DFFQI_sweiida.html
Script created with Final Draft by B.C. Software, Inc.
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This is not THE Episode II script, nor do I make any claims
that it is.
STAR WARS and all related characters are copyright LucasFilm
Ltd.
STAR WARS
EPISODE II
DARKNESS ASCENDING
written by
Peter Tatara
EXT. SPACE
TITLE CARD:
A long time ago in a galaxy far, far away...
A vast sea of stars serves as the backdrop for the main
title, followed by a roll-up, which crawls into infinity.
EPISODE II:
DARKNESS ASCENDING
With Senator Palpatine's election to the position of Supreme
Chancellor, the Galactic Republic entered into a new age of
peace and prosperity.
Obi-Wan Kenobi and Anakin Skywalker, meanwhile, have made the
small planet of Naboo their home, at the request of its
monarch, Queen Amidala.
The galaxy is experiencing a golden era of harmony. Peace
flourishes from one end of the Galactic Republic to the
other.
And, it is all because of one man, the Grand Chancellor of
the Galactic Republic, Palpatine....
The CAMERA pans down, as the crawl shimmers out, revealing
the planet Tunnis, an old grey world pock marked by craters.
The CAMERA pulls back, and we see that we are actually inside
a small vessel, looking out through a large forward window.
INT. LANDING CRAFT - MEDIUM SHOT - SHADOWY FIGURE
A reverse angle from the previous shot, we see a SHADOWY
FIGURE step forward. As the light from the stars and Tunnis
reach him, his face is revealed. He is CHANCELLOR PALPATINE.
He is showing signs of his age. Wrinkles in his skin run
deep. His hair falls flat against his face. A dark cloak is
draped around his shoulders.
EXT. TUNNIS - HIGH ATMOSPHERE - LOOKING UP
The landing craft, small and box-like, meets with the
atmosphere of Tunnis. The ship glows brightly as it slams
down into the gases, burning its way to the surface.
EXT. TUNNIS - LOW ATMOSPHERE - LOOKING DOWN
The landing craft continues its fiery descent. The CAMERA
follows behind the craft, at some distance. We see the gases
of the atmosphere glow around the ship's hull, as it cuts
deeper and deeper.
Then, the gases thin out, as the landing craft clears the
heavy atmosphere. The CAMERA stops, looking down vertically.
The landing craft disappears against the distant terrain,
composed of jagged cliffs, crags, plateaus, and craters. A
large crater takes up the entire upper left corner of the
screen.
EXT. TUNNIS - WIDE SHOT - BLACK RIDGE
The landing craft sets down on a ridge, black against the
stormy and turbulent grey sky. Steam jets fire just prior to
and after the landing.
MEDIUM SHOT - LANDING CRAFT
The CAMERA is positioned directly behind the blackened craft.
Exhaust escapes as the thick metal door opens, lowering down.
While a blackened grey on the exterior, the inside liner is a
deep red. Rays of light escape from behind the descending
door. Two bright lanterns glow, on either side near the top
of the door.
MEDIUM SHOT - CLOSER TO LANDING CRAFT
FIGURES emerge from the craft, eclipsed by the bright
lanterns. Their faces only become apparent as the pass by
the CAMERA. The FIRST FIGURE is PALPATINE, the hood of his
cloak now raised, with a grave expression on his face.
The second figure's face is obscured. His cloak is similar
to that of PALPATINE. His face only becomes apparent when
almost on top of the CAMERA. The light catches his strong
nose and features. An olive green officer's cap sits under
the cloak. From what can be seen, it is reminiscent of that
of a Naboo soldier. He is NELL WYNDSUNG, a hardened career
soldier.
The third figure is lanky, a worried and troubled look is
about him. He is JASTER MAREEL. His thin hair is cut short.
He wears a thinner cloak. His is made of a light black
material, unlike the course brown of Palpatine's.
MEDIUM SHOT - CAVE ENTRANCE
Almost a reverse angle of the previous shot, we see the THREE
FIGURES walk into a jagged opening cut into the rock wall, a
dim light glowing from deep within.
MEDIUM SHOT - ROCK PASSAGE
A profile view, we see the FIGURES walk down a jagged
staircase.
CLOSE SHOT - STAIRS
The CAMERA is positioned directly in front of a step. We see
the feet of the THREE FIGURES walk down, stepping over the
CAMERA. Palpatine and Nell's boots are sleek and black.
Jaster's are dusty and brown.
MEDIUM SHOT - ROCK PASSAGE
The CAMERA is looking down, directly ahead of the stairs. We
see the FIGURES walk past the CAMERA, below it.
MEDIUM SHOT - ROCK PASSAGE
A reverse shot of the previous one, we see the three continue
walking. We now see a eerie yellow light coming from ahead
of them, their destination.
MEDIUM SHOT - ROCK CHAMBER
A profile view, we see the three enter the dim room.
WIDE SHOT - ROCK CHAMBER
We see the entire chamber, carved out of solid rock. A
small, thin electric torch stands in the center of the room,
burning. It's light doesn't reach the walls of the chamber,
leaving the exact size a mystery. The center is a bright
yellow, while the walls are black, with the openings of
meandering passages somewhat visible.
PALPATINE, NELL, and JASTER stand near the passage which took
them here.
MEDIUM SHOT - PALPATINE, NELL, & JASTER
We see the three, standing in a line, next to each other.
PALPATINE is in the center. To his left is NELL. To his
right is JASTER.
Nell's face is blank. Jaster's is filled with worry and
concern. PALPATINE is calm. He slightly nods and bows his
head to left.
MEDIUM SHOT - SHADOWS
From behind the shadows, a slow, soft voice sounds.
KAO DAL
You're late.
At a profile, KAO DAL, a Mandalorian ambassador, steps
forward, out of the shadows. He wears armor similar to that
of Boba Fett. His is tinted red and hidden under a short
cloak.
MEDIUM SHOT - PALPATINE, NELL, & JASTER
PALPATINE
I'm aware.
(beat)
There were matters which I had to...
attend to.
A profile view, PALPATINE steps forward, to greet the
MANDALORIAN.
MEDIUM SHOT - PALPATINE AND KAO
PALPATINE extends his arm in greeting. KAO looks at it, but
does not extend his arm.
KAO looks up, at JASTER.
In a slow whisper, KAO speaks.
KAO DAL
Who's he?
MEDIUM SHOT - JASTER
JASTER flashes a scared smile.
MEDIUM SHOT - PALPATINE AND KAO
KAO DAL
He was not with you when we met before.
CLOSE UP - PALPATINE
PALPATINE
He is Jaster Mareel, my assigned aide.
MEDIUM SHOT - KAO
KAO breathes a labored breath. He, then, reaches under his
short cloak.
CLOSE SHOT - KAO'S GUN
We see part of Kao's blaster being pulled out.
MEDIUM SHOT - KAO
KAO pulls his blaster out. It is a bulky silver weapon,
tested in battle. He points it at JASTER.
CLOSE UP - JASTER
Jaster's face fills with fear and terror. His lips tremble.
CLOSE UP - PALPATINE
Palpatine's face is reserved as he glances toward JASTER.
MEDIUM SHOT - PALPATINE AND KAO
PALPATINE reaches out and places his hand over Kao's weapon.
He forces it down.
PALPATINE
No.
(beat)
We do not have time for this.
CLOSE UP - KAO
KAO breathes.
MEDIUM SHOT - PALPATINE AND KAO
PALPATINE turns to JASTER.
PALPATINE
Jaster.
MEDIUM SHOT - JASTER
JASTER stumbles forward and gives PALPATINE a small disc.
CLOSE SHOT - DISC
We see the small disc change hands. It is circular and
bronze, with a network of wires and circuits visible.
MEDIUM SHOT - PALPATINE AND KAO
PALPATINE extends his arm. The disc is between the two of
them. PALPATINE taps a button on its surface.
A grainy blue star map flickers in the air.
Several systems are highlighted.
CLOSE UP - PALPATINE
We see PALPATINE, the star map in front of him. He is calm.
CLOSE UP - KAO
We see KAO, the star map in front of him. He breathes
slowly.
CLOSE UP - PALPATINE
The blue of the star map illuminates Palpatine's his face.
PALPATINE
You fight for us, and we give you what
you need. We both gain from this pact.
CLOSE UP - KAO
The blue illuminates Kao's face, as well.
KAO
Yes... We die in a war that is not ours.
We become feared and hated once again.
CLOSE UP - CLOSER ON KAO
KAO
You hide. You command the army from
behind two shadows. You live. We die.
MEDIUM SHOT - PALPATINE AND KAO
PALPATINE
But you are a dying people and need our
technology. Your next generation will
not be born without our help.
KAO breathes.
PALPATINE
You need our help.
CLOSE UP - PALPATINE
PALPATINE speaks slowly.
PALPATINE
You have no choice.
CLOSE UP - KAO
Kao's words mirror Palpatine's.
KAO
We have no choice.
CLOSE UP - NELL
NELL stands motionless.
CLOSE UP - JASTER
JASTER displays confusion.
MEDIUM SHOT - PALPATINE AND KAO
PALPATINE
Good. You see it our way.
(beat)
You take care of your end, and we'll take
care of ours.
KAO
We will destroy the targets you wish. We
will spread fear and chaos. We will burn
the worlds you have ordered.
CLOSE UP - KAO
KAO
But, you will save us. You will cure us.
How?
CLOSE UP - NELL
PALPATINE
(os)
We have our ways.
MEDIUM SHOT - PALPATINE AND KAO
PALPATINE
We have our ways.
PALPATINE shut off the disc. He pockets the device and
extends his arm. This time, KAO shakes his hand.
DISSOLVE TO:
EXT. SPACE - NABOO
The small planet of Naboo.
EXT. THEED PALACE - CITY SIDE
We see the Theed Palace from the side meeting the city.
INT. THEED PALACE - WIDE CHAMBER - CLOSE UP - OBI-WAN
OBI-WAN KENOBI, Jedi Knight, stands right in front of the
CAMERA. He looks down, below it.
Slowly, A PAIR OF HANDS reaches out from behind Obi-Wan's
head.
OBI-WAN glances up quickly and then back down.
The hands quickly wrap around Obi-Wan's eyes.
In a cheerful voice, the owner of the hands speaks.
FEMALE VOICE
Guess who?
In a tired voice, OBI-WAN responds.
OBI-WAN
Amidala, I knew it was you when you first
stepped inside this room.
WIDE SHOT - OBI-WAN AND AMIDALA
In a profile view, we see the two. OBI-WAN is up against a
glass balcony, looking out. He is clad in a black suit under
a coarse brown cloak.
AMIDALA, queen of Naboo, is wearing a thin white gown
(similar to the one worn at the end of "The Phantom Menace").
AMIDALA retracts her arms and slowly backs away.
MEDIUM SHOT - OBI-WAN AND AMIDALA
AMIDALA approaches OBI-WAN and the balcony. She folds her
arms together.
In a inquisitive voice, she asks OBI-WAN a question.
AMIDALA
Whaddaya doing?
OBI-WAN turns to her. He looks down at her, puzzled.
AMIDALA flashes an interested smile.
OBI-WAN
...Training.
MEDIUM SHOT - BEHIND OBI-WAN AND AMIDALA
We see over the shoulders of OBI-WAN and AMIDALA. Down, 100
feet below, ANAKIN SKYWALKER stands in a garden. A blue
lightsabre is held in front of him. He wears a white tunic
and pants.
EXT. GARDEN - WIDE SHOT
ANAKIN slowly paces forward, slowly swinging his lightsabre.
He is in a green garden, with ferns, bushes, and vines
growing everywhere. ANAKIN is in the central square,
composed of yellow baked clay bricks.
CLOSE UP - ANAKIN
Anakin's eyes tense.
INT. THEED PALACE - WIDE CHAMBER - MEDIUM SHOT - OBI-WAN
We see OBI-WAN watch ANAKIN, from a profile view.
CLOSE SHOT - OBI-WAN'S HAND
OBI-WAN swiftly bats his left hand forward.
EXT. GARDEN - WIDE SHOT
A small stone flies toward ANAKIN, from behind. ANAKIN only
reacts when it is almost upon him. He spins around and
positions his sabre in its path. A flash and pop sound from
where the stone and sabre collide. The stone is vaporized.
INT. THEED PALACE - WIDE CHAMBER - CLOSE UP - OBI-WAN
A profile view, OBI-WAN concentrates.
EXT. GARDEN - WIDE SHOT
A second stone flies toward ANAKIN, opposite from where the
first one came from. ANAKIN swings around and bats his sabre
at it. The stone pops and vaporizes.
A third stone comes at ANAKIN. ANAKIN spins his sabre to
catch it, his stance remaining the same.
There is a pause.
CLOSE UP - ANAKIN
ANAKIN breathes a tired breath and glances up toward KENOBI.
MEDIUM SHOT - ANAKIN
ANAKIN wheels his sabre around to catch a stone coming from
behind him.
INT. THEED PALACE - WIDE CHAMBER - MEDIUM SHOT - OBI-WAN
OBI-WAN shouts down to ANAKIN.
OBI-WAN
Very good, Anakin!
EXT. GARDEN - CLOSE UP - ANAKIN
ANAKIN looks up at KENOBI. He speaks in a tired voice.
ANAKIN
Yeah.
WIDE SHOT - GARDEN
OBI-WAN, from in the balcony, shouts.
OBI-WAN
Padawan, you can return now.
AMIDALA waves to ANAKIN
ANAKIN shuts off his lightsabre and waves back. It can be
barely seen, but OBI-WAN glances toward AMIDALA.
ANAKIN begins to race toward the garden's exit. A stone hits
him in the back of the head, causing him to falter. He
stumbles but quickly returns to running.
INT. THEED PALACE - WIDE CHAMBER - MEDIUM SHOT - OBI-WAN AND
AMIDALA
OBI-WAN turns away from the balcony. AMIDALA follows, soon
after. She speaks in the concerned voice of a mother.
AMIDALA
That was mean, Obi-Wan.
OBI-WAN replies, holding his emotions back.
OBI-WAN
Amidala, there are things you do not
know.
(beat)
There are things...
OBI-WAN stops and looks away.
CLOSE UP - OBI-WAN
OBI-WAN bites his lip.
OBI-WAN
There are things you do not understand.
There are things I want to tell you...
things that I want you to know.
MEDIUM SHOT - OBI-WAN AND AMIDALA
OBI-WAN
I can hear more than your words. You
assume too much.
OBI-WAN begins to put his hands on Amidala's shoulders but
cowers away.
AMIDALA speaks in a puzzled and confused voice.
AMIDALA
I... I...
CLOSE UP - OBI-WAN
OBI-WAN turns away from AMIDALA, toward the doorway.
OBI-WAN
Anakin's coming.
MEDIUM SHOT - OBI-WAN AND AMIDALA
Both look toward the door. After a short period, AMIDALA
looks up at OBI-WAN.
AMIDALA
Obi-Wan...
CLOSE UP - AMIDALA
AMIDALA grins.
CLOSE UP - OBI-WAN
OBI-WAN looks at AMIDALA.
CLOSE UP - AMIDALA.
AMIDALA blushes.
AMIDALA
Obi-Wan, I want...
CLOSE SHOT - AMIDALA'S HAND
AMIDALA reaches and clasps Obi-Wan's hand in her own.
MEDIUM SHOT - AMIDALA AND OBI-WAN
OBI-WAN looks deeply into Amidala's eyes, searching for his
words.
OBI-WAN
Anakin's coming.
ANAKIN
(os)
Hey!
MEDIUM SHOT - WIDE CHAMBER DOORWAY
ANAKIN comes racing through the doorway.
CLOSE SHOT - AMIDALA AND OBI-WAN'S HANDS
AMIDALA quickly releases Obi-Wan's hand.
WIDE SHOT - OBI-WAN, AMIDALA, AND ANAKIN
ANAKIN breathes heavily, after just running up several
flights of stairs.
ANAKIN
Hey!
AMIDALA
Hey.
CLOSE UP - OBI-WAN
OBI-WAN glances back and forth.
MEDIUM SHOT - OBI-WAN, AMIDALA, AND ANAKIN
OBI-WAN
I'm going to...
OBI-WAN leaves.
CLOSE UP - ANAKIN
ANAKIN watches OBI-WAN exit the room. He is unconcerned.
CLOSE UP - AMIDALA
AMIDALA watches OBI-WAN leave. She is sad.
MEDIUM SHOT - ANAKIN AND AMIDALA
ANAKIN looks at AMIDALA. He speaks with genuine concern.
ANAKIN
What's wrong?
AMIDALA
Nothing.
She's lying.
ANAKIN persists.
ANAKIN
What's wrong? There's something. I can
feel it.
AMIDALA looks down.
WIDE SHOT - BALCONY
ANAKIN walks to the balcony and turns back toward AMIDALA.
He opens his mouth and taps on the stone ledge.
MEDIUM SHOT - AMIDALA
The CAMERA follows Amidala's slow and reluctant walk to
Anakin's side.
CLOSE UP - AMIDALA
AMIDALA
It's Obi-Wan.
(beat)
I... like... Obi-Wan.
CLOSE UP - ANAKIN
Anakin's face looses some of its compassion.
CLOSE UP - AMIDALA
AMIDALA
I've tried to tell him... and I think
he's tried to tell me, but we just can't
connect. I don't even know for sure if
he... but...
(beat)
I like him.
AMIDALA looks down and takes a breath.
MEDIUM SHOT - ANAKIN AND AMIDALA
A beautiful vista of the garden and beyond fills the
background.
AMIDALA
I don't know...
(beat)
Could you, maybe, find out?
(beat)
Could you?
AMIDALA looks up and smiles.
ANAKIN rests his hands on her shoulders.
CLOSE UP - ANAKIN
ANAKIN
Amidala...
(beat)
You are a beautiful and intelligent young
woman. It hurts me ever so deeply to see
you in such pain.
MEDIUM SHOT - ANAKIN AND AMIDALA
ANAKIN
I WILL aid you in any way that I can.
(beat)
But, you know what?
CLOSE UP - AMIDALA
AMIDALA is somewhat embarrassed and choked for words. She
timidly speaks.
AMIDALA
... what?
MEDIUM SHOT - ANAKIN AND AMIDALA
ANAKIN pauses, quickly reconsidering this venture, but then
continues. He speaks nervously.
ANAKIN
I like you.
ANAKIN pulls a delicate blue flower out of his belt. He had
taken it from the garden.
He places it in Amidala's hands.
WIDE SHOT - ANAKIN AND AMIDALA ON THE BALCONY
The balcony and the two on it seem dark against the brilliant
green and blue vista, extending out for miles. We see the
garden and out past the palace walls. We see all of Theed
and small settlements on its outskirts. We see the rolling
green hills of the Naboo countryside.
AMIDALA and ANAKIN stand seemingly still, timidly afraid to
continue.
Ever so slowly, they move closer.
CLOSE UP - ANAKIN
ANAKIN moves closer to AMIDALA, ever so slowly. He is
eclipsed by the background.
CLOSE UP - AMIDALA
AMIDALA slowly moves closer to ANAKIN. She, too, is eclipsed
by the background.
EXTREME CLOSE UP - ANAKIN'S EYES
Fear and wanting fill Anakin's eyes, eclipsed by the
background.
EXTREME CLOSE UP - AMIDALA'S EYES
Fear and curiosity fill Amidala's eyes, eclipsed by the
background.
EXTREME CLOSE UP - ANAKIN'S LIPS
Anakin's lips spread, eclipsed by the background.
EXTREME CLOSE UP - AMIDALA'S LIPS
Amidala's lips part, eclipsed by the background.
CUT TO:
INT. THEED PALACE - OBI-WAN'S CELL - CLOSE UP - OBI-WAN
Obi-Wan's quarters are sparse. He has few possessions. He
looks down, at the bare stone floor, deep in thought.
Suddenly, his face is thrusted up. He gasps for air in
shock, horror, and disbelief.
MEDIUM SHOT - OBI-WAN
The CAMERA pans, following OBI-WAN. He paces about, staring
down at the floor, hyperventilating.
The only objects seen in the background are a bed roll and
small chest, atop it lying Qui-Gon's lightsabre.
CLOSE UP - OBI-WAN
A knock sounds from the door.
Obi-Wan's eyes dart about, his face still toward the floor.
The knock sounds a second time.
OBI-WAN speaks in a disturbed and unsure voice.
OBI-WAN
... Come in.
MEDIUM SHOT - DOOR
The door quickly raises. Behind it stands the GOVERNOR OF
THEED, clad in blue and black robes. He, too, is disturbed,
but for a different reason.
He slowly steps into Obi-Wan's meager chamber. He makes eye
contact with OBI-WAN and speaks blankly.
GOVERNOR
The Republic's at war.
CUT TO:
INT. THEED PALACE - THRONE ROOM - WIDE SHOT
QUEEN AMIDALA, in full regalia, rests in her throne. Her
arms are draped across the sides. ANAKIN stands near her, on
her right. Various GUARDS and ADVISORS cluster to her left.
The GOVERNOR and OBI-WAN approach.
CLOSE UP - OBI-WAN
OBI-WAN glances toward ANAKIN and AMIDALA.
CLOSE UP - ANAKIN
ANAKIN looks at OBI-WAN, innocence on his face.
CLOSE UP - AMIDALA
AMIDALA looks at OBI-WAN. She tries to hide her uneasiness.
MEDIUM SHOT - GOVERNOR
The GOVERNOR stands in front of the QUEEN and the assembled
COURT.
GOVERNOR
I have just received word from Chancellor
Palpatine. There have been raids and
bombing strikes on various border
colonies and outer rim worlds.
CLOSE UP - AMIDALA
AMIDALA speaks, putting all fears behind her. She speaks
with the voice of authority and a leader.
AMIDALA
Who is behind these attacks?
MEDIUM SHOT - GOVERNOR
The GOVERNOR takes a breath.
GOVERNOR
That is the interesting bit. That is why
Palpatine contacted us personally.
CLOSE UP - ANAKIN
ANAKIN
Well, who is it?
MEDIUM SHOT - GOVERNOR
GOVERNOR
Now, I must tell you that this is not the
best quality recording, but it is the
only one to survive.
(beat)
The Chancellor has sent it to us prior to
releasing it to the Senate.
(beat)
He felt that we should have advance
notice.
The GOVERNOR taps on a small relay device in his hand.
WIDE SHOT - PILLARS
Off set from the throne, a partition of the wall and marble
pillars distort and flicker away, revealing a large viewer in
their place. They were but only a detailed hologram covering
the screen.
CLOSE UP - GOVERNOR
The GOVERNOR takes a breath and taps the device.
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Script created with Final Draft by B.C. Software, Inc.