up to the stars; no door, no trash-can, no nothing except, high up, a window. In the room there is a poster that reads "Boule- vard of Broken Dreams," in front of it hangs a bulb with no shade and underneath: Him. Forlorn and abandoned. A cigarette traces and he starts to sing. This is all very upsetting, I am thinking, when a Rodeo Boy walks over. "Welcome," he says, "and how do you find us?" "With difficulty," I reply, remembering the coin I had stopped to pick up, the sidewalk that opened and falling through space. "It's a simple community we have here, but we think it works." I wonder if it isn't a bit sad and depressing. Rodeo laughs. "Don't worry, it's not real. Besides, wait for the chord change, things cheer up after that." He puts his arm around me. "Come. Get yourself a drink and find out." So I do. The bar is run by a gap-tooth doxy. The bill I pay with is a yard long and the beer bottle I get for it comes up to my neck. "Have you been here long?" "Not long, no. Can you open this thing?" "Twist off." "Thanks." Then she tells me everything. She explains how the other boy always has the girl and how the girl thinks she is happy with him. How it rains, how God can hear what they say to each other. "Another beer?" "I think I'm doing fine with this one, in fact, it doesn't seem to have gone down at all." "They don't. Ever. But I'm supposed to ask." "Thanks anyway," I laugh. "Will you kiss me?" The conviviality of bars, places where people drink. The warm smell, mouths moving in silent conversation, music and indecipherable voices. The glow of liquor hugging your shoulders; it pushes you forward, puts tears in your eyes. "Please, it's been so long." Rodeo throws back his head. The beer bottles scream out: "Chord change!" With that, the black skies split open and a band of sunlight runs up the street. The other boy has vanished, the real one appears. He straightens his collar and she drops the popcorn. In a slow ecstatic embrace they move together, into the haze. Philip Martin Nerve/December 1986

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