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Character "Sound Tracks"
 
Music for: Nephythyss     Ok, after many days of searching through countless cd's and shuffling through sheet music, I have finally made my list. I had to add some things to it, because as I listened to my tunes I realized most of them held deeper or different meanings. Some have more than one song, cause I just couldn't decide, so I didn't. Metallica is repeated twice because I love their S&M album, i think whenever you mix rock and classical you get such a great combination; and Eric Clapton appears twice as well because, well, let's face it...he's god.
Preview Theme: Nothing Else Matters, Metallica w/San Francisco Symphony
Grand Entrance: Mindfields, Prodigy A loop in time, Wally Brill
Battle: Wherever I may roam, Metallica w/ San Francisco Symphony
Romance: Romance/Love: Invisible Movies Part I, Adrian Enescu
In der Nacht, Robert Shumann; Passion/Sex: Old Love, Eric Clapton w/ National Philharmonic Orchestra; Los Bilbilcos, Consuelo Luiz
Desperation: Edge of Darkness, Eric Clapton w/ National Philharmonic Orchestra
Loss: Clubbed to death, Rob D; Vocalise, Rachmaninov (sang this at my last recital, there are no lyrics and the singer only sings the vowel 'ah', which makes it so moving)
Having fun: Tanz, Carmina Burana, Carl Orff
Agony: Automne, Gabriel Faure
Fear:
Questing:
Death: Lacrimosa, Requiem, V.A. Mozart
 
Vengeance/Retribution: Sanctuary! The Hunchback of Notre Dame, Alan Menken and Stephen Schwartz
 
Watching: In the Evening Air, The Art of Noise
 
Stalking/Hunting: Farruca, Intro
 
Chase: Infernal Dance of King Kastchu, Firebird, Stravinsky
 
Showing Off: Diva Dance, Eris Serra (the really cool song from The Fifth Element where the alien chick is singing opera with a techno beat...)
 
Regret: Spem in alium, Thomas Tallis (this piece is sung by a 40 part chorus!!!)
 
Questioning: Secret Love, Nicos
 
Acceptance: It must be so, Candide, Leonard Bernstein
 
Loneliness/depression: Makamba, Geoffrey Oryema (yes, off the infamous Pure Moods cd...)
 
Longing: One Song, Glory, Rent, Jonathan Larson

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