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A four hour re-telling, over two evenings, of the two mighty
Homeric tales.
These stories have a cast of characters whose shadows have
stretched across the European imagination for three thousand
years: Helen, cursed by her beauty; Achilles, the archetypal
flawed hero; Cassandra, destined to see the future but to be
believed by no-one; Odysseus, the quick-witted survivor against
all the odds……characters whose destinies are driven
by the all consuming force-fields of the Olympian Gods.
The Iliad.
The story of the siege and fall of Troy is as contemporary now
as it has ever been. It is an extraordinary account of the
testosterone-charged energy of war, with its savagery and mad
ecstasy. It explores questions of nationalism (one sides
triumphant moments of victory are another sides atrocities), of
grief (Achilles’ mourning of Patroclus, Priam’s
mourning of Hector), of divine indifference, human frailty and
the destructive and redemptive faces of love.
The Odyssey.
The story of Odysseus’ ten year journey from Troy
describes the systematic stripping away of a hero’s wealth
and warrior bravado until, at last, he returns home ‘alone,
unknown and under a strange sail’. Buffeted by the Fates,
helped by indomitable owl-eyed Athene, Odysseus’ voyage is
the journey of Everyman from the cock-sureness of youth into the
wisdom of age, from male ego into feminine mystery.
These compulsive performances, by two of Britain’s leading
storytellers, are true to the momentum of a rattling good tale,
the wry humour and poetic reflection, and the profound human
observation of the Homeric vision. They are aimed at an adult
audience and are not suitable for anyone under twelve.
Each performance lasts approximately two hours.
The Odyssey and the Iliad can be booked separately (each is a
performance in its own right) for a single evening, or together
over two consecutive evenings.
The fee for each performance is £750 plus travel and
accommodation.
The fee for both is £1400 plus
travel and accommodation.

Hugh Lupton and Daniel Morden are leading exponents of the art
of storytelling. They have performed at many theatres and
festivals over the last few years including The Barbican, The
National Theatre, The Voice-Box, The British Museum, The Hay
Festival, Oslo Storytelling Festival, Beyond the Border Festival,
Symphony Space (New York) and the Bath Literature Festival.

What the Press have said:
“… I went to the Barbican the other day to listen to two of Britain’s finest storytellers – Hugh Lupton and Daniel Morden – recounting the Iliad, the tale of that great quarrel from which all western literature springs. The seats were uncomfortable… but the hours flew by. These two men had to do no more than tap into the ancient power of the spoken word to hold an entire audience in their thrall. A veil of typescript fell from my eyes.
I saw
Helen in all her intoxicating beauty standing amid the bloody chunks of a
slaughtered stallion. I saw Achilles aglitter in gold armour before his
black ranks of Myrmidons. I saw banquets and voyages, armies and oceans,
battling heroes and ravening gods – all conjured out of thin air by a voice.
Film is often thought to be a threat to literature. But the images that
billowed and faded in that darkened auditorium were quite different from
those that unspool across a screen. I could put my hands in front of my face
and the pictures would not vanish. They were inside me. They belonged to me.
They were part of the history of the whole of human life.”
Rachel
Campbell Johnson, The Times, March 2005.